Wuxia Novels: Gongsun Xiaodao PDF Download
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Author: Kexue Ma
Publisher: Kexue Ma
ISBN:
Category : Fiction
Languages : en
Pages : 985
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Book Description
Author: Kexue Ma
Publisher: Kexue Ma
ISBN:
Category : Fiction
Languages : en
Pages : 985
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Book Description
Author: Kexue Ma
Publisher: Kexue Ma
ISBN:
Category : Fiction
Languages : en
Pages : 1454
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Book Description
Author: Kexue Ma
Publisher: Kexue Ma
ISBN:
Category : Fiction
Languages : en
Pages : 920
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Author: Thomas Jülch
Publisher: BRILL
ISBN: 9004396497
Category : Religion
Languages : en
Pages : 326
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Book Description
With his carefully annotated translation of Fozu tongji, juan 34-38, Thomas Jülch enables an indepth understanding of a key text of Chinese Buddhist historiography.
Author: 還珠樓主
Publisher:
ISBN:
Category : Chinese fiction
Languages : en
Pages : 276
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Author: Louis Frédéric
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Kristofer Schipper
Publisher: University of Chicago Press
ISBN: 022672106X
Category : Religion
Languages : en
Pages : 1683
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Book Description
Taoism remains the only major religion whose canonical texts have not been systematically arranged and made available for study. This long-awaited work, a milestone in Chinese studies, catalogs and describes all existing texts within the Taoist canon. The result will not only make the entire range of existing Taoist texts accessible to scholars of religion, it will open up a crucial resource in the study of the history of China. The vast literature of the Taoist canon, or Daozang, survives in a Ming Dynasty edition of some fifteen hundred different texts. Compiled under imperial auspices and completed in 1445—with a supplement added in 1607—many of the books in the Daozang concern the history, organization, and liturgy of China's indigenous religion. A large number of works deal with medicine, alchemy, and divination. If scholars have long neglected this unique storehouse of China's religious traditions, it is largely because it was so difficult to find one's way within it. Not only was the rationale of its medieval classification system inoperable for the many new texts that later entered the Daozang, but the system itself was no longer understood by the Ming editors; hence the haphazard arrangement of the canon as it has come down to us. This new work sets out the contents of the Daozang chronologically, allowing the reader to follow the long evolution of Taoist literature. Lavishly illustrated, the first volume ranges from antiquity through the Middle Ages, while the second spans the modern period. Within this frame, texts are grouped by theme and subject. Each one is the subject of a historical abstract that identifies the text's contents, date of origin, and author. Throughout the first two volumes, introductions outline the evolution of Taoism and its spiritual heritage. A third volume offering biographical sketches of frequently mentioned Taoists, multiple indexes, and an extensive bibliography provides critical tools for navigating this guide to one of the fundamental aspects of Chinese culture.
Author: Kwok-kan Tam
Publisher: Springer Nature
ISBN: 981136303X
Category : Performing Arts
Languages : en
Pages : 298
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Book Description
This book is a study of the relation between theatre art and ideology in the Chinese experimentations with new selfhood as a result of Ibsen’s impact. It also explores Ibsenian notions of self, women and gender in China and provides an illuminating study of Chinese theatre as a public sphere in the dissemination of radical ideas. Ibsen is the major source of modern Chinese selfhood which carries notions of personal and social liberation and has exerted great impacts on Chinese revolutions since the beginning of the twentieth century. Ibsen’s idea of the self as an individual has led to various experimentations in theatre, film and fiction to project new notions of selfhood, in particular women’s selfhood, throughout the history of modern China. Even today, China is experimenting with Ibsen’s notions of gender, power, individualism and self. Kwok-kan Tam is Chair Professor of English and Dean of Humanities and Social Science at the Hang Seng University of Hong Kong. He was Head (2012-18) and is currently a member of the International Ibsen Committee, University of Oslo. He is a Foundation Fellow of the Hong Kong Academy of the Humanities. He has held teaching, research and administrative positions in various institutions, including the East-West Center, the Chinese University of Hong Kong and the Open University of Hong Kong. He has published numerous books and articles on Ibsen, Gao Xingjian, modern drama, Chinese film, postcolonial literature, and world Englishes. His recent books include Ibsen, Power and the Self: Postsocialist Experimentations in Stage Performance and Film (2019), The Englishized Subject: Postcolonial Writings in Hong Kong, Singapore and Malaysia (2019), and a co-edited volume Fate and Prognostication in the Chinese Literary Imagination (2019).
Author: Cang Ming
Publisher: Funstory
ISBN: 1649350813
Category : Fiction
Languages : en
Pages : 1336
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Book Description
[New Pit "Young Master Zhou of Rebirth"] [This article does not know how to lock doors]To live a new life, to hold a grudge for a lifetime, Zuo Shaoqing had the will to take revenge and take revenge.Those who should fight for it, fight for it.Who said that a bastard couldn't be the head of a household?Who said that officials could not love money?Who said that men couldn't break their sleeves?Who said that the top scholar could not be married off?As long as I like it, I'll take it all!
Author:
Publisher:
ISBN:
Category : Chinese language
Languages : zh-CN
Pages : 708
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Book Description
本词典所选词条包括文学作品、作家、文学形象、重要作品中涉及的地名、文学流派思潮、文学专用语以及文学常用语等文学术语13,200多例,分别加以注音,并给出相应的英语词汇或英语解释。
