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Author: Michael McClure
Publisher: Penguin
ISBN: 0140232524
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
This insider's view of the Beat scene of the fifties and early sixties vividly marks the advancement of a new perception of art as "a living bio-alchemical organism" through essays by a poet and playwright who helped shape the movement.
Author: Michael McClure
Publisher: Penguin
ISBN: 0140232524
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
This insider's view of the Beat scene of the fifties and early sixties vividly marks the advancement of a new perception of art as "a living bio-alchemical organism" through essays by a poet and playwright who helped shape the movement.
Author: Jay Parini
Publisher: Columbia University Press
ISBN: 9780585041544
Category : Literary Criticism
Languages : en
Pages : 936
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Book Description
-- New York Times Book Review
Author: Michael McClure
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Linda Freedman
Publisher: Oxford University Press
ISBN: 019254277X
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This volume tells the story of William Blake's literary reception in America and suggests that ideas about Blake's poetry and personality helped shape mythopoeic visions of America from the Abolitionists to the counterculture. It links high and low culture and covers poetry, music, theology, and the novel. American writers have turned to Blake to rediscover the symbolic meaning of their country in times of cataclysmic change, terror, and hope. Blake entered American society when slavery was rife and civil war threatened the fragile experiment of democracy. He found his moment in the mid twentieth-century counterculture as left-wing Americans took refuge in the arts at a time of increasingly reactionary conservatism, vicious racism, pervasive sexism, dangerous nuclear competition, and an increasingly unpopular war in Vietnam, the fires of Orc raging against the systems of Urizen. Blake's America, as a symbol of cyclical hope and despair, influenced many Americans who saw themselves as continuing the task of prophecy and vision. Blakean forms of bardic song, aphorism, prophecy, and lament became particularly relevant to a literary tradition which centralised the relationship between aspiration and experience. His interrogations of power and privilege, freedom and form resonated with Americans who repeatedly wrestled with the deep ironies of new world symbolism and sought to renew a Whitmanesque ideal of democracy through affection and openness towards alterity.
Author: Angela Hume
Publisher: University of Iowa Press
ISBN: 1609385608
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Ecopoetics: Essays in the Field makes a formidable intervention into the emerging field of ecopoetics. The volume’s essays model new and provocative methods for reading twentieth and twenty-first century ecological poetry and poetics, drawing on the insights of ecocriticism, contemporary philosophy, gender and sexuality studies, black studies, Native studies, critical race theory, and disability studies, among others. Contributors offer readings of a diverse range of poets, few of whom have previously been read as nature writers—from midcentury Beat poet Michael McClure, Objectivist poet George Oppen, and African American poets Melvin Tolson and Robert Hayden; to contemporary writers such as Diné poet Sherwin Bitsui, hybrid/ collage poets Claudia Rankine and Evelyn Reilly, emerging QPOC poet Xandria Phillips, and members of the Olimpias disability culture artists’ collective. While addressing preconceptions about the categories of nature writing and ecopoetics, contributors explore, challenge, and reimagine concepts that have been central to environmental discourse, from apocalypse and embodiment to toxicity and sustainability. This collection of essays makes the compelling argument that ecopoetics should be read as “coextensive with post-1945 poetry and poetics,” rather than as a subgenre or movement within it. It is essential reading for any student or scholar working on contemporary literature or in the environmental humanities today. Contributors: Joshua Bennett, Rob Halpern, Matt Hooley, Angela Hume, Lynn Keller, Petra Kuppers, Michelle Niemann, Gillian Osborne, Samia Rahimtoola, Joan Retallack, Joshua Schuster, Jonathan Skinner.
Author: Dr Adam de Paor-Evans
Publisher: Squagle House/Rhythm Obscura
ISBN: 1527266583
Category : Social Science
Languages : en
Pages : 244
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Book Description
Scratching the Surface: Hip Hop, Remoteness, and Everyday Life presents the encounters of a young, rural teenager growing up in Devon, in the south-west corner of the UK as he engages with the evolution of hip hop, told through 28 particular and detailed memories drawn from the experience of the author. The book is divided into four parts, and situated between 1983 and 1986, explores the emotional growth, contextual questioning, and at times, naïve journey of the protagonist as he reflects on such minutiae as the price tags on record sleeves, the LED display on cassette players, and the zips on tracksuit tops. The author of Provincial Headz: British Hip Hop and Critical Regionalism returns with a quirky contextual novella which unearths a less canonical hip hop history of the 1980s and expresses the innocence and obsessions of an only child growing up in the sticks, as he strives to make sense of his personal history, identity, and place in the world, through the often dialectic relationship between Devonian life and hip hop culture. This is the first publication in the new Rhythm Obscura/Headz Projects series which seeks to uncover the hidden histories of music cultures in Britain. Adam de Paor-Evans is an independent creative practitioner, ethnomusicologist and spatio-cultural theorist and was previously Reader in Ethnomusicology at University of Central Lancashire, UK. His research is focused on the relationship of the non-obvious, societal and regional-rural phenomena within music cultures. He leads the scholarly research project 'Rhythm Obscura: Revealing Hidden Histories Through Ethnomusicology, Practice Research and Material Culture' and has been an actively involved in British hip hop culture since 1983. Between 1989-1992 he was a member of pioneering Devon hip hop crew Def Defiance as Project Cee. He also performs original 45-only DJ shows under the pseudonym RARE~GRILLS.
