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Author: Bruce Francis Babington
Publisher: Wipf and Stock Publishers
ISBN: 1606088157
Category : Religion
Languages : en
Pages : 256
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Book Description
Biblical Epics: Sacred Narrative in the Hollywood Cinema is a major survey and analysis of the relationship between religion and film, and traces the development of this genre in Hollywood. The book examines the impact of religion, ethnicity, sexuality, and gender on this complex genre, within the context of American history. Together, Bruce Francis Babington and Peter William Evans raise questions of narrative spectacle, Jewish-Christian relations, authorship, star meanings, the representation of Christ, and sexual desire. The authors theorize the Biblical epic in its three main forms: the Old Testament epic; the Christ film; and the Roman-Christian epic. Films analyzed include David and Bathsheba, The Last Temptation of Christ, The King of Kings, The Greatest Story Ever Told, Demetrius and the Gladiators, Samson and Delilah, and Ben Hur.
Author: Bruce Francis Babington
Publisher: Wipf and Stock Publishers
ISBN: 1606088157
Category : Religion
Languages : en
Pages : 256
Get Book
Book Description
Biblical Epics: Sacred Narrative in the Hollywood Cinema is a major survey and analysis of the relationship between religion and film, and traces the development of this genre in Hollywood. The book examines the impact of religion, ethnicity, sexuality, and gender on this complex genre, within the context of American history. Together, Bruce Francis Babington and Peter William Evans raise questions of narrative spectacle, Jewish-Christian relations, authorship, star meanings, the representation of Christ, and sexual desire. The authors theorize the Biblical epic in its three main forms: the Old Testament epic; the Christ film; and the Roman-Christian epic. Films analyzed include David and Bathsheba, The Last Temptation of Christ, The King of Kings, The Greatest Story Ever Told, Demetrius and the Gladiators, Samson and Delilah, and Ben Hur.
Author: Richard Lindsay
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
This is the only book of its kind to explore biblical epics from an LGBT perspective, studying films from the silent era, to the postwar major studio era, to the present day. In spite of restrictive Hollywood censorship regulations, filmmakers throughout history have pushed the boundaries of sex and violence when making religious films. In this unrivaled text, author and educator Richard Lindsay analyzes the relationship between bible-based epics and "camp"—films with overwrought acting, casts of thousands, and exotic sexuality. Lindsay presents the ways in which camp style identifies films as "biblical" in the mainstream imagination, while undermining their traditional religious messages through the inclusion of sexually diverse subtexts. Viewed through this lens, this provocative book explores topics like the Jazz Age excesses of The King of Kings, the pre-code decadence of The Sign of the Cross, the horror movie tropes of The Passion of the Christ, and comparisons between Ben-Hur and the gay male fantasies of 1960s beefcake magazines. Additional content features the history of biblical epics and a comparison of the pious expectations of filmgoers against the real content of the films.
Author: Patrick McBrine
Publisher: University of Toronto Press
ISBN: 1487514298
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Biblical poetry, written between the fourth and eleventh centuries, is an eclectic body of literature that disseminated popular knowledge of the Bible across Europe. Composed mainly in Latin and subsequently in Old English, biblical versification has much to tell us about the interpretations, genre preferences, reading habits, and pedagogical aims of medieval Christian readers. Biblical Epics in Late Antiquity and Anglo-Saxon England provides an accessible introduction to biblical epic poetry. Patrick McBrine’s erudite analysis of the writings of Juvencus, Cyprianus, Arator, Bede, Alcuin, and more reveals the development of a hybridized genre of writing that informed and delighted its Christian audiences to such an extent it was copied and promoted for the better part of a millennium. The volume contains many first-time readings and discussions of poems and passages which have long lain dormant and offers new evidence for the reception of the Bible in late Antiquity and the Middle Ages.
Author: Patrick McBrine
Publisher: University of Toronto Press
ISBN: 0802098533
Category : Literary Criticism
Languages : en
Pages : 399
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Book Description
Biblical Epics in Late Antiquity and Anglo-Saxon England provides an accessible introduction to biblical epic poetry.
Author: Kingstone Media Group, Inc.
