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Author: Giuseppina Iacona Lobo
Publisher: University of Toronto Press
ISBN: 1487512708
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Examining works by well-known figures of the English Revolution, including John Milton, Oliver Cromwell, Margaret Fell Fox, Lucy Hutchinson, Thomas Hobbes, and King Charles I, Giuseppina Iacono Lobo presents the first comprehensive study of conscience during this crucial and turbulent period. Writing Conscience and the Nation in Revolutionary England argues that the discourse of conscience emerged as a means of critiquing, discerning, and ultimately reimagining the nation during the English Revolution. Focusing on the etymology of the term conscience, to know with, this book demonstrates how the idea of a shared knowledge uniquely equips conscience with the potential to forge dynamic connections between the self and nation, a potential only amplified by the surge in conscience writing in the mid-seventeenth-century. Iacono Lobo recovers a larger cultural discourse at the heart of which is a revolution of conscience itself through her readings of poetry, prose, political pamphlets and philosophy, letters, and biography. This revolution of conscience is marked by a distinct and radical connection between conscience and the nation as writers struggle to redefine, reimagine, and even render anew what it means to know with as an English people.
Author: Giuseppina Iacona Lobo
Publisher: University of Toronto Press
ISBN: 1487512708
Category : Literary Criticism
Languages : en
Pages : 264
Get Book
Book Description
Examining works by well-known figures of the English Revolution, including John Milton, Oliver Cromwell, Margaret Fell Fox, Lucy Hutchinson, Thomas Hobbes, and King Charles I, Giuseppina Iacono Lobo presents the first comprehensive study of conscience during this crucial and turbulent period. Writing Conscience and the Nation in Revolutionary England argues that the discourse of conscience emerged as a means of critiquing, discerning, and ultimately reimagining the nation during the English Revolution. Focusing on the etymology of the term conscience, to know with, this book demonstrates how the idea of a shared knowledge uniquely equips conscience with the potential to forge dynamic connections between the self and nation, a potential only amplified by the surge in conscience writing in the mid-seventeenth-century. Iacono Lobo recovers a larger cultural discourse at the heart of which is a revolution of conscience itself through her readings of poetry, prose, political pamphlets and philosophy, letters, and biography. This revolution of conscience is marked by a distinct and radical connection between conscience and the nation as writers struggle to redefine, reimagine, and even render anew what it means to know with as an English people.
Author: Giuseppina Iacono Lobo
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
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Book Description
In this dissertation, I examine uses of conscience meant to reform and re-envision the nation in English polemics, political philosophy, personal correspondence and literature during the English Revolution. Writings from this turbulent period are rife with the language of conscience. While recent scholars have recognized the significance of this prevalent language in early modern England, important gaps remain. After all, little attention has been paid to exactly how and why writers used the language of conscience so profusely in the midst of war and revolution. This thesis will demonstrate how the civil wars opened up a space in writing for politico-spiritual experimentation in which the language of conscience took on an unprecedented formative role, with conscience itself becoming an instrument for formulating and deploying radically new visions of the English nation. More specifically, I argue that during this period the use of conscience undergoes a dramatic change: it transitions from governing individual faith and behavior to political applications in revolutionary times. This study brings a new dimension to our understanding of the ideological fluidity between the self and the state during the middle of the seventeenth-century. In this way, focusing on conscience reintegrates the religious, political and social aspects of the English Revolution in a way never before considered, while also providing a new lens for evaluating issues of nationhood and national identity. This project examines the distinctive language of conscience used by five writers or groups of writers: Charles I, Oliver Cromwell, the Quakers, Lucy Hutchinson, and John Milton. In chapter one, on Eikon Basilike (1649), I discuss how the text’s authors used the King’s conscience as a means to maintain his subjects’ conscientious obedience even after the regicide. In chapter two, on Cromwell’s writings and speeches, I consider how Cromwell struggled to implement his program of liberty of conscience in England through his constitutional experiments of the 1650s. In chapter three, on early Quaker writing, I demonstrate how the Quakers attempted to affect national change by appealing directly to Cromwell’s conscience. In chapter four, on Lucy Hutchinson’s Memoirs of the Life of Colonel Hutchinson, I argue that Hutchinson revised her husband’s conscience so that he might become a republican hero, keeping alive the hope for a republican England. In chapter five, I investigate how John Milton’s Paradise Lost (1667) employs the idea of conscience during the Restoration to cast the restored nation as ungodly, and thus provoke dissent from his fellow nonconformists. Finally, in a brief epilogue, I discuss how Thomas Hobbes divests the individual conscience of its authority in favor of a “national conscience” in Leviathan (1651). This dissertation builds upon studies of early modern conscience, religion and nonconformity, writing of the English Revolution, and conceptions of the nation in the sixteenth and seventeenth-centuries.
