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Author: Charles Baudelaire
Publisher: Hackett Publishing
ISBN: 160384046X
Category : Poetry
Languages : en
Pages : 171
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Book Description
Paris Spleen, a diverse collection of fifty prose poems, is provided here in a clear, engaging, and accurate translation that conveys the lyricism and nuance of the original French text. Also included is a translation of Baudelaire's early novella, La Fanfarlo, which, alongside Paris Spleen, sheds light on the development of Baudelaire's work over time. Raymond N. MacKenzie's introductory essay discusses Baudelaire's life and the literary climate in which he lived and worked. Focusing on the theory of the prose poem, MacKenzie suggests that Baudelaire turned to this form for both aesthetic and ethical reasons, and because the form allowed him to explore more fully the complexities of the modern, urban, human condition. By turns comic, somber, satiric, and self-questioning, Paris Spleen is one of the nineteenth century's richest masterpieces.
Author: Charles Baudelaire
Publisher: Hackett Publishing
ISBN: 160384046X
Category : Poetry
Languages : en
Pages : 171
Get Book
Book Description
Paris Spleen, a diverse collection of fifty prose poems, is provided here in a clear, engaging, and accurate translation that conveys the lyricism and nuance of the original French text. Also included is a translation of Baudelaire's early novella, La Fanfarlo, which, alongside Paris Spleen, sheds light on the development of Baudelaire's work over time. Raymond N. MacKenzie's introductory essay discusses Baudelaire's life and the literary climate in which he lived and worked. Focusing on the theory of the prose poem, MacKenzie suggests that Baudelaire turned to this form for both aesthetic and ethical reasons, and because the form allowed him to explore more fully the complexities of the modern, urban, human condition. By turns comic, somber, satiric, and self-questioning, Paris Spleen is one of the nineteenth century's richest masterpieces.
Author: Charles Baudelaire
Publisher: Anvil Editions
ISBN: 9780856464287
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
The companion volume to "The Complete Verse" gives the rest of Baudelaire s poetry; brilliant vignettes and sketches by the master-poet."
Author: Barbara Wright
Publisher: Foyles
ISBN:
Category : Paris (France)
Languages : en
Pages : 108
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Book Description
Author: Charles Baudelaire
Publisher: New Directions Publishing
ISBN: 0811221865
Category : Poetry
Languages : en
Pages : 118
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Book Description
One of the founding texts of literary modernism. Set in a modern, urban Paris, the prose pieces in this volume constitute a further exploration of the terrain Baudelaire had covered in his verse masterpiece, The Flowers of Evil: the city and its squalor and inequalities, the pressures of time and mortality, and the liberation provided by the sensual delights of intoxication, art, and women. Published posthumously in 1869, Paris Spleen was a landmark publication in the development of the genre of prose poetry—a format which Baudelaire saw as particularly suited for expressing the feelings of uncertainty, flux, and freedom of his age—and one of the founding texts of literary modernism.
Author: MariaC. Scott
Publisher: Routledge
ISBN: 1351574353
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Maria Scott's study of the operation of irony in Baudelaire's Le Spleen de Paris contends that the principal target of the collection's spleen is its own readership. Baudelaire, as one of the most perceptive cultural commentators of the nineteenth century, was naturally very keenly aware of the growing dominance of the bourgeoisie in France, not least as a market for art and literature. Despite being dependent on this market for his own writing, the poet was highly critical of bourgeois values and attitudes. Scott builds on existing criticism of the collection to argue that these are indirectly mocked in Le Spleen de Paris, often in the person of the poet's supposed textual alter ego. The contention is that the prose poems betray the trust of readers by way of an apparent transparency of meaning that functions to blind us to their embedded irony. Though focused on Le Spleen de Paris, Scott's study engages with the full range of Baudelaire's writings, including his art and literary criticism. Her book will be of interest not only to Baudelaire scholars but also to those engaged more generally with nineteenth-century French culture.
Author: Charles Baudelaire
Publisher: Wesleyan University Press
ISBN: 0819569984
Category : Poetry
Languages : en
Pages : 116
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Book Description
Between 1855 and his death in 1867, Charles Baudelaire inaugurated a new—and in his own words "dangerous"—hybrid form in a series of prose poems known as Paris Spleen. Important and provocative, these fifty poems take the reader on a tour of 1850s Paris, through gleaming cafes and filthy side streets, revealing a metropolis on the eve of great change. In its deliberate fragmentation and merging of the lyrical with the sardonic, Le Spleen de Paris may be regarded as one of the earliest and most successful examples of a specifically urban writing, the textual equivalent of the city scenes of the Impressionists. In this compelling new translation, Keith Waldrop delivers the companion to his innovative translation of The Flowers of Evil. Here, Waldrop's perfectly modulated mix releases the music, intensity, and dissonance in Baudelaire's prose. The result is a powerful new re-imagining that is closer to Baudelaire's own poetry than any previous English translation.
