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Author: J. Thomas Rimer
Publisher: University of Hawaii Press
ISBN: 0824861027
Category : Art
Languages : en
Pages : 554
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Book Description
Research outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has begun to attract wide interest. As is evident from this volume, this period of roughly a century and a half produced an outpouring of art created in a bewildering number of genres and spanning a wide range of aims and accomplishments. Since Meiji is the first sustained effort in English to discuss in any depth a time when Japan, eager to join in the larger cultural developments in Europe and the U.S., went through a visual revolution. Indeed, this study of the visual arts of the nineteenth and twentieth centuries suggests a fresh history of modern Japanese culture—one that until now has not been widely visible or thoroughly analyzed outside that country. In this extensive collection, which includes some 190 black-and-white and color reproductions, scholars from Japan, Europe, Australia, and America explore an impressive array of subjects: painting, sculpture, prints, fashion design, crafts, and gardens. The works discussed range from early Meiji attempts to create art that referenced Western styles to postwar and contemporary avant-garde experiments. There are, in addition, substantive investigations of the cultural and intellectual background that helped stimulate the creation of new and shifting art forms, including essays on the invention of a modern artistic vocabulary in the Japanese language and the history of art criticism in Japan, as well as an extensive account of the career and significance of perhaps the best-known Japanese figure concerned with the visual arts of his period, Okakura Tenshin (1862–1913), whose Book of Tea is still widely read today. Taken together, the essays in this volume allow readers to connect ideas and images, thus bringing to light larger trends in the Japanese visual arts that have made possible the vitality, range, and striking achievements created during this turbulent and lively period. Contributors: Stephen Addiss, Chiaki Ajioka, John Clark, Ellen Conant, Mikiko Hirayama, Michael Marra, Jonathan Reynolds, J. Thomas Rimer, Audrey Yoshiko Seo, Eric C. Shiner, Lawrence Smith, Shuji Tanaka, Reiko Tomii, Mayu Tsuruya, Toshio Watanabe, Gennifer Weisenfeld, Bert Winther-Tamaki, Emiko Yamanashi.
Author: J. Thomas Rimer
Publisher: University of Hawaii Press
ISBN: 0824861027
Category : Art
Languages : en
Pages : 554
Get Book
Book Description
Research outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has begun to attract wide interest. As is evident from this volume, this period of roughly a century and a half produced an outpouring of art created in a bewildering number of genres and spanning a wide range of aims and accomplishments. Since Meiji is the first sustained effort in English to discuss in any depth a time when Japan, eager to join in the larger cultural developments in Europe and the U.S., went through a visual revolution. Indeed, this study of the visual arts of the nineteenth and twentieth centuries suggests a fresh history of modern Japanese culture—one that until now has not been widely visible or thoroughly analyzed outside that country. In this extensive collection, which includes some 190 black-and-white and color reproductions, scholars from Japan, Europe, Australia, and America explore an impressive array of subjects: painting, sculpture, prints, fashion design, crafts, and gardens. The works discussed range from early Meiji attempts to create art that referenced Western styles to postwar and contemporary avant-garde experiments. There are, in addition, substantive investigations of the cultural and intellectual background that helped stimulate the creation of new and shifting art forms, including essays on the invention of a modern artistic vocabulary in the Japanese language and the history of art criticism in Japan, as well as an extensive account of the career and significance of perhaps the best-known Japanese figure concerned with the visual arts of his period, Okakura Tenshin (1862–1913), whose Book of Tea is still widely read today. Taken together, the essays in this volume allow readers to connect ideas and images, thus bringing to light larger trends in the Japanese visual arts that have made possible the vitality, range, and striking achievements created during this turbulent and lively period. Contributors: Stephen Addiss, Chiaki Ajioka, John Clark, Ellen Conant, Mikiko Hirayama, Michael Marra, Jonathan Reynolds, J. Thomas Rimer, Audrey Yoshiko Seo, Eric C. Shiner, Lawrence Smith, Shuji Tanaka, Reiko Tomii, Mayu Tsuruya, Toshio Watanabe, Gennifer Weisenfeld, Bert Winther-Tamaki, Emiko Yamanashi.
