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Author: James Francis Cooke
Publisher:
ISBN:
Category : Pianists
Languages : en
Pages : 484
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Book Description
Author: James Francis Cooke
Publisher:
ISBN:
Category : Pianists
Languages : en
Pages : 484
Get Book
Book Description
Author: James Francis Cooke
Publisher:
ISBN: 9781436862745
Category : Music
Languages : en
Pages : 480
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Book Description
Great pianists discuss technique, musical development, virtuoso artistry, much more. Rachmaninoff's Essentials of Artistic Playing, Busoni's Important Details in Piano Study, etc. Includes 2 introductory essays, artist biographies, more.
Author: James Cooke
Publisher:
ISBN: 9781482050530
Category : Music
Languages : en
Pages : 270
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Book Description
An important and valuable series of personal educational conferences with renowned masters of the keyboard, presenting the most modern ideas upon the subjects of technic, interpretation, style and expression. 1. THE ARTIST'S LIFE 2. ARE PIANISTS BORN OR MADE? 3. THE STORY OF A WONDER-CHILD Pepito Arriola 4. THE PIANIST OF TO-MORROW Wilhelm Bachaus 5. ARTISTIC ASPECTS OF PIANO STUDY Harold Bauer 6. APPEARING IN PUBLIC Fannie Bloomfield-Zeisler 7. IMPORTANT DETAILS IN PIANO STUDY Ferruccio Busoni 8. DISTINCTIVE PIANO PLAYING Teresa Carre-o 9. ESSENTIALS OF TOUCH Ossip Gabrilowitsch 10. THE REAL SIGNIFICANCE OF TECHNIC Leopold Godowsky 11. ANALYZING MASTERPIECES Katharine Goodson 12. PROGRESS IN PIANO STUDY Josef Hofmann 13. PIANO STUDY IN RUSSIA Josef Lhévinne 14. SEEKING ORIGINALITY Vladimir de Pachmann 15. MODERN PIANISTIC PROBLEMS Max Pauer 16. ESSENTIALS OF ARTISTIC PLAYING S. V. Rachmaninoff 17. SYSTEMATIC MUSICAL TRAINING A. Reisenauer 18. THE TRAINING OF THE VIRTUOSO E. Sauer 19. ECONOMY IN MUSIC STUDY X. Scharwenka 20. LEARNING A NEW PIECE E. Schelling 21. WHAT INTERPRETATION REALLY IS S. Stojowski (cover photograph courtesy of Ruben Vazquez)
Author: James Francis Cooke
Publisher: Forgotten Books
ISBN: 9781451011791
Category : Music
Languages : en
Pages : 479
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Book Description
Excerpt from Great Pianists on Piano Playing Study Talks With Foremost Virtuosos The father of a young woman who was preparing to become a virtuoso once applied to a famous musical educator for advice regarding the future career of his daughter. "I want her to become one of the greatest pianists America has ever produced," he said. "She has talent, good health, unlimited ambition, a good general education, and she is industrious." The educator thought for awhile, and then said, "It is very likely that your daughter will be successful in her chosen field, but the amount of grinding study she will be obliged to undergo to meet the towering standards of modem pianism is awful to contemplate. In the end she will have the flattery of the multitude, and, let us hope, some of their dollars as well. In return, she may have to sacrifice many of the comforts and pleasures which women covet. The more successful she is, the more of a nomad she must become. She will know but few days for years when she will not be compelled to practice for hours. She becomes a kind of chattel of the musical public. She will be harassed by ignorant critics and perhaps annoyed by unreliable managers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: James Francis Cooke
Publisher: Courier Corporation
ISBN: 0486320200
Category : Music
Languages : en
Pages : 466
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Book Description
Great pianists discuss technique, musical development, virtuoso artistry, much more. Rachmaninoff's "Essentials of Artistic Playing," Busoni's "Important Details in Piano Study," etc. Includes 2 introductory essays, artist biographies, more.