Author: O. Classe
Publisher: Taylor & Francis
ISBN: 9781884964367
Category : Authors
Languages : en
Pages : 930
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Book Description
Author: Andrea Benedetti
Publisher: Mimesis
ISBN: 8869772896
Category : Social Science
Languages : en
Pages : 593
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Book Description
The essays contained in this volume explore the historical trajectories along which the Mediterranean has been conceptualized as a cultural, religious and economical resource and how these various aspects are intertwined. While staying clear of a merely “imagological” or “representational” point of view, the authors consider the interplay between culturally shaped attributions (for example the longstanding desire for a Mediterranean “Otherness” as expressed in German literature), their testing in empirical encounters, and the effect these encounters produce on both sides. Although focused particularly on 19th and 20th century culture, this volume offers a timely contribution to conceptualising the challenges of the 21st century. The conjunction of both provinciality and universality, the connectivity and fragmentation of the Mediterranean continues to be at the basis of the European matrix of all possible (hi)stories.
Author: Alastair Hemmens
Publisher: Cambridge Scholars Publishing
ISBN: 1443844292
Category : Literary Collections
Languages : en
Pages : 190
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Book Description
The extreme is an essential aspect of contemporary experience. Thrill-seekers spend the weekend in the search of the adrenaline rush of “extreme sports”. In the political arena, the world has begun to rediscover the split between the “extreme” left and the “extreme” right. Through 24-hour rolling news, images of violence, torture and war are televised unremittingly into the living room; while the Internet places hardcore pornography, snuff film and cannibalism within easy reach of anyone with a personal computer or a smartphone. The “extreme” has even become a quality companies seek to associate with the most banal of commodities such as ice cream and hair gel. These different manifestations of extremity suggest a contradictory, even paradoxical, relationship with the “extreme”. The contributors to this book explore how writing in French, from the Middle Ages to the present day, has interrogated extremity. Taken together, these essays demonstrate that the quality of the extreme can be applied to a great number of texts for different reasons and from myriad perspectives. Moreover, the extreme is revealed as a quality both distinct from, and in tension with, the crossing of boundaries associated with transgression. It is a movement towards and away from a centre of radiation that escapes cultural norms without necessarily reinforcing them. This sensation of rushing and wandering outside the boundaries of what is considered safe and normal provides the extreme with its adrenaline-charged response of excitement or horror. The analyses contained in this volume consider a number of manifestations of the “extrême littéraire”. The ambiguities of gender in medieval romance are explored in the context of the Arthurian court. The 19th century is examined through the prose poems of Baudelaire and the littérature sauvage of the Zutistes. The difficulties of writing the trauma of war and genocide in the 20th century are discussed through the work of Jorges Semprún and Agota Kristof. The contemporary extreme in French literature is examined in the autofiction of Christine Angot, the work of Annie Ernaux and Catherine Millet, the controversial novels of Michel Houellebecq, and the worldwide influence of the Marquis de Sade on writing today. Whilst the “extrême littéraire” may have a wide variety of expressions in French literature, it is always outside, beyond and far from the centre of our everyday experience. It shocks us, excites us and horrifies us, often all at once. This book seeks to provide an insight into how and why the extreme has fascinated, and continues to fascinate, the French literary imagination.
Author: Dieter Thomä
Publisher: John Wiley & Sons
ISBN: 1509525610
Category : Philosophy
Languages : en
Pages : 532
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Book Description
The political crises and upheavals of our age often originate from the periphery rather than the center of power. Figures like Edward Snowden, Julian Assange, and Chelsea Manning acted in ways that disrupted power, revealing truths that those in power wanted to keep hidden. They are thorns in the side of power, troublemakers in the eyes of the powerful, though their actions may be valuable and lead to positive changes. In this important new book, Dieter Thomä examines the crucial but often overlooked function of these figures on the margins of society, developing a philosophy of troublemakers from the seventeenth century to the present day. Thomä takes as his starting point Hobbes’s idea of the puer robustus (literally “stout boy”), meaning a figure who rebels against order and authority. While Hobbes saw the puer robustus as a threat, he also recognized the potential, in the right conditions, for figures to rise up and become agents of positive change. Building on this notion, Thomä provides a rich survey of intellectuals who have been inspired by this idea over the past 300 years, from Rousseau, Diderot, Schiller, Victor Hugo, Marx, and Freud to Carl Schmitt, Leo Strauss, and Horkheimer, right up to the recent work of Badiou and Agamben. In doing so, he develops a typology of the puer robustus and a means by which we can evaluate and assess the troublemakers of our own times. Thomä shows that troublemakers are an inescapable part of modernity, for as soon as social and political boundaries are defined, there will always be figures challenging them from the margins. This book will be of great interest not only to students and scholars in the humanities and social sciences but to anyone seeking to understand the crucial impact of these liminal figures on our world today.