Publisher: Tyndale House Publishers, Inc.
ISBN: 1414396678
Category : Young Adult Nonfiction
Languages : en
Pages : 840
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Book Description
"Unabridged version previously published in 2016 in three volumes as The Kingstone Bible by Kingstone Comics."
Author: Rhonda Burnette-Bletsch
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1614513260
Category : Religion
Languages : en
Pages : 956
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Book Description
This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament; considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema). This handbook is intended for scholars of the Bible, religion, and film as well as for a wider general audience.
Author: Carl P.E. Springer
Publisher: BRILL
ISBN: 9004312722
Category : Religion
Languages : en
Pages : 180
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Book Description
Preliminary material -- PROLEGOMENA -- TEXT AND CONTEXT -- TRADITION AND DESIGN -- EPIC AND EVANGEL -- STRUCTURE AND MEANING -- SOUND AND SENSE -- POPULARITY AND INFLUENCE -- BIBLIOGRAPHY -- INDEX OF PASSAGES -- GENERAL INDEX.
Author: Michael Roberts
Publisher: Arca Classical and Medieval Te
ISBN:
Category : History
Languages : en
Pages : 280
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Book Description
The turning of biblical texts into Latin poetry - biblical paraphrase - was a significant literary activity in late antiquity (third to sixth centuries AD). The most important surviving examples of this form are Juvencus and Sedulius (of the Gospels), Arator (of Acts), "Cyprianus Gallus" (Genesis to Judges), Claudius Marius Victorius (Genesis) and Avitus (parts of Genesis and Exodus). Generally described as biblical epics because they are written in hexameters and imitate pagan epic (especially Virgil), they have also been widely recognized to have drawn for their technique of composition on the rhetorical school exercise of paraphrase. Dr. Roberts analyses in convincing detail how the epic genre interacted with the biblical text through the medium of paraphrase to produce a distinctively Christian literature. He begins by offering the first modern study of paraphrase; two chapters describe its theory and practice, taking into account the standard rhetorical handbooks and recently discovered papyrological evidence. From this perspective, he analyses the types of alterations biblical epic writers made to the biblical text, thereby demonstrating the literary effects they were trying to achieve.
Author: Stephen C. Meyer
Publisher: Indiana University Press
ISBN: 025301459X
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
“A well-researched and thorough book examining what the author finds to be a unique facet of film music of the late 1940s and early 1950s.” —Soundtrax Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. By examining key biblical films, Meyer adeptly engages musicology with film studies to explore cinematic interpretations of the Bible during the 1940s through the 1960s. “A major contribution to the field of film music studies and ought to be widely read by musicologists with an interest in film. Really, it ought to be read by film scholars as well: although the depth of Meyer’s engagement with the music is felt on almost every page, this is also a powerfully sustained exploration of the biblical epic as a film genre.” —American Music “Meyer’s clear and articulate study promises to be a welcome addition to the reading list of anyone interested not just in film but in mid-century music history.” —Journal of the Society for American Music “An ambitious and fascinating book.” —James Buhler, The University of Texas at Austin
Author: Richard Lindsay
Publisher: Bloomsbury Publishing USA
ISBN: 1440837538
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
This is the only book of its kind to explore biblical epics from an LGBT perspective, studying films from the silent era, to the postwar major studio era, to the present day. In spite of restrictive Hollywood censorship regulations, filmmakers throughout history have pushed the boundaries of sex and violence when making religious films. In this unrivaled text, author and educator Richard Lindsay analyzes the relationship between bible-based epics and "camp"—films with overwrought acting, casts of thousands, and exotic sexuality. Lindsay presents the ways in which camp style identifies films as "biblical" in the mainstream imagination, while undermining their traditional religious messages through the inclusion of sexually diverse subtexts. Viewed through this lens, this provocative book explores topics like the Jazz Age excesses of The King of Kings, the pre-code decadence of The Sign of the Cross, the horror movie tropes of The Passion of the Christ, and comparisons between Ben-Hur and the gay male fantasies of 1960s beefcake magazines. Additional content features the history of biblical epics and a comparison of the pious expectations of filmgoers against the real content of the films.
