Photography's Orientalism PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Photography's Orientalism PDF full book. Access full book title Photography's Orientalism by Ali Behdad. Download full books in PDF and EPUB format.
Author: Ali Behdad
Publisher: Getty Publications
ISBN: 1606062670
Category : Photography
Languages : en
Pages : 226
Get Book
Book Description
The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe’s distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able to mass-produce images to incite and satisfy the demands of the region’s burgeoning tourist industry and the appetites of armchair travelers in Europe. In this way, the evolution of modern photography fueled an interest in visual contact with the rest of the world. Photography’s Orientalism offers the first in-depth cultural study of the works of European and non- European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.
Author: Ali Behdad
Publisher: Getty Publications
ISBN: 1606062670
Category : Photography
Languages : en
Pages : 226
Get Book
Book Description
The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe’s distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able to mass-produce images to incite and satisfy the demands of the region’s burgeoning tourist industry and the appetites of armchair travelers in Europe. In this way, the evolution of modern photography fueled an interest in visual contact with the rest of the world. Photography’s Orientalism offers the first in-depth cultural study of the works of European and non- European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.
Author: Ali Behdad
Publisher: Getty Publications
ISBN: 1606061518
Category : Art
Languages : en
Pages : 226
Get Book
Book Description
"This volume evolved from "Zoom out: the making and the unmaking of the 'Orient' through photography," held at the Getty Research Institute, Los Angeles, May 6-7, 2010"--ECIP data view.
Author: Ali Behdad
Publisher: University of Chicago Press
ISBN: 022635640X
Category : History
Languages : en
Pages : 229
Get Book
Book Description
From the time of its invention in 1839, photography had a crucial link to the Middle East. When Daguerre s invention was introduced, it was immediately hailed as a boon to Egyptologists and Orientalists wanting to document their archeological findings. The Middle East also beckoned European experimenters in this new medium for a simple technological reason: early photographs were more quickly and easily made in the intense light of the desert than in gloomy Paris or London. In Camera Orientalis, Ali Behdad examines the cultural and political implications of the emergence of photography in the Middle East. He shows that the camera proved useful to Orientalism, but so too was Orientalism useful to photographers, because it gave them a set of conventions by which to frame these exotic cultures in images for Western audiences. Behdad breaks with standard postcolonial approaches by showing that Orientalist photography was the product of contacts between the West and the East. Indeed, local photographers participated enthusiastically in exoticist representations of the region, adapting Orientalism to the taste of the local elite. Orientalist photography, we learn, was not a one-way street but rather the product of ideas and conventions that circulated between the West and the East."
Author: Jill Beaulieu
Publisher: Duke University Press
ISBN: 9780822328742
Category : Art
Languages : en
Pages : 248
Get Book
Book Description
DIVA collection of essays that develop ways of doing postcolonial studies in art history./div
Author: Edward W. Said
Publisher: Vintage
ISBN: 0804153868
Category : Social Science
Languages : en
Pages : 432
Get Book
Book Description
More than three decades after its first publication, Edward Said's groundbreaking critique of the West's historical, cultural, and political perceptions of the East has become a modern classic. In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding. Essential, and still eye-opening, Orientalism remains one of the most important books written about our divided world.
Author: Carol A. Breckenridge
Publisher: University of Pennsylvania Press
ISBN: 9780812214369
Category : History
Languages : en
Pages : 376
Get Book
Book Description
This book explores the ways in which colonial administrators constructed knowledge about the society and culture of India and the processes through which that knowledge has shaped past and present Indian reality.
Author: Richard Harrison Martin
Publisher: Metropolitan Museum of Art
ISBN: 0870997335
Category : Clothing and dress
Languages : en
Pages : 97
Get Book
Book Description
Published in conjunction with the exhibition of the same name held at The Metropolitan Museum of Art during the first quarter of 1995. The authors (both curators at The Costume Institute) explore the West's fascination with ideas and motifs from the various Easts, and demonstrate the expression of t
Author: Engin Özendes
Publisher:
ISBN:
Category :
Languages : en
Pages : 274
Get Book
Book Description
Author: Ibn Warraq
Publisher: Prometheus Books
ISBN: 161592020X
Category : History
Languages : en
Pages : 558
Get Book
Book Description
This is the first systematic critique of Edward Said's influential work, Orientalism, a book that for almost three decades has received wide acclaim, voluminous commentary, and translation into more than fifteen languages. Said's main thesis was that the Western image of the East was heavily biased by colonialist attitudes, racism, and more than two centuries of political exploitation. Although Said's critique was controversial, the impact of his ideas has been a pervasive rethinking of Western perceptions of Eastern cultures, plus a tendency to view all scholarship in Oriental Studies as tainted by considerations of power and prejudice. In this thorough reconsideration of Said's famous work, Ibn Warraq argues that Said's case against the West is seriously flawed. Warraq accuses Said of not only willfully misinterpreting the work of many scholars, but also of systematically misrepresenting Western civilization as a whole. With example after example, he shows that ever since the Greeks Western civilization has always had a strand in its very makeup that has accepted non-Westerners with open arms and has ever been open to foreign ideas. The author also criticizes Said for inadequate methodology, incoherent arguments, and a faulty historical understanding. He points out, not only Said's tendentious interpretations, but historical howlers that would make a sophomore blush. Warraq further looks at the destructive influence of Said's study on the history of Western painting, especially of the 19th century, and shows how, once again, the epigones of Said have succeeded in relegating thousands of first-class paintings to the lofts and storage rooms of major museums. An extended appendix reconsiders the value of 18th- and 19th-century Orientalist scholars and artists, whose work fell into disrepute as a result of Said's work.
Author: Reina Lewis
Publisher: Bloomsbury Publishing
ISBN: 0857716344
Category : Political Science
Languages : en
Pages : 314
Get Book
Book Description
The oppressed yet highly sexualized woman of the Muslim harem is arguably the pivotal figure of Western orientalism. Yet, as Reina Lewis demonstrates, while orientalist thinking had recently been challenged, Western understandings of Middle Eastern culture remain limited. This book presents alternative dialogues between Ottoman and Western women. Lewis examines, from the position of cultural theory, the published autobiographical accounts about segregated life of self-identified "Oriental" women Demetra Vaka Brown, Halide Edib, Zeyneb Hanum, Melek Hanum and Grace Ellison. Bringing her subjects vividly to life, Lewis uses these texts to challenge the Western orientalist stereotypes that have become commonplace within postcolonial theory.
