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Author: Daniel Schneider
Publisher: Taylor & Francis
ISBN: 1000962679
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
While the it-narrative, the thing-poem and thing theatre have been around for some time, the essay – which is often considered literature’s fourth genre – is still lacking its thing-subgenre. Yet, particularly British and Anglo-Irish literature display a long, albeit so far implicit tradition of texts that can be categorised as ‘thing-essays’: Starting with Jonathan Swift’s “Meditation upon a Broomstick” (1701) and continuing until today, these texts draw broader insights from the contemplation of a material item of daily life. This book provides the first theoretical conceptualisation of this genre. Bringing elements from essay studies and the New Materialisms together, it shows why the essay lends itself particularly well to literarisations of the personal relationships that people foster to everyday objects. While the idiosyncrasies of each essay show the versatility of thing-essays, the study also seeks to unearth changing attitudes towards things – and thus towards people’s material surroundings in general – throughout time. In order to account for such synchronic and diachronic differences in thing-essays, this study develops a typology of three modes via which things can be approached essayistically. In the book’s second part, this framework will be employed in close readings and historicisations of 14 thing-essays from 1701 until 2021. Ranging from satire to sentimental writing, from religion to consumerism, from class to gender differences, from feelings of nationality to exoticism, from the French Revolution to Freud and from art to everyday life, the stylistic and thematic broadness of these thing-essays ultimately shows the multifarious connections between human life and materiality.
Author: Daniel Schneider
Publisher: Taylor & Francis
ISBN: 1000962679
Category : Literary Criticism
Languages : en
Pages : 238
Get Book
Book Description
While the it-narrative, the thing-poem and thing theatre have been around for some time, the essay – which is often considered literature’s fourth genre – is still lacking its thing-subgenre. Yet, particularly British and Anglo-Irish literature display a long, albeit so far implicit tradition of texts that can be categorised as ‘thing-essays’: Starting with Jonathan Swift’s “Meditation upon a Broomstick” (1701) and continuing until today, these texts draw broader insights from the contemplation of a material item of daily life. This book provides the first theoretical conceptualisation of this genre. Bringing elements from essay studies and the New Materialisms together, it shows why the essay lends itself particularly well to literarisations of the personal relationships that people foster to everyday objects. While the idiosyncrasies of each essay show the versatility of thing-essays, the study also seeks to unearth changing attitudes towards things – and thus towards people’s material surroundings in general – throughout time. In order to account for such synchronic and diachronic differences in thing-essays, this study develops a typology of three modes via which things can be approached essayistically. In the book’s second part, this framework will be employed in close readings and historicisations of 14 thing-essays from 1701 until 2021. Ranging from satire to sentimental writing, from religion to consumerism, from class to gender differences, from feelings of nationality to exoticism, from the French Revolution to Freud and from art to everyday life, the stylistic and thematic broadness of these thing-essays ultimately shows the multifarious connections between human life and materiality.
Author: Daniel Schneider (Lecturer in English literature)
Publisher:
ISBN: 9781032374055
Category : English essays
Languages : en
Pages : 0
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Book Description
"While the it-narrative, the thing-poem and thing theatre have been around for some time, the essay - which is often considered literature's fourth genre - is still lacking its thing-subgenre. Yet, particularly British and Anglo-Irish literature display a long, albeit so far implicit tradition of texts that can be categorised as 'thing-essays': Starting with Jonathan Swift's "Meditation upon a Broomstick" (1701) and continuing until today, these texts draw broader insights from the contemplation of a material item of daily life. This book provides the first theoretical conceptualisation of this genre. Bringing elements from essay studies and the New Materialisms together, it shows why the essay lends itself particularly well to literarisations of the personal relationships that people foster to everyday objects. While the idiosyncrasies of each essay show the versatility of thing-essays, the study also seeks to unearth changing attitudes towards things - and thus towards people's material surroundings in general - throughout time. In order to account for such synchronic and diachronic differences in thing-essays, this study develops a typology of three modes via which things can be approached essayistically. In the book's second part, this framework will be employed in close readings and historicisations of 14 thing-essays from 1701 until 2021. Ranging from satire to sentimental writing, from religion to consumerism, from class to gender differences, from feelings of nationality to exoticism, from the French Revolution to Freud and from art to everyday life, the stylistic and thematic broadness of these thing-essays ultimately shows the multifarious connections between human life and materiality"--
Author: Chris Tanasescu
Publisher: Taylor & Francis
ISBN: 104003800X
Category : Computers
Languages : en
Pages : 281
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Book Description
Literature and Computation presents some of the most relevantly innovative recent approaches to literary practice, theory, and criticism as driven by computation and situated in digital environments. These approaches rely on automated analyses, but use them creatively, engage in text modeling but inform it with qualitative[-interpretive] critical possibilities, and contribute to present-day platform culture in revolutionizing intermedial ways. While such new directions involve more and more sophisticated machine learning and artificial intelligence, they also mark a spectacular return of the (trans)human(istic) and of traditional-modern literary or urgent political, gender, and minority-related concerns and modes now addressed in ever subtler and more nuanced ways within human-computer interaction frameworks. Expanding the boundaries of literary and data studies, digital humanities, and electronic literature, the featured contributions unveil an emerging landscape of trailblazing practice and theoretical crossovers ready and able to spawn and/or chart the witness literature of our age and cultures.
