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Author: Stephen C. Meyer
Publisher: Indiana University Press
ISBN: 025301459X
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
“A well-researched and thorough book examining what the author finds to be a unique facet of film music of the late 1940s and early 1950s.” —Soundtrax Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. By examining key biblical films, Meyer adeptly engages musicology with film studies to explore cinematic interpretations of the Bible during the 1940s through the 1960s. “A major contribution to the field of film music studies and ought to be widely read by musicologists with an interest in film. Really, it ought to be read by film scholars as well: although the depth of Meyer’s engagement with the music is felt on almost every page, this is also a powerfully sustained exploration of the biblical epic as a film genre.” —American Music “Meyer’s clear and articulate study promises to be a welcome addition to the reading list of anyone interested not just in film but in mid-century music history.” —Journal of the Society for American Music “An ambitious and fascinating book.” —James Buhler, The University of Texas at Austin
Author: Sharon Coan
Publisher: Teacher Created Materials
ISBN: 1480745642
Category : Juvenile Nonfiction
Languages : en
Pages : 26
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Book Description
The sounds that we hear travel as sound waves. This science reader introduces students to the concept of sound waves. With easy-to-read text and detailed, vivid images, this book teaches students important scientific subjects and vocabulary terms like pitch, volume, and vibration. Aligned to state and national standards, the book contains nonfiction text features like an index, a glossary, captions, and bold font to keep students connected to the text. A hands-on science experiment helps students apply what they have learned and develops critical thinking skills.
Author: Stephen C. Meyer
Publisher: Indiana University Press
ISBN: 025301459X
Category : Performing Arts
Languages : en
Pages : 288
Get Book
Book Description
“A well-researched and thorough book examining what the author finds to be a unique facet of film music of the late 1940s and early 1950s.” —Soundtrax Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. By examining key biblical films, Meyer adeptly engages musicology with film studies to explore cinematic interpretations of the Bible during the 1940s through the 1960s. “A major contribution to the field of film music studies and ought to be widely read by musicologists with an interest in film. Really, it ought to be read by film scholars as well: although the depth of Meyer’s engagement with the music is felt on almost every page, this is also a powerfully sustained exploration of the biblical epic as a film genre.” —American Music “Meyer’s clear and articulate study promises to be a welcome addition to the reading list of anyone interested not just in film but in mid-century music history.” —Journal of the Society for American Music “An ambitious and fascinating book.” —James Buhler, The University of Texas at Austin
Author: Joann Cleland
Publisher: Carson-Dellosa Publishing
ISBN: 1612367208
Category : Juvenile Fiction
Languages : en
Pages : 24
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Book Description
In This Emergent Reader, Kids Hear Funny Noises At A Sleep Over. Teaching Focus, Words To Know Before You Read, Comprehension And Extension Activities. Inside Front And Back Cover Parent And Teacher Support.
Author: Susan Hughes
Publisher: Kids Can Press Ltd
ISBN: 1525307754
Category : Juvenile Nonfiction
Languages : en
Pages : 32
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Book Description
A comprehensive, kid-friendly examination of how sound works. How does sound happen? How do we hear it? What makes some sounds loud and some soft? Some high pitched and some low pitched? How do humans and animals use sound to communicate? Which sounds happen naturally, and which are created for a specific purpose? This charming picture book explores all of these questions in easy-to-understand and child-friendly language, offering a gentle introduction to how sound works. Kids are experts at making noise. Now they’ll want to stop and listen, too!
Author: Benjamin Harper
Publisher: Studio Fun International
ISBN: 9780794444464
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
An amazing Star Wars sound book for fans who can't get enough of this timeless saga. This collection includes the most iconic battles and sound bites to play while reading this interactive storybook. A must-have for every Star Wars fan who can't get enough of their favorite saga or wants to introduce these classics to the next generation. This 39-button sound book is filled with the most iconic story moments and epic battles between good and evil. Whether in hyperspace or on various planets from Tatooine to Endor, explore the distinct sights and sounds of the unique Star Wars universe in this action-packed storybook.
Author: Francis Spencer
Publisher: Crabtree Seedlings
ISBN: 9781427130242
Category : Ear
Languages : en
Pages : 0
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Book Description
Hearing is one of our five senses. Sound helps us identify things around us and helps us learn. Learn how sound travels in waves and we hear different pitches of sound.
Author: Robin Johnson
Publisher: Light & Sound Waves Close-Up
ISBN: 9780778705222
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
Kids will enjoy learniing about the concept of sound waves in this entertaining book. Readers will learn how sound waves are used for communication and be able to demonstrate this knowledge by creating their own sound devices.
Author: Roey Izhaki
Publisher: CRC Press
ISBN: 1000884007
Category : Music
Languages : en
Pages : 720
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Book Description
Mixing Audio: Concepts, Practices, and Tools is a vital read for anyone wanting to succeed in the field of mixing—covering the entire mixing process, from fundamental concepts to advanced techniques. Packed full of photos, graphs, diagrams, and audio samples, it teaches the importance of a mixing vision, how to craft and evaluate your mix, and then take it a step further. Mixing Audio describes the theory, the tools, and how these are put into practice while creating mixes. The companion website, featuring over 2,000 audio samples as well as Multitrack Audio Sessions, is a perfect complement to the book. The new edition includes: An extension of the discussion on mastering which now includes the loudness war, LUFS targets, and DIY mastering Updated figures and illustrations throughout A new section covering console emulation
Author: John William Donaldson
Publisher: BoD – Books on Demand
ISBN: 3382307480
Category : Fiction
Languages : en
Pages : 674
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Book Description
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Anna Morcom
Publisher: Routledge
ISBN: 1351563742
Category : Music
Languages : en
Pages : 306
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Book Description
Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed aspurely commercial this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India‘s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience.
