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Author: Martin Myrone
Publisher:
ISBN: 9781849767682
Category :
Languages : en
Pages : 224
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Book Description
How William Hogarth and artists across Europe captured the new modernity of the 18th century, revealing themes still strikingly relevant today Illustrating the full range of Hogarth's most important paintings and prints, this book shows them in a new light, juxtaposed with work by major European contemporaries who influenced him or took their inspiration from him in their painting of modern life--including Watteau, Chardin, Troost, and Longhi. Hogarth is revealed not only as a key figure in British art history, but also as a major European artist. It is also a tale of four cities: London, Paris, Venice, and Amsterdam, represented in maps from the period. The themes of city life, social protest, sexuality, and satire, which come to the fore in the art of Hogarth and his contemporaries, are very much alive today.
Author: Martin Myrone
Publisher:
ISBN: 9781849767682
Category :
Languages : en
Pages : 224
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Book Description
How William Hogarth and artists across Europe captured the new modernity of the 18th century, revealing themes still strikingly relevant today Illustrating the full range of Hogarth's most important paintings and prints, this book shows them in a new light, juxtaposed with work by major European contemporaries who influenced him or took their inspiration from him in their painting of modern life--including Watteau, Chardin, Troost, and Longhi. Hogarth is revealed not only as a key figure in British art history, but also as a major European artist. It is also a tale of four cities: London, Paris, Venice, and Amsterdam, represented in maps from the period. The themes of city life, social protest, sexuality, and satire, which come to the fore in the art of Hogarth and his contemporaries, are very much alive today.
Author: Alice Insley
Publisher:
ISBN: 9781849767699
Category :
Languages : en
Pages : 80
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Book Description
A window into the past which shows us how far we have or haven't come Hogarth's pictures are among the most iconic of the 18th century--his raucous crowds, bustling streets, polite or not-so-polite companies, and all-too revealing tales of human folly, vividly bring the world around him to life. Their fame and popularity rest, above all, on their widespread circulation as prints, not only in England but around the globe, from the artist's lifetime to today.
Author: William Hogarth
Publisher: Courier Corporation
ISBN: 0486317161
Category : Art
Languages : en
Pages : 205
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Book Description
Rake's Progress, Harlot's Progress, Illustrations for Hudibras, Before and After, Beer Street, and Gin Lane, 96 more. Commentary by Sean Shesgreen.
Author: Rana A. Hogarth
Publisher: UNC Press Books
ISBN: 1469632888
Category : Social Science
Languages : en
Pages : 291
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Book Description
In 1748, as yellow fever raged in Charleston, South Carolina, doctor John Lining remarked, "There is something very singular in the constitution of the Negroes, which renders them not liable to this fever." Lining's comments presaged ideas about blackness that would endure in medical discourses and beyond. In this fascinating medical history, Rana A. Hogarth examines the creation and circulation of medical ideas about blackness in the Atlantic World during the late eighteenth and early nineteenth centuries. She shows how white physicians deployed blackness as a medically significant marker of difference and used medical knowledge to improve plantation labor efficiency, safeguard colonial and civic interests, and enhance control over black bodies during the era of slavery. Hogarth refigures Atlantic slave societies as medical frontiers of knowledge production on the topic of racial difference. Rather than looking to their counterparts in Europe who collected and dissected bodies to gain knowledge about race, white physicians in Atlantic slaveholding regions created and tested ideas about race based on the contexts in which they lived and practiced. What emerges in sharp relief is the ways in which blackness was reified in medical discourses and used to perpetuate notions of white supremacy.
Author: Elizabeth Jackln
Publisher: Tate Publishing
ISBN: 9781849767637
Category : Art
Languages : en
Pages : 240
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Book Description
A concise and beautifully illustrated introduction to printmaking that uses highlights from Tate's extensive print collection Prints have played a unique and important role in the history of art and image. This engaging book explores the numerous ways artists have embraced printmaking over the course of three centuries. Each of the works illustrated has been selected to reflect the broad spectrum of techniques and purposes, which are explained in clear and concise terms. The featured artworks are among the highlights of Tate's extensive but little-known print collection, a remarkable grouping no book has previously attempted to survey. Among the leading artists for whom printmaking has been an important and experimental part of their practice are William Hogarth, George Stubbs, William Blake, J.M.W. Turner, Pablo Picasso, Barbara Hepworth, Andy Warhol, Lucian Freud, Bridget Riley, Paula Rego, William Kentridge, and Kara Walker. Yet printmaking remains somewhat mysterious as a topic, perhaps because original prints are often understood as "reproductions," or wrongly given a similar status to preparatory sketches and archival material. In fact, prints are finished artworks, often the result of highly considered creative experimentation with print processes. Chapters are structured around different types of printmaking, allowing each section to reveal the various ways artists have engaged with the different techniques. In addition to complete reproductions of more than 120 works, carefully selected details enable the reader to examine closely some of the remarkable visual effects seen in the prints.