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 143
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Book Description
Author: Daniel Belgrad
Publisher: University of Chicago Press
ISBN: 9780226041889
Category : Art
Languages : en
Pages : 380
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Book Description
In the first comprehensive history of the postwar avant-garde, "Belgrad contributes valuable insight and original scholarship to the study of 'projective' and 'spontaneous' aesthetics among cutting edge art movements of the American midcentury" (Tom Clark, author of "Jack Kerouac: A Biography"). 8 color plates. 28 halftones.
Author: Martin Torgoff
Publisher: Da Capo Press
ISBN: 0306824760
Category : History
Languages : en
Pages : 448
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Book Description
!--[if gte mso 9] ![endif]-- The gripping story of the rise of early drug culture in America, from the author of the acclaimed Can't Find My Way Home With an intricate storyline that unites engaging characters and themes and reads like a novel, Bop Apocalypse details the rise of early drug culture in America by weaving together the disparate elements that formed this new and revolutionary segment of the American social fabric. Drawing upon his rich decades of writing experience, master storyteller Martin Torgoff connects the birth of jazz in New Orleans, the first drug laws, Louis Armstrong, Mezz Mezzrow, Harry Anslinger and the Federal Bureau of Narcotics, swing, Lester Young, Billie Holiday, the Savoy Ballroom, Reefer Madness, Charlie Parker, the birth of bebop, the rise of the Beat Generation, and the coming of heroin to Harlem. Aficionados of jazz, the Beats, counterculture, and drug history will all find much to enjoy here, with a cast of characters that includes vivid and memorable depictions of Billie Holiday, Miles Davis, John Coltrane, Jackie McLean, Allen Ginsberg, William S. Borroughs, Jack Kerouac, Herbert Huncke, Terry Southern, and countless others. Bop Apocalypse is also a living history that teaches us much about the conflicts and questions surrounding drugs today, casting many contemporary issues in a new light by connecting them back to the events of this transformative era. At a time when marijuana legalization is rapidly becoming a reality, it takes us back to the advent of marijuana prohibition, when the templates of modern drug law, policy, and culture were first established, along with the concomitant racial stereotypes. As a new opioid epidemic sweeps through white working- and middle-class communities, it brings us back to when heroin first arrived on the streets of Harlem in the 1940s. And as we debate and grapple with the gross racial disparities of mass incarceration, it puts into sharp and provocative focus the racism at the very roots of our drug war. Having spent a lifetime at the nexus of drugs and music, Torgoff reveals material never before disclosed and offers new insights, crafting and contextualizing Bop Apocalypse into a truly novel contribution to our understanding of jazz, race, literature, drug culture, and American social and cultural history.
Author: Erik Mortenson
Publisher: Liverpool University Press
ISBN: 1638040524
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
The Beats and the Academy marks the first sustained effort to train a scholarly eye on the dynamics of the relationship between Beat writers and the academic institutions in which they taught. Rather than assuming the relationship between Beat writers and institutions of higher education was only a hostile one, The Beats and the Academy begins with the premise that influence between the two flows in both directions. Beat writers' suspicion of established institutions was a significant aspect of their postwar countercultural allure. Their anti-establishment aesthetic and countercultural stance led Beat writers to be critical of postwar academic institutions that tended to dismiss them as a passing social phenomenon. Even today, Beat writing still meets resistance in an academy that questions the relevance of their writing and ideas. But this picture, like any generalization, is far too easy. The Beat relationship to the academy is one of negotiation, rather than negation. Many Beats strove for academic recognition, and quite a few received it. And despite hostility to their work both in the postwar era and today, Beat works have made it into syllabi, conference resentations, journal articles, and monographs. The Beats and the Academy deepens our understanding of this relationship by emphasizing how institutional friction between the Beats and institutions of higher education has shaped our understanding of Beat Generation literature and culture—and what this relationship between Beat writers and the academy might suggest about their legacy for future scholars.
