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Author: Ulla Haselstein
Publisher: Universitatsverlag Winter
ISBN:
Category : History
Languages : en
Pages : 304
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Book Description
Papers from a conference held June 21-24, 2007 at the John F. Kennedy-Institute for North American Studies, Freie Universit'at Berlin.
Author: Ulla Haselstein
Publisher: Universitatsverlag Winter
ISBN:
Category : History
Languages : en
Pages : 304
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Book Description
Papers from a conference held June 21-24, 2007 at the John F. Kennedy-Institute for North American Studies, Freie Universit'at Berlin.
Author: Robert Buch
Publisher: JHU Press
ISBN: 0801899273
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
This book is about the ambition, in a set of paradigmatic writers of the twentieth century, to simultaneously enlist and break the spell of the real—their fascination with the spectacle of violence and suffering—and the difficulties involved in capturing this kind of excess by aesthetic means. The works at the center of this study—by Franz Kafka, Georges Bataille, Claude Simon, Peter Weiss, and Heiner Müller—zero in on scenes of agony, destruction, and death with an astonishing degree of precision and detail. The strange and troubling nature of the appeal engendered by these sights is the subject of The Pathos of the Real. Robert Buch shows that the spectacles of suffering conjured up in these texts are deeply ambivalent, available neither to cathartic relief nor to the sentiment of compassion. What prevails instead is a peculiar coincidence of opposites: exaltation and resignation; disfiguration and transfiguration; agitation and paralysis. Featuring the experiences of violent excess in strongly visual and often in expressly pictorial terms, the works expose the nexus between violence and the image in twentieth-century aesthetics. Buch explores this tension between visual and verbal representation by drawing on the rhetorical notion of pathos as both insurmountable suffering and codified affect and the psychoanalytic notion of the real, that is, the disruption of the symbolic order. In dialogue with a diverse group of thinkers, from Erich Auerbach and Aby Warburg to Alain Badiou and Jacques Lacan, The Pathos of the Real advances an innovative new framework for rethinking the aesthetics of violence in the twentieth century.
Author: Jacob Golomb
Publisher: Routledge
ISBN: 1134812744
Category : Philosophy
Languages : en
Pages : 232
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Book Description
Great philosophers such as Kierkegaard, Nietzsche and Sartre have clearly been preoccupied by the possibility of authenticity. In this study, Jacob Golomb looks closely at the literature and writings of these philosophers in his analysis of their ethics. Golomb's writings shows his passionate commitment to the quest for the authenticity - particularly in our climate of post-modern scepticism. He argues that existentialism is all the more pertinent and relevant today when set against the general disillusionment which characterises the late twentieth century. This book is invaluable reading for those who have been fascinated by figures like Camus's Meursault, Sartre's Matthieu and Nietzsche's Zarathustra.
Author: Wolfgang Funk
Publisher: transcript Verlag
ISBN: 3839417570
Category : Social Science
Languages : en
Pages : 285
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Book Description
As a concept that increasingly gains importance in contemporary cultural discourse, authenticity emerges as a site of tearing tensions between the fictional and the real, original and fake, margin and centre, the same and the other. The essays collected in this volume explore this paradoxical nature of authenticity in the context of various media. They give ample proof of the fact that authenticity, which depends on giving the impression of being inherent or natural, found not created, frequently turns out to be the result of a careful aesthetic construction that depends on the use of identifiable techniques with the aim of achieving certain effects for certain reasons.
Author: Tom Vanassche
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311075858X
Category : Social Science
Languages : en
Pages : 390
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Book Description
Scholarship often presumes that texts written about the Shoah, either by those directly involved in it or those writing its history, must always bear witness to the affective aftermath of the event, the lingering emotional effects of suffering. Drawing on the History of Emotions and on trauma theory, this monograph offers a critical study of the ambivalent attributions and expressions of emotion and “emotionlessness” in the literature and historiography of the Shoah. It addresses three phenomena: the metaphorical discourses by which emotionality and the purported lack thereof are attributed to victims and to perpetrators; the rhetoric of affective self-control and of affective distancing in fiction, testimony and historiography; and the poetics of empathy and the status of emotionality in discourses on the Shoah. Through a close analysis of a broad corpus centred around the work of W. G. Sebald, Dieter Schlesak, Ruth Klüger and Raul Hilberg, the book critically contextualises emotionality and its attributions in the post-war era, when a scepticism of pathos coincided with demands for factual rigidity. Ultimately, it invites the reader to reflect on their own affective stances towards history and its commemoration in the twenty-first century.