Author: Daniel Schneider (Lecturer in English literature)
Publisher:
ISBN: 9781003340126
Category : English essays
Languages : en
Pages : 0
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Book Description
"While the it-narrative, the thing-poem and thing theatre have been around for some time, the essay - which is often considered literature's fourth genre - is still lacking its thing-subgenre. Yet, particularly British and Anglo-Irish literature display a long, albeit so far implicit tradition of texts that can be categorised as 'thing-essays': Starting with Jonathan Swift's "Meditation upon a Broomstick" (1701) and continuing until today, these texts draw broader insights from the contemplation of a material item of daily life. This book provides the first theoretical conceptualisation of this genre. Bringing elements from essay studies and the New Materialisms together, it shows why the essay lends itself particularly well to literarisations of the personal relationships that people foster to everyday objects. While the idiosyncrasies of each essay show the versatility of thing-essays, the study also seeks to unearth changing attitudes towards things - and thus towards people's material surroundings in general - throughout time. In order to account for such synchronic and diachronic differences in thing-essays, this study develops a typology of three modes via which things can be approached essayistically. In the book's second part, this framework will be employed in close readings and historicisations of 14 thing-essays from 1701 until 2021. Ranging from satire to sentimental writing, from religion to consumerism, from class to gender differences, from feelings of nationality to exoticism, from the French Revolution to Freud and from art to everyday life, the stylistic and thematic broadness of these thing-essays ultimately shows the multifarious connections between human life and materiality"--
Author: Elizabeth King
Publisher: Taylor & Francis
ISBN: 1000965481
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
Why do writers so often write about writers? This book offers the first comprehensive account of the phenomenon of the fictional novelist as a character in literature, arguing that our notions of literary genius – and what it means to be an author – are implicitly shaped by and explicitly challenged in novels about novelists, a genre that has been critically underexamined. Employing both close and distant reading techniques to analyse a large corpus of author-stories, The Novelist in the Novel explores the forms and functions of author-stories and the characters within them, offering a new theory that frames these works as textual sites at which questions of literary value and the cultural conceptions around authorship are constantly being negotiated and revised in a form of covert criticism aimed directly at readers. While nineteenth-century novels about novelists reveal a pervasive frustration with the market – a starving artist vs. commercial sell-out dichotomy – modernist examples of the genre focus on the development of the individual author-as-artist, entirely aloof from the marketplace and from the literary sphere at large. Yet, each of these dynamics is gendered, with women denigrated to commercial producers and men elevated to artists, and while the canon has largely supported the male view of authorship, a closer look at the work of women writers from this period reveals concerted attempts to counteract it. "Silly Lady Novelists" are pitted against serious male modernists in a battle to define what it means to be a literary genius.