Author: R. Sims
Publisher: Springer
ISBN: 1349632406
Category : Political Science
Languages : en
Pages : 437
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Book Description
Japanese Political History Since the Meiji Restoration, 1868-2000 explores, through a combination of narrative and analysis, the changes in the political process which lay behind Japan's transformation into a modern nation state; its successive turn toward militarism, fascism, and the Pacific War; and the imposition of a fully democratic constitution. Sims examines closely such central topics as the Meiji renovation, samurai modernisers, the rise of liberal political parties, the Meiji constitution, 'Taisho democracy', the wartime changes in the political system, postwar reforms and the 'reverse course', four decades of Liberal Democratic rule, and the shake-up of Japanese politics during the 1990s. No other book has covered Japanese political history over the entire period since 1868 in such detail, and the present volume aims to fill the gap between the various general histories of modern Japan and the ever-increasing monographic literature.
Author: Alistair Swale
Publisher: Springer Nature
ISBN: 3031436466
Category : History
Languages : en
Pages : 224
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Book Description
Scholarship on Japan’s development from the late nineteenth century to the early twentieth century has, perhaps quite understandably, been dominated by attention given to Japan’s emergence as a world power through a succession of military conflicts, and the burgeoning of a modern literary canon. This book argues that the emergence of empire and high culture needs to be more thoroughly integrated with an awareness of popular culture in urban life, a culture that at times exhibited a less than whole-hearted enthusiasm for the trappings of 'civilization', - a culture that was, in a sense, ‘decadent’. It integrates coverage of popular culture across diverse media and platforms, accentuating the emergence of new modern forms that evolved from the inter-relation between textual, visual and performative traditions such as kōdan and gidayū. The commentary is seasoned with reference to contemporary narratives, aiming to capture more ‘on the street’ perceptions of momentous events such as war and natural disasters, as well as the more arcane or curious media sensations of the moment. These included exposés of scandalous conduct in high places, new fads in popular entertainments and riveting stories of human interest whether it be crime or tragedies of modern urban living.
Author: Mark Ravina
Publisher: Oxford University Press
ISBN: 0190656107
Category : History
Languages : en
Pages :
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Book Description
The samurai radicals who overthrew the last shogun in 1868 promised to restore ancient and pure Japanese ways. Foreign observers were terrified that Japan would lapse into violent xenophobia. But the new Meiji government took an opposite course. It copied best practices from around the world, building a powerful and modern Japanese nation with the help of European and American advisors. While revering the Japanese past, the Meiji government boldly embraced the foreign and the new. What explains this paradox? How could Japan's 1868 revolution be both modern and traditional, both xenophobic and cosmopolitan? To Stand with the Nations of the World explains the paradox of the Restoration through the forces of globalization. The Meiji Restoration was part of the global "long nineteenth century" during which ambitious nation states like Japan, Britain, Germany, and the United States challenged the world's great multi-ethnic empires--Ottoman, Qing, Romanov, and Hapsburg. Japan's leaders wanted to celebrate Japanese uniqueness, but they also sought international recognition. Rather than simply mimic world powers like Britain, they sought to make Japan distinctly Japanese in the same way that Britain was distinctly British. Rather than sing "God Save the King," they created a Japanese national anthem with lyrics from ancient poetry, but Western-style music. The Restoration also resonated with Japan's ancient past. In the 600s and 700s, Japan was threatened by the Tang dynasty, a dynasty as powerful as the Roman empire. In order to resist the Tang, Japanese leaders borrowed Tang methods, building a centralized Japanese state on Tang models, and learning continental science and technology. As in the 1800s, Japan co-opted international norms while insisting on Japanese distinctiveness. When confronting globalization in 1800s, Japan looked back to that "ancient globalization" of the 600s and 700s. The ancient past was therefore not remote or distant, but immediate and vital.
Author: Albert M. Craig
Publisher: Lexington Books
ISBN: 9780739101933
Category : History
Languages : en
Pages : 458
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Book Description
When Commodore Perry arrived in Japan to open the country to Western trade in 1853, he found a medieval amalgam of sword-bearing samurai, castle towns, Confucian academies, peasant villages, rice paddies, upstart merchants, bath houses, and Kabuki. Fifteen years later, Japan was on its way to becoming the only non-Western nation in the nineteenth century with a modern centralized bureaucratic state and industrial economy. This book is a study of the Meiji Restoration that changed the face of Japan. Prominent historian Albert M. Craig tells its story through that of the domain of Choshu-whose role in the formation of modern Japan was not unlike that of Prussia in Germany-during the fifteen crucial years between 1853 and 1868. Whereas previous studies have stressed the role of discontented lower samurai and frustrated rich merchants and peasants in this transition, claiming that they provided the motive power behind the political movements of the Restoration period, this work sharply challenges these earlier interpretations. Craig instead emphasizes the vitality of traditional values in Japan's early reaction to the West and foregrounds the critical contribution of the old society to the formation of the new Meiji state. Choshu in the Meiji Restoration is a seminal work for scholars and students of Japanese history.