Author: Caroline Rosenthal
Publisher: Campus Verlag
ISBN: 3593501015
Category : Language Arts & Disciplines
Languages : en
Pages : 237
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Book Description
In North America, imposture narratives of all kinds from ethnic impersonation to confidence games abound because the socio-cultural history and national mythologies of the US and Canada are an especially fertile ground for the invention of identities, whether fake or "real." When discovered, imposture incites fascination and scandal--yet it also showcases how identities are made. Fake identities thus are a negative lens through which the performance of selves become obvious. The essays in this book examine both real and fictional imposture with a special interest in identity performance and in the cultural value attributed to authenticity in Western culture. The North American impostor narrative helps contextualise and historicize how selves are made, from the narrator of colonial travelogues to postmodernist author/narrator voices, from the urban con game to trickster shamanism."
Author: Thomas Claviez
Publisher: Vernon Press
ISBN: 1622738640
Category : Philosophy
Languages : en
Pages : 329
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Book Description
The volume provides a critical assessment of the concept of authenticity and gauges its role, significance and shortcomings in a variety of disciplinary contexts. Many of the contributions communicate with each other and thus acknowledge the enormous significance of this politically, morally, philosophically and economically-charged concept that at the same time harbors dangerous implications and has been critically deconstructed. The volume shows that the alleged need or desire for authenticity is alive and kicking but oftentimes comes at a high price, connected to a culture of experts, authority and exclusionary strategies.
Author: Joseph Feinberg
Publisher: University of Wisconsin Pres
ISBN: 0299316602
Category : History
Languages : en
Pages : 253
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Book Description
A theoretically rich and vividly written ethnography of folklore revival and performance in Eastern Europe that provocatively embraces larger questions of social theory, authenticity, and philosophy.
Author: Mahon O'Brien
Publisher: A&C Black
ISBN: 144115745X
Category : Philosophy
Languages : en
Pages : 318
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Book Description
Heidegger's thinking in the decades following the publication of Being and Time is often deemed irreconcilable with that work. Critics contrast the notion of "resoluteness" in Being and Time with Heidegger's post-war account of "releasement" in an attempt to establish a discrepancy between the allegedly voluntarist humanism of his early work and the supposedly 'anti-humanist' thinking of his later work. By contrast, Mahon O'Brien argues for the structural and thematic coherence of Heidegger's movement from authenticity to the search for an authentic free relation to the world - as captured by the term "releasement". By demonstrating the structural and thematic unity of Heidegger's thought in its entirety, O'Brien paves the way for a more measured and philosophically grounded understanding of the issues at stake in the Heidegger controversy.
Author: Wolfgang Funk
Publisher: Bloomsbury Publishing USA
ISBN: 1501330721
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Winner of the 2016 ESSE Junior Scholar Book Award in Literatures in the English Language The Literature of Reconstruction argues for the term and concept of 'postmillennial reconstruction' to fill the gap left by the decline of postmodernism and deconstruction as useful cultural and literary categories. Wolfgang Funk shows how this notion emerges from the theoretical and philosophical development that led to the demise of postmodernism by relating it to the idea of 'authenticity': immediate experience that eludes direct representation. In addition, he provides a clear formal framework with which to identify and classify the features of 'reconstructive literature' by updating the narratological category of 'metafiction', originally established in the 1980s. Based on Werner Wolf's observation of a 'metareferential turn' in contemporary arts and media, he illustrates how the specific use of metareference results in a renegotiation of the specific patterns of literary communication and claims that this renegotiation can be profitably described with the concept of 'reconstruction'. To substantiate this claim, in the second half of the book Funk discusses narrative texts that illustrate this transition from postmodern deconstruction to postmillennial reconstruction. The analyses take in distinguished and prize-winning writers such as Dave Eggers, Julian Barnes, Jennifer Egan and Jasper Fforde. The broad scope of authors, featuring writers from the US as well as the UK, underlines the fact that the reconstructive tendencies and strategies Funk diagnoses are of universal significance for the intellectual and cultural self-image of the global North.
