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Author: Quentin Williams
Publisher: Springer Nature
ISBN: 3031219554
Category : Language Arts & Disciplines
Languages : en
Pages : 474
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Book Description
This book brings together a range of hip hop scholars, artists and activists working on Hip Hop in the Global North and South with the goal of advancing Hiphopographic research as a critical methodology with critical fieldwork methods that can provide a critical perspective of our world. The authors’ focus in this volume is to present an anthology of essays that expand the remit of Hiphopography as an approach to the study of Hip Hop that is not only sensitive to the social, economic, political and cultural lives of Hip Hop Culture participants as interpreters and theorists, but one that continues to humanize the “whole person” behind the decks, on the mic, rocking on the linoleum floor, painting in front of a wall, and seeking that Knowledge of Self. This book will be relevant to Hip Hop scholars in fields such as cultural studies and history, sociolinguistics, linguistic anthropology and ethnography, and race studies, while Hip Hop heads themselves will find parts of this book that represent their culture in ethical and informative ways.
Author: Quentin Williams
Publisher: Springer Nature
ISBN: 3031219554
Category : Language Arts & Disciplines
Languages : en
Pages : 474
Get Book
Book Description
This book brings together a range of hip hop scholars, artists and activists working on Hip Hop in the Global North and South with the goal of advancing Hiphopographic research as a critical methodology with critical fieldwork methods that can provide a critical perspective of our world. The authors’ focus in this volume is to present an anthology of essays that expand the remit of Hiphopography as an approach to the study of Hip Hop that is not only sensitive to the social, economic, political and cultural lives of Hip Hop Culture participants as interpreters and theorists, but one that continues to humanize the “whole person” behind the decks, on the mic, rocking on the linoleum floor, painting in front of a wall, and seeking that Knowledge of Self. This book will be relevant to Hip Hop scholars in fields such as cultural studies and history, sociolinguistics, linguistic anthropology and ethnography, and race studies, while Hip Hop heads themselves will find parts of this book that represent their culture in ethical and informative ways.
Author: Marina Terkourafi
Publisher: A&C Black
ISBN: 0826431607
Category : Language Arts & Disciplines
Languages : en
Pages : 365
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Book Description
Looks at linguistic, cultural and economic aspects of hip-hop in parallel using various frameworks of analysis.
Author: H. Samy Alim
Publisher: Routledge
ISBN: 1135592993
Category : Education
Languages : en
Pages : 273
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Book Description
This cutting-edge book, located at the intersection of sociolinguistics and Hip Hop Studies, brings together for the first time an international group of researchers who study Hip Hop textually, ethnographically, socially, aesthetically, and linguistically. It is the harvest of dialogue between these two separate yet interconnected areas of study. A missing gap in the Hip Hop literature is the centrality and an in-depth analysis of the very medium that is used to express and perform Hip Hop -- language. Global Linguistic Flows fills this gap.
Author: Jaspal Naveel Singh
Publisher: Multilingual Matters
ISBN: 1788928156
Category : Language Arts & Disciplines
Languages : en
Pages : 288
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Book Description
This book presents the narratives and voices of young, mostly male practitioners of hip hop culture in Delhi, India. The author suggests that practitioners understand hip hop as both a thing that can be appropriated and authenticated, made real, in the local and global context and as a way that enables them to transform their lives and futures in the rapidly globalising urban environments of Delhi. The dancers, artists, musicians and cultural theorists that feature in this book construct a multitude of voices in their narratives to formulate their ‘own’ transcultural voices within global hip hop. Through a combination of linguistic ethnography, sociolinguistics and discourse studies, the book addresses issues including gender and sexuality, identity construction and global culture.
Author: Quentin Williams
Publisher: Bloomsbury Publishing
ISBN: 1472591135
Category : Language Arts & Disciplines
Languages : en
Pages : 264
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Book Description
"Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and involving a process that invokes bricolage. This book is an ethnographic study of multilingual remixing achieved by highly multilingual participants in the local hip hop culture of Cape Town. In globalised societies today previously marginalized speakers are carving out new and innovating spaces to put on display their voices and identities through the creative use of multilingualism. This book contributes to the development of new conceptual insights and theoretical developments on multilingualism in the global South by applying the notions of stylization, performance, performativity, entextualisation and enregisterment. This takes place through interviews, performance analysis and interactional analysis, showing how young multilingual speakers stage different personae, styles, registers and language varieties.
