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Author: Natália Pikli
Publisher: Routledge
ISBN: 1000431614
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
This book explores the ways in which the early modern hobby-horse featured in different productions of popular culture between the 1580s and 1630s. Natália Pikli approaches this study with a thorough and interdisciplinary examination of hobby-horse references, with commentary on the polysemous uses of the word, offers an informative background to reconsider well-known texts by Shakespeare and others, and provides an overview on the workings of cultural memory regarding popular culture in early modern England. The book will appeal to those with interest in early modern drama and theatre, dramaturgy, popular culture, cultural memory, and iconography.
Author: Natália Pikli
Publisher: Routledge
ISBN: 1000431614
Category : Performing Arts
Languages : en
Pages : 287
Get Book
Book Description
This book explores the ways in which the early modern hobby-horse featured in different productions of popular culture between the 1580s and 1630s. Natália Pikli approaches this study with a thorough and interdisciplinary examination of hobby-horse references, with commentary on the polysemous uses of the word, offers an informative background to reconsider well-known texts by Shakespeare and others, and provides an overview on the workings of cultural memory regarding popular culture in early modern England. The book will appeal to those with interest in early modern drama and theatre, dramaturgy, popular culture, cultural memory, and iconography.
Author: Natália Pikli
Publisher: Routledge
ISBN: 9781003054238
Category : Art
Languages : en
Pages : 272
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Book Description
"This book explores the ways in which the early modern hobby-horse featured in different productions of popular culture between 1580s-1630s. Natâalia Pikli approaches this study with a thorough and interdisciplinary examination of hobby-horse references, with commentary on the polysemous uses of the word, offers an informative background to reconsider well-known texts by Shakespeare and others, and provides an overview on the workings of cultural memory regarding popular culture in early modern England. The book will appeal to those with interest in early modern drama and theatre, dramaturgy, popular culture, cultural memory, and iconography"--
Author: Kinga Földváry
Publisher: Cambridge Scholars Publishing
ISBN: 1443846457
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
As suggested by the title Early Modern Communi(cati)ons, the volume demonstrates that the connections and common points of reference within early modern studies bind Elizabethan and Jacobean cultural studies and Shakespearean investigations together in an unexpected number of ways, and this diversity of ties has been used as the main theme around which the thirteen essays have been organised. While the first group of essays deals with early modern culture, presenting the socio-historical context necessary for any in-depth literary investigation, as exemplified through analyses of outstanding literary achievements from the period, the second part of the volume focuses on the oeuvre of the most famous representative of the age, William Shakespeare, with individual chapters creating a tangible continuum, moving from the cultural and literary context that informs his works, to their interpretation in present-day performances and their theoretical backgrounds. In the same way as the volume comprises writings on a diverse but still coherent range of topics, the authorial team is equally representative of diversity and continuity at the same time. The authors include several senior scholars working in the Hungarian academic community, representing all significant research centres in the field from all over the country. A number of essays have been contributed by promising young talents as well.
Author: Mary Ellen Lamb
Publisher: Routledge
ISBN: 1134441118
Category : Business & Economics
Languages : en
Pages : 276
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Book Description
By analyzing appropriations of fairies, old wives, and mummers, this project explores the conflicted entanglements of early moderns leaving, or attempting to leave, a once-shared common culture behind.
Author: Kevin De Ornellas
Publisher: Rowman & Littlefield
ISBN: 1611476593
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Kevin De Ornellas argues that in Renaissance England the relationship between horse and rider works as an unambiguous symbol of domination by the strong over the weak. There was little sentimental concern for animal welfare, leading to the routine abuse of the material animal. This unproblematic, practical exploitation of the horse led to the currency of the horse/rider relationship as a trope or symbol of exploitation in the literature of the period. Engaging with fiction, plays, poems, and non-fictional prose works of late Tudor and early Stuart England, De Ornellas demonstrates that the horse—a bridled, unwilling slave—becomes a yardstick against which the oppression of England’s poor, women, increasingly uninfluential clergyman, and deluded gamblers is measured. The status of the bitted, harnessed horse was a low one in early modern England—to be compared to such a beast is a demonstration of inferiority and subjugation. To think anything else is to be naïve about the realities of horse management in the period and is to be naïve about the realities of the exploitation of horses and other mammals in the present-day world.
Author: Peter Edwards
Publisher: Bloomsbury Continuum
ISBN:
Category : History
Languages : en
Pages : 368
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Book Description
Shows how, in pre-industrial England, horses were bred and trained, what they ate, how much they were worth, how long they lived, and what their owners thought of them. While they were named individually, and sometimes became favourites, many were worked hard and poorly treated, leading to their early deaths.
Author: Peter Edwards
Publisher:
ISBN: 9781474210072
Category : Great Britain
Languages : en
Pages : 340
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
Author: Gail Kern Paster
Publisher: University of Chicago Press
ISBN: 0226648486
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
Though modern readers no longer believe in the four humors of Galenic naturalism—blood, choler, melancholy, and phlegm—early modern thought found in these bodily fluids key to explaining human emotions and behavior. In Humoring the Body, Gail Kern Paster proposes a new way to read the emotions of the early modern stage so that contemporary readers may recover some of the historical particularity in early modern expressions of emotional self-experience. Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major plays of Shakespeare and his contemporaries, Paster identifies a historical phenomenology in the language of affect by reconciling the significance of the four humors as the language of embodied emotion. She urges modern readers to resist the influence of post-Cartesian abstraction and the disembodiment of human psychology lest they miss the body-mind connection that still existed for Shakespeare and his contemporaries and constrained them to think differently about how their emotions were embodied in a premodern world.
Author: Charlotte Artese
Publisher: Princeton University Press
ISBN: 0691190860
Category : Literary Collections
Languages : en
Pages : 390
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Book Description
CYMBELINE; The Wager on the Wife's Chastity; Yolando Pino- Saavedra, "The Wager on the Wife's Chastity"; Kurt Ranke, "The Innkeeper of Moscow"; Italo Calvino, "Wormwood"; J. M. Synge, "The Lady O'Conor"; Snow White; Yolando Pino- Saavedra, "Blanca Rosa and the Forty Thieves"; Violet Paget, "The Glass Coffin"; Alan Bruford, "Lasair Gheug, the King of Ireland's Daughter"; The Maiden Who Seeks Her BrothersPeter Christian Asbjørnsen and Jørgen Moe, "The Twelve Wild Ducks"; VIII. THE TEMPEST; The Magic Flight; Joseph Jacobs, "Nix Nought Nothing"; Peter Buchan, "Green Sleeves"; Jacob and Wilhelm Grimm, "The Two Kings' Children"; Zora Neale Hurston, "Jack Beats the Devil"; Marie- Catherine d'Aulnoy, "The Bee and the Orange Tree.".
