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Author: Stephen Parks
Publisher: New York : Garland Pub.
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 472
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Book Description
Author: Stephen Parks
Publisher: New York : Garland Pub.
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 472
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Book Description
Author: Marjorie Plant
Publisher: London : Allen and Unwin
ISBN:
Category : Business & Economics
Languages : en
Pages : 564
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Book Description
Author: John Dunton
Publisher: Dissertations-G
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 568
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Book Description
Author: John Dunton
Publisher: Cambridge University Press
ISBN: 1108074057
Category : Language Arts & Disciplines
Languages : en
Pages : 369
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Book Description
This two-volume work, published in 1705 and reissued in its 1818 edition, contains an early example of English autobiographical writing.
Author: Helen Hills
Publisher: Routledge
ISBN: 1351904159
Category : History
Languages : en
Pages : 256
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Book Description
Juxtaposing artistic and musical representations of the emotions with medical, philosophical and scientific texts in Western culture between the Renaissance and the twentieth century, the essays collected in this volume explore the ways in which emotions have been variously conceived, configured, represented and harnessed in relation to broader discourses of control, excess and refinement. Since the essays explore the interstices between disciplines (e.g. music and medicine, history of art and philosophy) and thereby disrupt established frameworks within the histories of art, music and medicine, traditional narrative accounts are challenged. Here larger historical forces come into perspective, as these papers suggest how both artistic and scientific representations of the emotions have been put to use in political, social and religious struggles, at a variety of different levels.
Author: John Dunton
Publisher: Legare Street Press
ISBN: 9781020183225
Category :
Languages : en
Pages : 0
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Book Description
Originally published in 1818, this entertaining and irreverent memoir describes the life and times of John Dunton, a colorful figure in 17th-century London's literary scene. Dunton's encounters with famous writers and theologians (as well as his own personal failings) make for a lively and engaging read. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: John Dunton
Publisher: Cambridge University Press
ISBN: 9781108074049
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
This two-volume work, originally published in 1705 and now reissued in John Nichols' edition of 1818, was one of the earliest examples of autobiographical writing in English. John Dunton (1659-1732), a highly eccentric bookseller and publisher, was also responsible for one of the first periodicals in London, the Athenian Gazette, which invited its readers to submit questions on any topic, to be answered by the Athenian Society, a group of learned men (in fact, Dunton himself and some cronies). However, he was not a practical businessman, and the death of his wife and his own illness led to poverty, and to hack-work for others. The Life and Errors was followed by pamphlets attacking those whom he blamed for his misfortunes. The work gives a fascinating picture of authors and the book trade in Restoration London. Volume 1 contains Dunton's autobiography, preceded by a short biography by Nichols.
Author: Lisa M. Maruca
Publisher: University of Washington Press
ISBN: 0295801751
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The Work of Print traces a shift in the very definition of literature, from one that encompasses the material conditions of the production and distribution of books to the more familiar emphasis on the solitary author's ownership of an abstract text. Drawing on contemporary accounts of those involved in the trade - printers, booksellers, publishers, and distributors - Lisa Maruca examines attitudes about the creative process and approaches to the commodification of writing. The "work of print" describes the labors through which literature was produced: both the physical labor of making books and the underlying cultural work performed by a set of ideologies about who counted as a maker of texts. Printers' manuals, tracts on typography, legal documents, and booksellers' autobiographies reveal that print workers conceived of their roles as central to the production of literature. Maruca's insightful readings of these documents alongside traditional works of fiction and authors' correspondence show that the claims of print workers and booksellers were part of a struggle for ownership and control as the concept of author as proprietor of his or her intellectual property began to take hold in the mid-1700s, gradually eclipsing print workers' contributions to the process of textual creation. The print trade asserted its authority using a rhetoric of hierarchical and binary sexuality and gender, which affected women working in the industry and limited the type of work they were allowed to perform. In response, women developed strategies to redeploy conventional ideas of gender to gain concessions for themselves as publishers and distributors of printed material, strategies that formed a foundation for the rise of female authorship later in the eighteenth century. Encompassing the histories of literature, labor, technology, publishing, and gender, The Work of Print ultimately offers significant insights into the ideology of authorship and intellectual property and our understanding of textuality and print in the digital age.
Author: John Dunton
Publisher:
ISBN: 9781107448537
Category : Booksellers and bookselling
Languages : en
Pages : 2
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Book Description
Author: Mary Beth Norton
Publisher: Cornell University Press
ISBN: 9780801461378
Category : History
Languages : en
Pages : 272
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Book Description
In Separated by Their Sex, Mary Beth Norton offers a bold genealogy that shows how gender came to determine the right of access to the Anglo-American public sphere by the middle of the eighteenth century. Earlier, high-status men and women alike had been recognized as appropriate political actors, as exemplified during and after Bacon’s Rebellion by the actions of—and reactions to—Lady Frances Berkeley, wife of Virginia’s governor. By contrast, when the first ordinary English women to claim a political voice directed group petitions to Parliament during the Civil War of the 1640s, men relentlessly criticized and parodied their efforts. Even so, as late as 1690, Anglo-American women’s political interests and opinions were publicly acknowledged. Norton traces the profound shift in attitudes toward women’s participation in public affairs to the age’s cultural arbiters, including John Dunton, editor of the Athenian Mercury, a popular 1690s periodical that promoted women’s links to husband, family, and household. Fittingly, Dunton was the first author known to apply the word "private" to women and their domestic lives. Subsequently, the immensely influential authors Richard Steele and Joseph Addison (in the Tatler and the Spectator) advanced the notion that women’s participation in politics—even in political dialogues—was absurd. They and many imitators on both sides of the Atlantic argued that women should confine themselves to home and family, a position that American women themselves had adopted by the 1760s. Colonial women incorporated the novel ideas into their self-conceptions; during such "private" activities as sitting around a table drinking tea, they worked to define their own lives. On the cusp of the American Revolution, Norton concludes, a newly gendered public-private division was firmly in place.