Author: Alessandro Duranti
Publisher: John Wiley & Sons
ISBN: 1119780659
Category : Social Science
Languages : en
Pages : 646
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Book Description
Provides an expansive view of the full field of linguistic anthropology, featuring an all-new team of contributing authors representing diverse new perspectives A New Companion to Linguistic Anthropology provides a timely and authoritative overview of the field of study that explores how language influences society and culture. Bringing together more than 30 original essays by an interdisciplinary panel of renowned scholars and younger researchers, this comprehensive volume covers a uniquely wide range of both classic and contemporary topics as well as cutting-edge research methods and emerging areas of investigation. Building upon the success of its predecessor, the acclaimed Blackwell Companion to Linguistic Anthropology, this new edition reflects current trends and developments in research and theory. Entirely new chapters discuss topics such as the relationship between language and experiential phenomena, the use of research data to address social justice, racist language and raciolinguistics, postcolonial discourse, and the challenges and opportunities presented by social media, migration, and global neoliberalism. Innovative new research analyzes racialized language in World of Warcraft, the ethics of public health discourse in South Africa, the construction of religious doubt among Orthodox Jewish bloggers, hybrid forms of sociality in videoconferencing, and more. Presents fresh discussions of topics such as American Indian speech communities, creolization, language mixing, language socialization, deaf communities, endangered languages, and language of the law Addresses recent trends in linguistic anthropological research, including visual documentation, ancient scribes, secrecy, language and racialization, global hip hop, justice and health, and language and experience Utilizes ethnographic illustration to explore topics in the field of linguistic anthropology Includes a new introduction written by the editors and an up-to-date bibliography with over 2,000 entries A New Companion to Linguistic Anthropology is a must-have for researchers, scholars, and undergraduate and graduate students in linguistic anthropology, as well as an excellent text for those in related fields such as sociolinguistics, discourse studies, semiotics, sociology of language, communication studies, and language education.
Author: Stanton Wortham
Publisher: SAGE
ISBN: 1412997062
Category : Business & Economics
Languages : en
Pages : 255
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Book Description
Drawing upon international research, Review of Research in Education, Volume 35 examines the interplay between youth cultures and educational practices. Although the articles describe youth practices across a range of settings, a central theme is how gender, class, race, and national identity mediate both adult perceptions of youth and youths' experiences of schooling.
Author: H. Samy Alim
Publisher: Routledge
ISBN: 1134243642
Category : Language Arts & Disciplines
Languages : en
Pages : 192
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Book Description
Complementing a burgeoning area of interest and academic study, Roc the Mic Right explores the central role of language within the Hip Hop Nation (HHN). With its status convincingly argued as the best means by which to read Hip Hop culture, H. Samy Alim then focuses on discursive practices, such as narrative sequencing and ciphers, or lyrical circles of rhymers. Often a marginalized phenomenon, the complexity and creativity of Hip Hop lyrical production is emphasised, whilst Alim works towards the creation of a schema by which to understand its aesthetic. Using his own ethnographic research, Alim shows how Hip Hop language could be used in an educational context and presents a new approach to the study of the language and culture of the Hip Hop Nation: 'Hiphopography'. The final section of the book, which includes real conversational narratives from Hip Hop artists such as The Wu-Tang Clan and Chuck D, focuses on direct engagement with the language. A highly accessible and lively work on the most studied and read about language variety in the United States, this book will appeal not only to language and linguistics researchers and students, but holds a genuine appeal to anyone interested in Hip Hop or Black African Language.
Author: Ethiraj Gabriel Dattatreyan
Publisher: Duke University Press
ISBN: 1478012722
Category : Social Science
Languages : en
Pages : 161
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Book Description
In The Globally Familiar Ethiraj Gabriel Dattatreyan traces how the rapid development of information and communication technologies in India has created opportunities for young people to creatively explore their gendered, classed, and racialized subjectivities in and through transnational media worlds. His ethnography focuses on a group of diverse young, working-class men in Delhi as they take up the African diasporic aesthetics and creative practices of hip hop. Dattatreyan shows how these aspiring b-boys, MCs, and graffiti writers fashion themselves and their city through their online and offline experimentations with hip hop, thereby accessing new social, economic, and political opportunities while acting as consumers, producers, and influencers in global circuits of capitalism. In so doing, Dattatreyan outlines how the hopeful, creative, and vitally embodied practices of hip hop offer an alternative narrative of urban place-making in "digital" India.
Author: H. Samy Alim
Publisher: Wiley-Blackwell
ISBN: 9781405176699
Category :
Languages : en
Pages : 256
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Book Description
This book is about the global impact of Hip Hop Culture and the making of a Global Hip Hop Nation (GHHN). In the early 1970s, a full decade before Hip Hop began to become a global phenomenon, this cultural movement was developing in the African American and Afrodiasporic communities of New York City. Hip Hop Culture -- what was once termed “Black Noise” by Tricia Rose (1994) -- has been termed “Global Noise” one decade later by scholar Tony Mitchell. This book explores the Hip Hop cultural practices that constitute this borderless GHHN -- an international community of practice(s) engaged in the flow and exchange of notions of culture, community, nationhood and knowledge. While viewing Hip Hop Culture as a global cultural and social movement, we take tha cipha – the highly charged communal and competitive rhyming ritual that is fundamental to street-level Hip Hop Culture – as our conceptual framework. We explore issues of nationalism, transnationalism, globalization, cultural-linguistic flow and circulation, commodification and consumption of culture across perceived borders of all sorts. Importantly, this text presents a paradigm by which the study of Hip Hop Culture can be conducted. The new approach, hiphopography, integrates the varied approaches of ethnography, biography, and social, cultural, and oral history to arrive at an emic view of Hip Hop Culture. This approach obligates us to directly engage with the cultural agents of the Hip Hop Culture-World, revealing rappers as interpreters of their own culture. The fieldwork for this study is part of an on-going research agenda carried out by three researchers over a period of 20 years involving artists from several continents (North America, including the US and the Caribbean, Europe, Africa, and Asia) and includes hundreds of hours of video and audio-taped conversations with Hip Hop practitioners.
