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Author: Isabel Torres
Publisher: Tamesis Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
The treatment of mythological material in the poetry, prose, drama, art and music of the Hispanic Baroque. Thirteen essays engage with one of the most obsessive aspects of the Baroque aesthetic, a dedicated commitment in distinct artistic contexts to the treatment of mythological material. Within the various 'Baroques' uncovered, thereis a single unity of purpose. Meaning is always negotiable, but the process of interpretation is dependent upon intertextual forms of understanding, and presupposes the active participation of the receiver. The volume explores how the paradigmatic mythical symbols of a Renaissance epistemological world view can be considered a barometer of rupture and a gauge of the contradictory impulses of the time. Essays explore the differing functions of mythology in poetry [Quevedo, Espinosa, Góngora], prose [Cervantes], drama [Lope de Vega, Sor Juana, Calderón], art [Velázquez], and music [Latin American opera]. Collectively they trace the dialectic of continuity and rupture that underpins the appropriation of classical mythology in the period; demonstrating that the mythological legacy was not as uniform, as allegorically dominated, nor as depleted of potential as we are sometimes led to believe. ISABEL TORRES is Head of Spanish and Portuguese Studies at Queen's University, Belfast. Contributors: JEAN ANDREWS, STEPHEN BOYD, D. W. CRUICKSHANK, TREVOR. J. DADSON, B.W. IFE, ANTHONY LAPPIN, OLIVER NOBLE WOOD, JEREMY ROBBINS, BRUCE SWANSEY, BARRY TAYLOR, ISABEL TORRES, D. GARETH WALTERS
Author: Isabel Torres
Publisher: Tamesis Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
Get Book
Book Description
The treatment of mythological material in the poetry, prose, drama, art and music of the Hispanic Baroque. Thirteen essays engage with one of the most obsessive aspects of the Baroque aesthetic, a dedicated commitment in distinct artistic contexts to the treatment of mythological material. Within the various 'Baroques' uncovered, thereis a single unity of purpose. Meaning is always negotiable, but the process of interpretation is dependent upon intertextual forms of understanding, and presupposes the active participation of the receiver. The volume explores how the paradigmatic mythical symbols of a Renaissance epistemological world view can be considered a barometer of rupture and a gauge of the contradictory impulses of the time. Essays explore the differing functions of mythology in poetry [Quevedo, Espinosa, Góngora], prose [Cervantes], drama [Lope de Vega, Sor Juana, Calderón], art [Velázquez], and music [Latin American opera]. Collectively they trace the dialectic of continuity and rupture that underpins the appropriation of classical mythology in the period; demonstrating that the mythological legacy was not as uniform, as allegorically dominated, nor as depleted of potential as we are sometimes led to believe. ISABEL TORRES is Head of Spanish and Portuguese Studies at Queen's University, Belfast. Contributors: JEAN ANDREWS, STEPHEN BOYD, D. W. CRUICKSHANK, TREVOR. J. DADSON, B.W. IFE, ANTHONY LAPPIN, OLIVER NOBLE WOOD, JEREMY ROBBINS, BRUCE SWANSEY, BARRY TAYLOR, ISABEL TORRES, D. GARETH WALTERS
Author: Anne Holloway
Publisher: Boydell & Brewer
ISBN: 1855663139
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
A careful re-evaluation of pastoral poetics in the early modern Hispanic literature of Spain and Latin America.
Author: Melanie Henry
Publisher: MHRA
ISBN: 1781880026
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic offers a comprehensive analysis of all eight of Cervantes's Ocho comedias (published 1615), moving beyond conventional anti-Lope approaches to Cervantine dramatic practise in order to identify what, indeed, his theatre promotes. Considered on its own aesthetic terms, but also taking into account ontological and socio-cultural concerns, this study compels a re-assessment of Cervantes's drama and conflates any monolithic interpretations which do not allow for the textual interplay of contradictory and conflicting discourses which inform it. Cervantes's complex and polyvalent representation of freedom underpins such an approach; a concept which is considered to be a leitmotif of Cervantes's work but which has received scant attention with regards to his theatre. Investigation of this topic reveals not only Cervantes's rejection of established theatrical convention, but his preoccupation with the difficult relationship between the individual and the early modern Spanish world. Cervantes's comedias emerge as a counter-perspective to dominant contemporary Spanish ideologies and more orthodox artistic imaginings. Ultimately, The Signifying Self seeks to recuperate the Ocho comedias as a significant part of the Cervantine, and Golden-Age, canon and will be of interest and benefit to those scholars who work on Cervantes and indeed on early modern Spanish theatre in general.