Author: James Francis Cooke
Publisher: Legare Street Press
ISBN: 9781015654686
Category : History
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: James Francis Cooke
Publisher: Nabu Press
ISBN: 9781295717989
Category :
Languages : en
Pages : 478
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author: Kathleen Coessens
Publisher: Leuven University Press
ISBN: 9462701849
Category : Music
Languages : en
Pages : 193
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Book Description
Embodied experience and sensorial understandings in Western music The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artistic practice refers to the original meaning of aesthetics—the senses. Whereas Baumgarten and Goethe explored the relationship between sensibility and reason, sensation and thinking, later philosophers of aesthetics deemed the sensorial to be confused and unreliable and instead prioritised a cognitive or objective approach. Written by authors from the fields of philosophy, composition, performance, and artistic practice, Sensorial Aesthetics in Music Practices repositions aesthetics as a domain of the sensible and explores the interaction between artists, life, and environment. Aesthetics becomes a field of sensorial and embodied experience involving temporal and spatial influences, implicit knowledge, and human characteristics. Contributors: Kathleen Coessens (Koninklijk Conservatorium Brussel, Orpheus Institute), Tim Ingold (University of Aberdeen), Michaël Levinas (Conservatoire National Supérieur de Musique de Paris), Fabien Lévy (Hochschule für Musik Detmold), Lasse Thoresen (Norwegian Academy of Music), Vanessa Tomlinson (Queensland Conservatorium of Music), Salomé Voegelin (University of the Arts London)
Author: Kirsten Gibson
Publisher: Routledge
ISBN: 1317156420
Category : Music
Languages : en
Pages : 280
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Book Description
Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents a range of historical case studies on the sounding worlds of the European past. The chapters in this volume explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century. They consider, in particular: sound and music in the later Middle Ages; the politics of sound in the early modern period; the history of the body and perception during the Ancien Régime; and the sounds of the city in the nineteenth century and sound and colonial rule at the fin de siècle. The case studies also range in geographical orientation to include considerations not only of Britain and France, the countries most considered in European historical sound studies in English-language scholarship to date, but also Bosnia-Herzegovina, British Colonial India, Germany, Italy and Portugal. Out of this diverse group of case studies emerge significant themes that recur time and again, varying according to time and place: sound, power and identity; sound as a marker of power or violence; and sound, physiology and sensory perception and technologies of sound, consumption and meaning.
Author: Neal Peres da Costa
Publisher: Oxford University Press
ISBN: 0199920907
Category : Music
Languages : en
Pages : 378
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Book Description
Off the Record is a revealing exploration of piano performing practices of the high Romantic era. Author and well-known keyboard player Neal Peres Da Costa bases his investigation on a range of early sound recordings (acoustic, piano roll and electric) that capture a generation of highly-esteemed pianists trained as far back as the mid-nineteenth-century. Placing general practices of late nineteenth-century piano performance alongside evidence of the stylistic idiosyncrasies of legendary pianists such as Carl Reinecke (1824-1910), Theodor Leschetizky (1830-1915), Camille Saint-Saëns (1838-1921) and Johannes Brahms (1833-1897), he examines prevalent techniques of the time--dislocation, unnotated arpeggiation, rhythmic alteration, tempo fluctuation--and unfolds the background and lineage of significant performer/pedagogues. Throughout, Peres Da Costa demonstrates that these early recordings do not simply capture the idiosyncrasies of aging musicians as has been commonly asserted, but in fact represent a range of established expressive practices of a lost age. An extensive collection of these fascinating and sometimes rare professional recordings of the Romantic age masters are available on a companion web site, and in addition, Peres Da Costa, himself a renowned period keyboardist, illustrates points made throughout the book with his own playing. Of essential value to student and professional pianists, historical musicologists of 19th and early 20th century performance practice, and also to the general music aficionado audience, Off the Record is an indispensable resource for scholarly research, performance inspiration, and listening enjoyment.
