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Author: Mareike Neuhaus
Publisher:
ISBN: 9780889773905
Category : American literature
Languages : en
Pages : 246
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Book Description
In The Decolonizing Poetics of Indigenous Literatures, Mareike Neuhaus uncovers residues of ancestral languages found in Indigenous uses of English. She shows how these remainders ground a reading strategy that enables us to approach Indigenous texts as literature, with its own discursive and rhetorical traditions that underpin its cultural and historical contexts.
Author: Mareike Neuhaus
Publisher:
ISBN: 9780889773905
Category : American literature
Languages : en
Pages : 246
Get Book
Book Description
In The Decolonizing Poetics of Indigenous Literatures, Mareike Neuhaus uncovers residues of ancestral languages found in Indigenous uses of English. She shows how these remainders ground a reading strategy that enables us to approach Indigenous texts as literature, with its own discursive and rhetorical traditions that underpin its cultural and historical contexts.
Author: Mareike Neuhaus
Publisher: University of Regina Press
ISBN: 0889772339
Category : Language Arts & Disciplines
Languages : en
Pages : 322
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Book Description
Annotation A reading strategy for orality in North American Indigenous literatures that is grounded in Indigenous linquistic traditions.
Author: Citlalli Anahuac
Publisher:
ISBN: 9781494477400
Category :
Languages : en
Pages : 132
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Book Description
This is a compilation of poems written over the last decade. As a teenager I was given the honor to become part of the Mexica Movement and to begin my decolonization process. With each lesson learned and book read, I began to see myself as an Indigenous woman. No longer did I wish for an identity of false pride or self-hate. I began to know who I was and I began to understand the system of white supremacy. I offer you these poems with love and a hope that you too will understand this hidden history. These are my poetic expressions of the decolonization process of an Indigenous woman who represents Native American, Mexican, Central American, and South American experience as Indigenous people under European occupation. I am a Nican Tlaca woman. These poems are my obsidian blades meant to rip through and destroy the matrix of white supremacy racism.
Author: Daniel Heath Justice
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771121785
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, Why Indigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today. In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future. This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind, but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions.
Author: Neal McLeod
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771120096
Category : Literary Criticism
Languages : en
Pages : 416
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Book Description
Indigenous Poetics in Canada broadens the way in which Indigenous poetry is examined, studied, and discussed in Canada. Breaking from the parameters of traditional English literature studies, this volume embraces a wider sense of poetics, including Indigenous oralities, languages, and understandings of place. Featuring work by academics and poets, the book examines four elements of Indigenous poetics. First, it explores the poetics of memory: collective memory, the persistence of Indigenous poetic consciousness, and the relationships that enable the Indigenous storytelling process. The book then explores the poetics of performance: Indigenous poetics exist both in written form and in relation to an audience. Third, in an examination of the poetics of place and space, the book considers contemporary Indigenous poetry and classical Indigenous narratives. Finally, in a section on the poetics of medicine, contributors articulate the healing and restorative power of Indigenous poetry and narratives.
Author: Evelyn Flores
Publisher: University of Hawaii Press
ISBN: 0824875419
Category : Literary Collections
Languages : en
Pages : 385
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Book Description
For the first time, poetry, short stories, critical and creative essays, chants, and excerpts of plays by Indigenous Micronesian authors have been brought together to form a resounding—and distinctly Micronesian—voice. With over two thousand islands spread across almost three million square miles of the Pacific Ocean, Micronesia and its peoples have too often been rendered invisible and insignificant both in and out of academia. This long-awaited anthology of contemporary indigenous literature will reshape Micronesia’s historical and literary landscape. Presenting over seventy authors and one hundred pieces, Indigenous Literatures from Micronesia features nine of the thirteen basic language groups, including Palauan, Chamorro, Chuukese, I-Kiribati, Kosraean, Marshallese, Nauruan, Pohnpeian, and Yapese. The volume editors, from Micronesia themselves, have selected representative works from throughout the region—from Palau in the west, to Kiribati in the east, to the global diaspora. They have reached back for historically groundbreaking work and scouted the present for some of the most cited and provocative of published pieces and for the most promising new authors. Richly diverse, the stories of Micronesia’s resilient peoples are as vast as the sea and as deep as the Mariana Trench. Challenging centuries-old reductive representations, writers passionately explore seven complex themes: “Origins” explores creation, foundational, and ancestral stories; “Resistance” responds to colonialism and militarism; “Remembering” captures diverse memories and experiences; “Identities” articulates the nuances of culture; “Voyages” maps migration and diaspora; “Family” delves into interpersonal and community relationships; and “New Micronesia” gathers experimental, liminal, and cutting-edge voices. This anthology reflects a worldview unique to the islands of Micronesia, yet it also connects to broader issues facing Pacific Islanders and indigenous peoples throughout the world. It is essential reading for anyone interested in Pacific, indigenous, diasporic, postcolonial, and environmental studies and literatures.
