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Author: Celia M. Chazelle
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
The articles contained in this volume are indicative of a new effort, in the best of current research on the early medieval west, to examine the period from new angles that more fully illumine its vitality and creativity than has been done in the past. ^BContents: The End of the ' Dark Ages', by Celia M. Chazelle; Literate Authority in Bede's Story of Imma, by Seth Lerer; From Brigandage to Justice: Charlemagne, 785ó794, by Thomas F.X. Noble, The Originality of Early Medieval Articles, by Lawrence Nees.
Author: Celia M. Chazelle
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
Get Book
Book Description
The articles contained in this volume are indicative of a new effort, in the best of current research on the early medieval west, to examine the period from new angles that more fully illumine its vitality and creativity than has been done in the past. ^BContents: The End of the ' Dark Ages', by Celia M. Chazelle; Literate Authority in Bede's Story of Imma, by Seth Lerer; From Brigandage to Justice: Charlemagne, 785ó794, by Thomas F.X. Noble, The Originality of Early Medieval Articles, by Lawrence Nees.
Author: Celia Martin Chazelle
Publisher:
ISBN: 9780819185624
Category :
Languages : en
Pages : 25
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Book Description
Author: Celia M. Chazelle
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
Get Book
Book Description
The articles contained in this volume are indicative of a new effort, in the best of current research on the early medieval west, to examine the period from new angles that more fully illumine its vitality and creativity than has been done in the past. ^BContents: The End of the ' Dark Ages', by Celia M. Chazelle; Literate Authority in Bede's Story of Imma, by Seth Lerer; From Brigandage to Justice: Charlemagne, 785ó794, by Thomas F.X. Noble, The Originality of Early Medieval Articles, by Lawrence Nees.
Author: C. Chazelle
Publisher: Springer
ISBN: 1137123052
Category : History
Languages : en
Pages : 264
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Book Description
The articles in this volume, by scholars all pursuing careers in the United States, concern the theoretical approaches and methods of early medieval studies. Most of the issues examined span the period from roughly 400 to 1000 CE and regions stretching from westernmost Eurasia to the Black Sea and the Baltic. This is the first volume of essays explicitly to reassess the heuristic structures and methodologies of research on "early medieval Europe." Because of its geographic, chronological, thematic, and methodological diversity and scope, the collection also showcases the breadth of early medieval studies currently practiced in the United States.
Author: Lawrence Nees
Publisher: Oxford University Press, USA
ISBN: 9780192842435
Category : Art
Languages : en
Pages : 274
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Book Description
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Author:
Publisher: BRILL
ISBN: 9004432337
Category : Literary Criticism
Languages : en
Pages : 564
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Book Description
This is the first major study of the interplay between Latin and Germanic vernaculars in early medieval records, examining the role of language choice in the documentary cultures of the Anglo-Saxon and eastern Frankish worlds.
Author: Bernard S. Bachrach
Publisher: University of Pennsylvania Press
ISBN: 0812221443
Category : History
Languages : en
Pages : 445
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Book Description
Without the complex military machine that his forebears had built up over the course of the eighth century, it would have been impossible for Charlemagne to revive the Roman empire in the West. Early Carolingian Warfare is the first book-length study of how the Frankish dynasty, beginning with Pippin II, established its power and cultivated its military expertise in order to reestablish the regnum Francorum, a geographical area of the late Roman period that includes much of present-day France and western Germany. Bernard Bachrach has thoroughly examined contemporary sources, including court chronicles, military handbooks, and late Roman histories and manuals, to establish how the early Carolingians used their legacy of political and military techniques and strategies forged in imperial Rome to regain control in the West. Pippin II and his successors were not diverted by opportunities for financial enrichment in the short term through raids and campaigns outside of the regnum Francorum; they focused on conquest with sagacious sensibilities, preferring bloodless diplomatic solutions to unnecessarily destructive warfare, and disdained military glory for its own sake. But when they had to deploy their military forces, their operations were brutal and efficient. Their training was exceptionally well developed, and their techniques included hand-to-hand combat, regimented troop movements, fighting on horseback with specialized mounted soldiers, and the execution of lengthy sieges employing artillery. In order to sustain their long-term strategy, the early Carolingians relied on a late Roman model whereby soldiers were recruited from among the militarized population who were required by law to serve outside their immediate communities. The ability to mass and train large armies from among farmers and urban-dwellers gave the Carolingians the necessary power to lay siege to the old Roman fortress cities that dominated the military topography of the West. Bachrach includes fresh accounts of Charles Martel's defeat of the Muslims at Poitiers in 732, and Pippin's successful siege of Bourges in 762, demonstrating that in the matter of warfare there never was a western European Dark Age that ultimately was enlightened by some later Renaissance. The early Carolingians built upon surviving military institutions, adopted late antique technology, and effectively utilized their classical intellectual inheritance to prepare the way militarily for Charlemagne's empire.
Author: Valerie L. Garver
Publisher: Routledge
ISBN: 1317061241
Category : History
Languages : en
Pages : 390
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Book Description
Rome and Religion in the Medieval World provides a panoramic and interdisciplinary exploration of Rome and religious culture. The studies build upon or engage Thomas F.X. Noble’s interest in Rome, especially his landmark contributions to the origins of the Papal States and early medieval image controversies. Scholars from a variety of disciplines offer new viewpoints on key issues and questions relating to medieval religious, cultural and intellectual history. Each study explores different dimensions of Rome and religion, including medieval art, theology, material culture, politics, education, law, and religious practice. Drawing upon a wide range of sources, including manuscripts, relics, historical and normative texts, theological tracts, and poetry, the authors illuminate the complexities of medieval Christianity, especially as practiced in the city of Rome itself, and elsewhere in Europe when influenced by the idea of Rome. Some trace early medieval legacies to the early modern period when Protestant and Catholic theologians used early medieval religious texts to define and debate forms of Roman Christianity. The essays highlight and deepen scholarly appreciation of Rome in the rich and varied religious culture of the medieval world.
Author: John Williams
Publisher: Penn State Press
ISBN: 0271017686
Category : Art
Languages : en
Pages : 238
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Book Description
A unique exploration of the beginnings of biblical illustration and decoration.
Author: Jennifer Awes Freeman
Publisher: Boydell & Brewer
ISBN: 1783276843
Category : Art
Languages : en
Pages : 245
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Book Description
A fresh interpretation of an enigmatic illumination and its contexts.The Ashburnham Pentateuch is an early medieval manuscript of uncertain provenance, which has puzzled and intrigued scholars since the nineteenth century. Its first image, which depicts the Genesis creation narrative, is itself a site of mystery; originally, it presented the Trinity as three men in various vignettes, but in the early ninth century, by which time the manuscript had come to the monastery at Tours, most of the figures were obscured by paint, leaving behind a single creator. In this sense, the manuscript serves as a kind of hinge between the late antique and early medieval periods. Why was the Ashburnham Pentateuch's anthropomorphic image of the Trinity acceptable in the sixth century, but not in the ninth?This study examines the theological, political, and iconographic contexts of the production and later modification of the Ashburnham Pentateuch's creation image. The discussion focuses on materiality, the oft-contested relationship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.e image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.