Author: Joshua R. Held
Publisher: University of Alabama Press
ISBN: 0817361111
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
"'Bold Conscience' chronicles the shifting conception of conscience in early modern England, as it evolved from a faculty of restraint--what the author labels "cowardly conscience"--to one of bold and forthright self-assertion. Caught at the vortex of public and private concerns, the concept of the conscience played an important role in post-Reformation England, from clerical leaders on down to laymen, not least because of its central place in determining loyalties during the English Civil War and the consequent regicide of King Charles I. Yet within this mix of perspectives, the most sinuous, complex, and ultimately lasting perspectives on bold conscience emerge from deliberately literary, rhetorically artistic voices--Shakespeare, Donne, and Milton. Joshua Held argues that literary texts by these authors, in re-casting the idea of conscience as a private, interior, shameful state to one of boldness fit for the public realm, parallel a historical development in which the conscience becomes a platform both for royal power and for common dissent in post-Reformation England. With the 1649 regicide of King Charles I as a fulcrum that unites both literary and historical timelines, Held tracks the increasing power of the conscience from William Shakespeare's Hamlet and Henry VIII to John Donne's court sermons, and finally to Milton's Areopagitica and Charles's defense of his kingship, Eikon Basilike. In a direct attack on Eikon Basilike, Milton destroys the prerogative of the royal conscience in Eikonoklastes, and later in Paradise Lost proposes an alternative basis for inner confidence, rooting it not in divine right but in the 'paradise within,' a metonym for conscience. Applying a fine-grain literary analysis to literary England from about 1601 to 1667, this study looks backward as well to the theological foundations of the concept in Luther of the 1520s and forward to its transformation by Locke into the term 'consciousness' in 1689. Ultimately, Held's study shows how the idea of a conscience in early modern England, long central to the private self and linked to the will, memory, and mind-emerges as a nexus between the private self and the realm of public action, a bulwark against absolute sovereignty, and its attenuation as a means of more limited, personal certainty. Whether in Milton's struggle against King Charles or Hamlet's against King Claudius, the conscience born of the Reformation becomes less a state of inner critique and more a form of outward expression fit for the communal life and commitments demanded by the early modern era"--
Author: Ryan Hackenbracht
Publisher: Cornell University Press
ISBN: 1501731084
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
During the tumultuous years of the English Revolution and Restoration, national crises like civil wars and the execution of the king convinced Englishmen that the end of the world was not only inevitable but imminent. National Reckonings shows how this widespread eschatological expectation shaped nationalist thinking in the seventeenth century. Imagining what Christ's return would mean for England's body politic, a wide range of poets, philosophers, and other writers—including Milton, Hobbes, Winstanley, and Thomas and Henry Vaughan,—used anticipation of the Last Judgment to both disrupt existing ideas of the nation and generate new ones. Ryan Hackenbracht contends that nationalism, consequently, was not merely a horizontal relationship between citizens and their sovereign but a vertical one that pitted the nation against the shortly expected kingdom of God. The Last Judgment was the site at which these two imagined communities, England and ecclesia (the universal church), would collide. Harnessing the imaginative space afforded by literature, writers measured the shortcomings of an imperfect and finite nation against the divine standard of a perfect and universal community. In writing the nation into end-times prophecies, such works as Paradise Lost and Leviathan offered contemporary readers an opportunity to participate in the cosmic drama of the world's end and experience reckoning while there was still time to alter its outcome.
Author: Walter S H Lim
Publisher: Springer Nature
ISBN: 3031400062
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
This book analyzes Shakespeare’s use of biblical allusions and evocation of doctrinal topics in Hamlet, Measure for Measure, The Winter’s Tale, Richard II, and The Merchant of Venice. It identifies references to theological and doctrinal commonplaces such as sin, grace, confession, damnation, and the Fall in these plays, affirming that Shakespeare’s literary imagination is very much influenced by his familiarity with the Bible and also with matters of church doctrine. This theological and doctrinal subject matter also derives its significance from genres as diverse as travel narratives, sermons, political treatises, and royal proclamations. This study looks at how Shakespeare’s deployment of religious topics interacts with ideas circulating via other cultural texts and genres in society. It also analyzes how religion enables Shakespeare’s engagement with cultural debates and political developments in England: absolutism and law; radical political theory; morality and law; and conceptions of nationhood.
Author: Emma Depledge
Publisher: Oxford University Press, USA
ISBN: 0198821891
Category :
Languages : en
Pages : 265
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Book Description
A collection of essays exploring John Milton's rise to popularity and his status as a canonical author. The volume considers Milton's 'authorial persona' in the context of his relationships with his contemporary writers, stationers, and readers.
Author: Thomas Hill Green
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 101
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Book Description
Though the book is entitled English Revolution, it covers more than just the eras often attributed to the term. As a matter of fact, the book is instead a collection of lectures on several subjects relating to sudden upheaval in English society, including the English Reformation era alongside the English Civil Wars and Commonwealth period. The lecturer and author of the book is an English philosopher, political radical and temperance reformer, and a member of the British idealism movement - Thomas Hill Green.
Author: R. C. Richardson
Publisher: Manchester University Press
ISBN: 9780719018800
Category : English literature
Languages : en
Pages : 196
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Book Description
Author: Megan Matchinske
Publisher: Cambridge University Press
ISBN: 0521622549
Category : History
Languages : en
Pages : 265
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Book Description
The period from the Reformation to the English Civil War saw an evolving understanding of social identity in England. This book uses four illuminating case studies to chart a discursive shift from mid-sixteenth-century notions of an individually generated, spiritually motivated sense of identity, to Civil War perceptions of the self as inscribed by the state and inflected according to gender, a site of civil and sexual invigilation and control. Each centres on the work of an early modern woman writer in the act of self-definition and authorization, in relation to external powers such as the Church and the monarchy. Megan Matchinske's study illustrates the evolving relationships between public and private selves and the increasing role of gender in determining different identities for men and women. The conjunction of gender and statehood in Matchinske's analysis represents an original contribution to the study of early modern identity.
Author: George Orwell
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
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Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