Author: William M. Tsutsui
Publisher: John Wiley & Sons
ISBN: 1405193395
Category : History
Languages : en
Pages : 633
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Book Description
A Companion to Japanese History provides an authoritative overview of current debates and approaches within the study of Japan’s history. Composed of 30 chapters written by an international group of scholars Combines traditional perspectives with the most recent scholarly concerns Supplements a chronological survey with targeted thematic analyses Presents stimulating interventions into individual controversies
Author: R.S. Chaurasia
Publisher: Atlantic Publishers & Dist
ISBN: 9788126902286
Category : Japan
Languages : en
Pages : 276
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Book Description
This Book Covers The History Of Japan From The Very Beginning To 2002 A.D. During 19Th Century Japan Became The Most Advanced And Powerful Nation Of Asia And Raised The Slogan, Asia For Asians . Japan Tried To Extend Her Empire To Other Places Of Asia Like China, Korea, Etc. This Annoyed Western Powers And Usa, And Therefore, They Became The Worst Enemies Of Japan. In The Second World War, Japan Fought Against Britain, France And Usa In Alliance With Germany And Italy But Did Not Attack Ussr. After The Defeat Of Italy And Germany, Usa Forced Japan To Surrender By Using Its Atomic Power And In The Wake Of An Attack Of Russia On Japan. In Spite Of The Defeat, Japan Made Astonishing Progress And Has Become One Of The Most Advanced And The Richest Countries Of The World. Japan Has Made Wonderful Progress By Peaceful Means And Hardwork; The Study Of Progress Of Japan Is, Therefore, Useful For Indian Students And Indian People.It Is Hoped That The Book Will Prove Useful To Students As Well As To The Common Readers.
Author: Tessa Morris Suzuki
Publisher: Routledge
ISBN: 100015405X
Category : Business & Economics
Languages : en
Pages : 181
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Book Description
Economics, in the modern sense of the word, was introduced into Japan in the second half of the nineteenth century. However, Japanese thinkers had already developed, during the seventeenth and eighteenth centuries, a variety of interesting approaches to issues such as the causes of inflation, the value of trade, and the role of the state in economic activity. Tessa Morris-Suzuki provides the first comprehensive English language survey of the development of economic thought in Japan. She considers how the study of neo-classical and Keynesian economics was given new impetus by Japan's 'economic miracle' while Marxist thought, particularly well established in Japan, was developing along lines that are only now beginning to be recognized by the West. She concludes with an examination of the radical rethinking of fundamental economic theory currently occuring in Japan and outlines some of the exciting new approaches which are emerging from this 'shaking of the foundations.
Author: Masao Takenaka
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 50
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Book Description
Author: Donald Keene
Publisher: Columbia University Press
ISBN: 0231518110
Category : Biography & Autobiography
Languages : en
Pages : 957
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Book Description
The renowned Japanese scholar “brings us as close to the inner life of the Meiji emperor as we are ever likely to get” (The New York Times Book Review). When Emperor Meiji began his rule in 1867, Japan was a splintered empire dominated by the shogun and the daimyos, cut off from the outside world, staunchly antiforeign, and committed to the traditions of the past. Before long, the shogun surrendered to the emperor, a new constitution was adopted, and Japan emerged as a modern, industrialized state. Despite the length of his reign, little has been written about the strangely obscured figure of Meiji himself, the first emperor ever to meet a European. But now, Donald Keene sifts the available evidence to present a rich portrait not only of Meiji but also of rapid and sometimes violent change during this pivotal period in Japan’s history. In this vivid and engrossing biography, we move with the emperor through his early, traditional education; join in the formal processions that acquainted the young emperor with his country and its people; observe his behavior in court, his marriage, and his relationships with various consorts; and follow his maturation into a “Confucian” sovereign dedicated to simplicity, frugality, and hard work. Later, during Japan’s wars with China and Russia, we witness Meiji’s struggle to reconcile his personal commitment to peace and his nation’s increasingly militarized experience of modernization. Emperor of Japan conveys in sparkling prose the complexity of the man and offers an unrivaled portrait of Japan in a period of unique interest. “Utterly brilliant . . . the best history in English of the emergence of modern Japan.”—Los Angeles Times