Author: Stephen Boyd
Publisher: Routledge
ISBN: 1351575295
Category : Foreign Language Study
Languages : en
Pages : 232
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Book Description
The corpus of literary works shaped by the Renaissance and the Baroque that appeared in Spain during the sixteenth and seventeenth centuries had a transforming effect on writing throughout Europe and left a rich legacy that scholars continue to explore. For four decades after the Spanish Civil War the study of this literature flourished in Great Britain and Ireland, where many of the leading scholars in the field were based. Though this particular 'Golden Age' was followed by a decline for many years, there have recently been signs of a significant revival. The present book seeks to showcase the latest research of established and younger colleagues from Great Britain and Ireland on the Spanish Golden Age. It falls into four sections, in each of which works by particular authors are examined in detail: prose (Miguel de Cervantes, Francisco de Quevedo, Baltasar Gracian), poetry (The Count of Salinas, Luis de Gongora, Pedro Soto de Rojas), drama (Cervantes, Calderon, Lope de Vega), and colonial writing (Bernardo Balbuena, Hernando Dominguez Camargo, Alonso de Ercilla). There are essays also on more general themes (the motif of poetry as manna; rehearsals on the Golden Age stage; proposals put to viceroys on governing Spanish Naples). The essays, taken together, offer a representative sample of current scholarship in England, Scotland, and Ireland.
Author: Alexander Samson
Publisher: Boydell & Brewer Ltd
ISBN: 1855661683
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
An assessment of the life, work and reputation of Spain's leading Golden Age dramatist
Author: Stephen M. Hart
Publisher: Cambridge University Press
ISBN: 1108195628
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
The Cambridge Companion to Latin American Poetry provides historical context on the evolution of the Latin American poetic tradition from the sixteenth century to the present day. It is organized into three parts. Part I provides a comprehensive, chronological survey of Latin American poetry and includes separate chapters on Colonial poetry, Romanticism/modernism, the avant-garde, conversational poetry, and contemporary poetry. Part II contains six succinct essays on the major figures Sor Juana Inés de la Cruz, Gabriela Mistral, César Vallejo, Pablo Neruda, Carlos Drummond de Andrade, and Octavio Paz. Part III analyses specific and distinctive trends within the poetic canon, including women's, LGBT, Quechua, Afro-Hispanic, Latino/a and New Media poetry. This Companion also contains a guide to further reading as well as an essay on the best English translations of Latin American poetry. It will be a key resource for students and instructors of Latin American literature and poetry.
Author: Frederick A. De Armas
Publisher: University of Toronto Press
ISBN: 1442641177
Category : Literary Collections
Languages : en
Pages : 321
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Book Description
The Roman poet Ovid, author of the famous Metamorphoses, is widely considered one of the canonical poets of Latin antiquity. Vastly popular in Europe during the Renaissance and Early Modern periods, Ovid's writings influenced the literature, art, and culture in Spain's Golden Age. The book begins with examinations of the translation and utilization of Ovid's texts from the Middle Ages to the Age of Cervantes. The work includes a section devoted to the influence of Ovid on Cervantes, arguing that Don Quixote is a deeply Ovidian text, drawing upon many classical myths and themes. The contributors then turn to specific myths in Ovid as they were absorbed and transformed by different writers, including that of Echo and Narcissus in Garcilaso de la Vega and Hermaphroditus in Covarrubias and Moya. The final section of the book centers on questions of poetic fame and self-fashioning. Ovid in the Age of Cervantes is an important and comprehensive re-evaluation of Ovid's impact on Renaissance and Early Modern Spain.
Author: Lindsay G. Kerr
Publisher: Boydell & Brewer
ISBN: 1855663171
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Traces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating correlations and connections.
Author: Jason McCloskey
Publisher: Rowman & Littlefield
ISBN: 1611484960
Category : Art
Languages : en
Pages : 270
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Book Description
Signs of Power in Habsburg Spain and the New World consists of ten chapters that examine the representation of political, economic, military and symbolic power both in Spain and the New World under the Habsburgs.
Author: Mary E. Barnard
Publisher: University of Toronto Press
ISBN: 1487509189
Category : History
Languages : en
Pages : 191
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Book Description
A Poetry of Things considers how cultural objects were used by poets in the years around 1600 - a time of social and economic crisis, but also of remarkable artistic and literary production.
