The Art of Twentieth-century Zen PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Art of Twentieth-century Zen PDF full book. Access full book title The Art of Twentieth-century Zen by Audrey Yoshiko Seo. Download full books in PDF and EPUB format.
Author: Audrey Yoshiko Seo
Publisher:
ISBN:
Category : Calligraphy, Zen
Languages : en
Pages : 240
Get Book
Book Description
The Art of Twentieth-Century Zen is a display of artistic variations on traditional Zen themes. Serving as a window on the Zen world, it is an important contribution to the study of Zen art for the Western audience.
Author: Audrey Yoshiko Seo
Publisher:
ISBN:
Category : Calligraphy, Zen
Languages : en
Pages : 240
Get Book
Book Description
The Art of Twentieth-Century Zen is a display of artistic variations on traditional Zen themes. Serving as a window on the Zen world, it is an important contribution to the study of Zen art for the Western audience.
Author:
Publisher: UM Libraries
ISBN:
Category : Art, East Asian
Languages : en
Pages : 624
Get Book
Book Description
Author: John Stevens
Publisher: Shambhala Publications
ISBN: 1645470547
Category : Religion
Languages : en
Pages : 281
Get Book
Book Description
Explore this stunning collection of spiritual calligraphy by Japan’s greatest martial arts masters—with commentary from Zen art authority and aikido master John Stevens. Beginning with the legendary samurai Miyamoto Musashi, nearly all of the great martial arts masters left a legacy of calligraphy and painting. Their artwork—Zenga and Zensho (“Zen pictures” and “Zen calligraphy”)—was not only an extension of their Zen practice but also reflected their deep spiritual commitment to the budo ethos, the perfection of self through martial arts training. This book presents a concise history of this tradition, with works from such samurai as Musashi, Takuan, Yagyu, Motusgai, Rengetsu, Tesshu Deishu, Kano, Morihei, and others. Aikido master John Stevens is an expert on Zen and budo art, and he provides a fascinating introduction to the tradition and biographical details on each of the warrior artists, and brief, illuminating commentary on each piece.
Author: J. Thomas Rimer
Publisher: University of Hawaii Press
ISBN: 0824861027
Category : Art
Languages : en
Pages : 554
Get Book
Book Description
Research outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has begun to attract wide interest. As is evident from this volume, this period of roughly a century and a half produced an outpouring of art created in a bewildering number of genres and spanning a wide range of aims and accomplishments. Since Meiji is the first sustained effort in English to discuss in any depth a time when Japan, eager to join in the larger cultural developments in Europe and the U.S., went through a visual revolution. Indeed, this study of the visual arts of the nineteenth and twentieth centuries suggests a fresh history of modern Japanese culture—one that until now has not been widely visible or thoroughly analyzed outside that country. In this extensive collection, which includes some 190 black-and-white and color reproductions, scholars from Japan, Europe, Australia, and America explore an impressive array of subjects: painting, sculpture, prints, fashion design, crafts, and gardens. The works discussed range from early Meiji attempts to create art that referenced Western styles to postwar and contemporary avant-garde experiments. There are, in addition, substantive investigations of the cultural and intellectual background that helped stimulate the creation of new and shifting art forms, including essays on the invention of a modern artistic vocabulary in the Japanese language and the history of art criticism in Japan, as well as an extensive account of the career and significance of perhaps the best-known Japanese figure concerned with the visual arts of his period, Okakura Tenshin (1862–1913), whose Book of Tea is still widely read today. Taken together, the essays in this volume allow readers to connect ideas and images, thus bringing to light larger trends in the Japanese visual arts that have made possible the vitality, range, and striking achievements created during this turbulent and lively period. Contributors: Stephen Addiss, Chiaki Ajioka, John Clark, Ellen Conant, Mikiko Hirayama, Michael Marra, Jonathan Reynolds, J. Thomas Rimer, Audrey Yoshiko Seo, Eric C. Shiner, Lawrence Smith, Shuji Tanaka, Reiko Tomii, Mayu Tsuruya, Toshio Watanabe, Gennifer Weisenfeld, Bert Winther-Tamaki, Emiko Yamanashi.