Author: David Bindman
Publisher: Thames & Hudson
ISBN: 0500776318
Category : Art
Languages : en
Pages : 313
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Book Description
Hogarth was one of the great 18th-century painters, a marvellous colourist and innovator at all levels of artistic expression. Art historian David Bindman surveys the works of this artist whose wry humour and sharp wit were reflected in his prolific paintings and prints including The Rakes Progress and Marriage-A-la-Mode. Hogarth was also a master of pictorial satire, highlighting the moral and political hypocrisies of the day with delightful detail and comedy themes that resonate deeply with our times. The artist was a keen observer of class and society; this new edition has been specially updated to include a discussion of Hogarths many representations of Black people in 18th-century Britain, a subject that has long been overlooked. Now revised with additional material and illustrated in colour throughout, this is a vivid and incisive study of the man and his art.
Author: William Hogarth
Publisher:
ISBN: 9781999693213
Category :
Languages : en
Pages : 144
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Book Description
A highly illustrated journey through Hogarth's series paintings and engravings, from the blockbuster 'Rake's Progress and Marriage a la Mode' to the enigmatic and lesser known Happy Marriage this book offers a close analysis of place and setting in Hogarth's works' in order to revisit the artist's complex stance on morality, society, and the city, and the enduring appeal of his satires in the present.0William Hogarth (1697-1764) remains one of Britain's best loved painters. His most renowned works, the series relating to moral subjects, are rarely displayed together, and will be united at the Soane Museum for the first time in its history.0The book also focusses tightly on Hogarth's series; The Soane Museum's own Rake's Progress and An Election, as well as Marriage a la Mode, the Four Times of Day, as well as the three surviving paintings of The Happy Marriage engraved series such as Stages of Cruelty, Industry and Idleness and Gin Lane and Beer Street. It is edited by David Bindman, a world authority on Hogarth and comprises four essays by leading academics, along with Bindman's own introduction to each of the series according to the themes of "place" and "progress".00Exhibition: Sir John Soane's Museum, London, UK (09.10.2019-05.01.2020).
Author: Michael Dean
Publisher: ABRAMS
ISBN: 1468307177
Category : Fiction
Languages : en
Pages : 242
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Book Description
The great eighteenth century portraitist comes to life in this “gritty, bawdy and funny” rags to riches novel told in the voice of the artist himself (The New York Times). William Hogarth was London’s artist par excellence, and his work—especially his satirical series of “modern moral subjects”—supplies the most enduring vision of the ebullience, enjoyments, and social iniquities of the eighteenth century. And in I, Hogarth, he tells a ripping good yarn. From a childhood spent in a debtor’s prison to his death in the arms of his wife, Hogarth recounts the incredible story of how he maneuvered his way into the household of prominent artist Sir James Thornhill, and from there to become one of England’s best portrait painters. Through his marriage to Jane Thornhill, his fight for the Copyright Act, his unfortunate dip into politics, and his untimely death, “the voice in which Dean’s Hogarth tells his own story is rich and persuasive . . . Like stepping into a Hogarth painting” (The New York Times). “A brilliant exercise in imagination and storytelling.” —Kirkus Reviews (starred review)
Author: David Dabydeen
Publisher: Manchester University Press
ISBN: 9780719023170
Category : Art
Languages : en
Pages : 164
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Book Description
Author: Vincent Carretta
Publisher: University of Georgia Press
ISBN: 0820331244
Category : History
Languages : en
Pages : 414
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Book Description
King George III inherited two legacies from the restoration of the monarchy in 1660: his crown and a tradition of regal satire. As the last British monarch who fully ruled as well as reigned and as the last king of America, George III was the target of constant satiric attacks even before he came to the throne in 1760 and for years after his death in 1820. An interdisciplinary and intercontinental study, this book examines the political satiric poetry and political graphic prints of Britain and Colonial America during the late Georgian period--a tumultuous era that witnessed the American and French revolutions, the Napoleonic wars, and the birth of the Romantic movement. Using George III as his focal point, Vincent Carretta draws on a wide range of verbal and visual sources to illuminate the development of satire from the work of Charles Churchill and William Hogarth to Lord Byron and George Cruikshank. Extending the argument from his earlier book, The Snarling Muse, which dealt with satire during the first half of the eighteenth century, Carretta demonstrates that the satiric line of descent from the early decades of the 1700s through the 1820s is much more direct than most scholars have recognized. Throughout the book, Carretta examines not only how the monarchy was reflected in satire but how satire in turn may have influenced the regal institution. In the 1790s, for example, British satirists discovered that their earlier attacks on the king for not being kingly enough had brought an unanticipated consequence: they had created the basis for the fictional commoner-king, Farmer George, which the king's supporters used with great rhetorical effectiveness against the threat of revolutionary French ideas. Enhanced by more than 160 illustrations, George III and the Satirists effectively demonstrates how a wide range of materials, verbal and visual, literary and nonliterary, can be marshaled in an interdisciplinary pursuit that crosses conventional fields and periods, repositioning artists and authors who are too often approached outside their original contexts.