Author: Yosra Amraoui
Publisher: Cambridge Scholars Publishing
ISBN: 1527565416
Category : Literary Criticism
Languages : en
Pages : 143
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Book Description
Natives, Aborigines, Indigenous populations, and First Nations are all appellations that assert the legitimacy of various antecessors despite the subordinate position granted to them by colonial, postcolonial and neo-colonial theories. In a perpetual quest for agency, the native has been framed within a set of representational practices that claim for a redress of grievances. Cultural, mediatized and historical representations of the native tend to fall within the boundaries of either a bottom-up or a top-down view that fits within a structuralist paradigm that rarely questions the individual, let alone the marginalized. However, there is a need to examine the systems within which indigenous narratives operate from a post-structuralist stance in order to re-read indigenous discourses and to celebrate the multiplicity of meanings inherent in them. The need for an intercultural pragmatic reading of native discourse therefore reveals itself to be of utmost relevance. This volume discusses indigenous literary performances, native history and cultural representations of natives and aboriginal discourse from around the world. Topics pivot around historicizing the native, the role of testimony and primary sources, displacement and the denial of native legitimacy, and literary (mis)representations of natives, among other themes.
Author: Neal McLeod
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771120088
Category : Literary Criticism
Languages : en
Pages : 416
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Book Description
Indigenous Poetics in Canada broadens the way in which Indigenous poetry is examined, studied, and discussed in Canada. Breaking from the parameters of traditional English literature studies, this volume embraces a wider sense of poetics, including Indigenous oralities, languages, and understandings of place. Featuring work by academics and poets, the book examines four elements of Indigenous poetics. First, it explores the poetics of memory: collective memory, the persistence of Indigenous poetic consciousness, and the relationships that enable the Indigenous storytelling process. The book then explores the poetics of performance: Indigenous poetics exist both in written form and in relation to an audience. Third, in an examination of the poetics of place and space, the book considers contemporary Indigenous poetry and classical Indigenous narratives. Finally, in a section on the poetics of medicine, contributors articulate the healing and restorative power of Indigenous poetry and narratives.
Author: James H. Cox
Publisher: Oxford Handbooks
ISBN: 0199914036
Category : Literary Criticism
Languages : en
Pages : 769
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Book Description
"This book explores Indigenous American literature and the development of an inter- and trans-Indigenous orientation in Native American and Indigenous literary studies. Drawing on the perspectives of scholars in the field, it seeks to reconcile tribal nation specificity, Indigenous literary nationalism, and trans-Indigenous methodologies as necessary components of post-Renaissance Native American and Indigenous literary studies. It looks at the work of Renaissance writers, including Louise Erdrich's Tracks (1988) and Leslie Marmon Silko's Sacred Water (1993), along with novels by S. Alice Callahan and John Milton Oskison. It also discusses Indigenous poetics and Salt Publishing's Earthworks series, focusing on poets of the Renaissance in conversation with emerging writers. Furthermore, it introduces contemporary readers to many American Indian writers from the seventeenth to the first half of the nineteenth century, from Captain Joseph Johnson and Ben Uncas to Samson Occom, Samuel Ashpo, Henry Quaquaquid, Joseph Brant, Hendrick Aupaumut, Sarah Simon, Mary Occom, and Elijah Wimpey. The book examines Inuit literature in Inuktitut, bilingual Mexicanoh and Spanish poetry, and literature in Indian Territory, Nunavut, the Huasteca, Yucatán, and the Great Lakes region. It considers Indigenous literatures north of the Medicine Line, particularly francophone writing by Indigenous authors in Quebec. Other issues tackled by the book include racial and blood identities that continue to divide Indigenous nations and communities, as well as the role of colleges and universities in the development of Indigenous literary studies".
Author: James H. Cox
Publisher: Oxford University Press
ISBN: 0199914044
Category : Literary Criticism
Languages : en
Pages : 704
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Book Description
Over the course of the last twenty years, Native American and Indigenous American literary studies has experienced a dramatic shift from a critical focus on identity and authenticity to the intellectual, cultural, political, historical, and tribal nation contexts from which these Indigenous literatures emerge. The Oxford Handbook of Indigenous American Literature reflects on these changes and provides a complete overview of the current state of the field. The Handbook's forty-three essays, organized into four sections, cover oral traditions, poetry, drama, non-fiction, fiction, and other forms of Indigenous American writing from the seventeenth through the twenty-first century. Part I attends to literary histories across a range of communities, providing, for example, analyses of Inuit, Chicana/o, Anishinaabe, and Métis literary practices. Part II draws on earlier disciplinary and historical contexts to focus on specific genres, as authors discuss Indigenous non-fiction, emergent trans-Indigenous autobiography, Mexicanoh and Spanish poetry, Native drama in the U.S. and Canada, and even a new Indigenous children's literature canon. The third section delves into contemporary modes of critical inquiry to expound on politics of place, comparative Indigenism, trans-Indigenism, Native rhetoric, and the power of Indigenous writing to communities of readers. A final section thoroughly explores the geographical breadth and expanded definition of Indigenous American through detailed accounts of literature from Indian Territory, the Red Atlantic, the far North, Yucatán, Amerika Samoa, and Francophone Quebec. Together, the volume is the most comprehensive and expansive critical handbook of Indigenous American literatures published to date. It is the first to fully take into account the last twenty years of recovery and scholarship, and the first to most significantly address the diverse range of texts, secondary archives, writing traditions, literary histories, geographic and political contexts, and critical discourses in the field.