Author: A. Iriye
Publisher: Springer
ISBN: 1349740306
Category : History
Languages : en
Pages : 1267
Get Book
Book Description
Written and edited by many of the world's foremost scholars of transnational history, this Dictionary challenges readers to look at the contemporary world in a new light. Contains over 400 entries on transnational subjects such as food, migration and religion, as well as traditional topics such as nationalism and war.
Author: Stephen Addiss
Publisher: Shambhala Publications
ISBN: 1645471217
Category : Poetry
Languages : en
Pages : 353
Get Book
Book Description
In the past hundred years, haiku has gone far beyond its Japanese origins to become a worldwide phenomenon—with the classic poetic form growing and evolving as it has adapted to the needs of the whole range of languages and cultures that have embraced it. This proliferation of the joy of haiku is cause for celebration—but it can also compel us to go back to the beginning: to look at haiku’s development during the centuries before it was known outside Japan. This in-depth study of haiku history begins with the great early masters of the form—like Basho, Buson, and Issa—and goes all the way to twentieth-century greats, like Santoka. It also focuses on an important aspect of traditional haiku that is less known in the West: haiku art. All the great haiku masters created paintings (called haiga) or calligraphy in connection with their poems, and the words and images were intended to be enjoyed together, enhancing each other, and each adding its own dimension to the reader’s and viewer’s understanding. Here one of the leading haiku scholars of the West takes us on a tour of haiku poetry’s evolution, providing along the way a wealth of examples of the poetry and the art inspired by it.
Author: Patricia J. Graham
Publisher: University of Hawaii Press
ISBN: 0824831918
Category : Art
Languages : en
Pages : 364
Get Book
Book Description
Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and other sites of devotion and in imagery representing the religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally associated with institutional Buddhism and its canonical visual requirements but whose faith inspires their art. The author makes a persuasive argument that the neglect of these materials by scholars results from erroneous presumptions about the aesthetic superiority of early Japanese Buddhist artifacts and an asserted decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s compelling presence at all levels of Japanese society and its evolution in response to the needs of new generations of supporters.
Author: Grace Schireson
Publisher: Simon and Schuster
ISBN: 086171475X
Category : Religion
Languages : en
Pages : 321
Get Book
Book Description
This landmark presentation at last makes heard the centuries of Zen's female voices. Through exploring the teachings and history of Zen's female ancestors, from the time of the Buddha to ancient and modern female masters in China, Korea, and Japan, Grace Schireson offers us a view of a more balanced Dharma practice, one that is especially applicable to our complex lives, embedded as they are in webs of family relations and responsibilities, and the challenges of love and work. Part I of this book describes female practitioners as they are portrayed in the classic literature of "Patriarchs' Zen"--often as "tea-ladies," bit players in the drama of male students' enlightenments; as "iron maidens," tough-as-nails women always jousting with their male counterparts; or women who themselves become "macho masters," teaching the same Patriarchs' Zen as the men do. Part II of this book presents a different view--a view of how women Zen masters entered Zen practice and how they embodied and taught Zen uniquely as women. This section examines many urgent and illuminating questions about our Zen grandmothers: How did it affect them to be taught by men? What did they feel as they trying to fit into this male practice environment, and how did their Zen training help them with their feelings? How did their lives and relationships differ from that of their male teachers? How did they express the Dharma in their own way for other female students? How was their teaching consistently different from that of male ancestors? And then part III explores how women's practice provides flexible and pragmatic solutions to issues arising in contemporary Western Zen centers.
Author: Audrey Yoshiko Seo
Publisher: Shambhala Publications
ISBN: 0834805758
Category : Art
Languages : en
Pages : 190
Get Book
Book Description
The enso, or "Zen circle", is one of the most prevalent images of Zen art, and has become a symbol of the clean and strong Zen aesthetic. This books containts examples of traditional enso art from the seventeenth century to the present.
Author: National Endowment for the Humanities. Division of Public Programs
Publisher:
ISBN:
Category : Exhibitions
Languages : en
Pages : 172
Get Book
Book Description