Author: Nadine Böhm-Schnitker
Publisher: Taylor & Francis
ISBN: 1000966488
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
Towards an Aisthetics of the Victorian Novel: Senses and Sensations establishes a new analytical method in the broader context of sensory studies in order to explain how the genre of the novel can impact on our perception of ourselves and our social contexts. Taking cultural literary studies ahead, the book re-integrates aesthetics – a much fraught concept in cultural studies that long favoured ‘popular’ over ‘high culture’ – into cultural studies as aisthetics in the word’s root sense of ‘perception’. Zooming in on period shifts and changes in taste spanning realism, sensation fiction and aestheticism, aisthetics reveals how these shifts also pertain to new ways of perceiving in selected novels by George Eliot, Wilkie Collins and Vernon Lee. Connecting Victorian and current literary theories, aisthetics helps explore the way in which the novel can shape the way we perceive the world, what remains excluded from the realm of the perceivable and how our conduct is consequently always also influenced by the dominant genres of our time.
Author: Brian P. Cooper
Publisher: Routledge
ISBN: 1317698010
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
The book draws on the history of economics, literary theory, and the history of science to explore how European travelers like Alexander von Humboldt and their readers, circa 1750–1850, adapted the work of British political economists, such as Adam Smith, to help organize their observations, and, in turn, how political economists used travelers’ observations in their own analyses. Cooper examines journals, letters, books, art, and critical reviews to cast in sharp relief questions raised about political economy by contemporaries over the status of facts and evidence, whether its principles admitted of universal application, and the determination of wealth, value, and happiness in different societies. Travelers citing T.R. Malthus’s population principle blurred the gendered boundaries between domestic economy and British political economy, as embodied in the idealized subjects: domestic woman and economic man. The book opens new realms in the histories of science in its analyses of debates about gender in social scientific observation: Maria Edgeworth, Maria Graham, and Harriet Martineau observe a role associated with women and methodically interpret what they observe, an act reserved, in theory, by men.
Author: Allan Weiss
Publisher: Routledge
ISBN: 1000382028
Category : Fiction
Languages : en
Pages : 320
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Book Description
While scholars have been studying the short story cycle for some time now, this book discusses a form that has never before been identified and named, let alone analyzed: the mini-cycle. A mini-cycle is a short story cycle made up, in most cases, of only two or three stories. This study looks at mini-cycles spanning the period from Anton Chekhov’s "little trilogy" (1898) to the "Alphinland" stories in Margaret Atwood’s Stone Mattress (2014), including texts by such authors as Stephen Leacock, Alice Munro, Robert Olen Butler, and Clark Blaise. Consideration is also given to marginal examples, like Sherwood Anderson’s "Godliness—A Tale in Four Parts" (1919), which can be seen as one story or four distinct texts unified under one title, and to what is called the "exploded" mini-cycle: one whose component stories are published with intervening stories between them rather than consecutively. For each mini-cycle, the analysis is based on close reading of both the linking elements—character, imagery, symbolism, and so forth—and the rhetorical and aesthetic effects of the mini-cycle’s being made up of distinct stories rather than constructed as one long narrative.
Author: Dafydd Moore
Publisher: Routledge
ISBN: 1000287564
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Richard Polwhele was a writer of rare energies. Today known only for The Unsex’d Females and its attack on radical women writers, Polwhele was a historian, translator, memoirist, and poet. As an indigent Cornish gentleman clergyman and JP, his extensive written output encompassed sermons, open letters, and even headstone verse. This book recovers the lost Polwhele, locating him within an archipelagic understanding of the vitality and complexity inherent in the loyalist tradition with British Romantic culture via a range of previously unexamined texts and manuscript sources. Torn between a desire for sociability and an appetite (and capacity) for a good argument, Polwhele’s outspoken contributions across a range of disciplines testify to the variety and dynamism of what has previously been considered provincial and reactionary. This book locates Polwhele’s work within key preoccupations of the age: the social, economic, and political valences of literary sociability in the age of print; the meaning of loyalism in an age of revolution; the meaning of place and belonging; enthusiasm, religious or otherwise; and the self-fashioning of the provincial man of letters. In doing so it argues for a broader definition of Romanticism than the one that has typed Polwhele as an unpalatable embarrassment and the anachronistic voice of provincial High Tory reaction. This volume will be of interest to those working in the field of late eighteenth and early nineteenth-century British Literature, with a particular focus on politics and on the nature of literary production and identity across the non-metropolitan areas of the British Isles.
Author: Eli Filip Heckscher
Publisher:
ISBN:
Category : Continental System (Economic blockade)
Languages : en
Pages : 444
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Book Description
