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Author: Lauren S. Cardon
Publisher: University of Virginia Press
ISBN: 0813945909
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
It’s often said that we are what we wear. Tracing an American trajectory in fashion, Lauren Cardon shows how we become what we wear. Over the twentieth century, the American fashion industry diverged from its roots in Paris, expanding and attempting to reach as many consumers as possible. Fashion became a tool for social mobility. During the late twentieth century, the fashion industry offered something even more valuable to its consumers: the opportunity to explore and perform. The works Cardon examines—by Sylvia Plath, Jack Kerouac, Toni Morrison, Sherman Alexie, and Aleshia Brevard, among others—illustrate how American fashion, with its array of possibilities, has offered a vehicle for curating public personas. Characters explore a host of identities as fashion allows them to deepen their relationships with ethnic or cultural identity, to reject the social codes associated with economic privilege, or to forge connections with family and community. These temporary transformations, or performances, show that identity is a process constantly negotiated and questioned, never completely fixed.
Author: Lauren S. Cardon
Publisher: University of Virginia Press
ISBN: 0813945909
Category : Literary Criticism
Languages : en
Pages : 335
Get Book
Book Description
It’s often said that we are what we wear. Tracing an American trajectory in fashion, Lauren Cardon shows how we become what we wear. Over the twentieth century, the American fashion industry diverged from its roots in Paris, expanding and attempting to reach as many consumers as possible. Fashion became a tool for social mobility. During the late twentieth century, the fashion industry offered something even more valuable to its consumers: the opportunity to explore and perform. The works Cardon examines—by Sylvia Plath, Jack Kerouac, Toni Morrison, Sherman Alexie, and Aleshia Brevard, among others—illustrate how American fashion, with its array of possibilities, has offered a vehicle for curating public personas. Characters explore a host of identities as fashion allows them to deepen their relationships with ethnic or cultural identity, to reject the social codes associated with economic privilege, or to forge connections with family and community. These temporary transformations, or performances, show that identity is a process constantly negotiated and questioned, never completely fixed.
Author: Lauren S. Cardon
Publisher:
ISBN: 9780813945880
Category : American fiction
Languages : en
Pages : 302
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Book Description
"This book examines how fashion opens possibilities for characters to explore different facets of their identities in well-known works by Sylvia Plath, Jack Kerouac, Toni Morrison, Sherman Alexie, and Aleshia Brevard, among others"--
Author: Clare M. Wilkinson-Weber
Publisher: A&C Black
ISBN: 0857852965
Category : Design
Languages : en
Pages : 192
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Book Description
The Hindi film industry, among the most prolific in the world, has delighted audiences for decades with its colourful, exquisite and sometimes startling costumes. But are costumes more than just a source of pleasure? This book, the first in-depth exploration of Hindi film costume, contends that they are a unique source of knowledge about issues ranging from Indian taste and fashion to questions of identity, gender and work. Anthropological and film studies approaches combine to analyze costume as the outcome of production processes and as a cinematic device for conveying meaning. Chapters lead from the places where costume is planned and executed to explorations of characterization, the actor body, spectacles of fashion, to the imagining of historical or fantasy worlds through dress, to the power of stardom to launch clothing styles into the public domain. As well as charting the course of film costume as it parallels important trends in cultural history, the book considers the future of Hindi film costume, in the context of new strains of filmmaking that stress unvarnished realism. Fashioning Bollywood will appeal to students and scholars of Indian culture, anthropology and fashion, as well as anyone who has seen and enjoyed Hindi films.
Author: Emily L. Newman
Publisher: Springer Nature
ISBN: 3031162277
Category : Social Science
Languages : en
Pages : 274
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Book Description
Through meticulous examinations, this book analyzes how women update their identities and articulate their feelings through clothing and art in protests, politics in the United States in the 20th century. Topics explored include the suffragists and their impact on contemporary art, the significance of the red dress in both The Handmaid’s Tale and the Missing and Murdered Indigenous Women movement, the impact of the Miss America protests, the rising popularity of the pantsuit for women, the recent dominance of the pussyhat, and the way that feminist slogans are disseminated on t-shirts. Movements discussed include craftivism, hashtag culture, feminism, the CROWN act, Pantsuit Nation, socially-committed stores, and more. Interdisciplinary and intersectional at its core, addressing numerous areas, including fashion, sociology, visual culture, art history, feminism, and popular culture; Fashioning Politics and Protests uncovers how women continue to use visual means, explored via their clothing, to change the world.
Author: Llewella Chapman
Publisher: Bloomsbury Publishing
ISBN: 1350164666
Category : Performing Arts
Languages : en
Pages : 345
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Book Description
Fashioning James Bond is the first book to study the costumes and fashions of the James Bond movie franchise, from Sean Connery in 1962's Dr No to Daniel Craig in Spectre (2015). Llewella Chapman draws on original archival research, close analysis of the costumes and fashion brands featured in the Bond films, interviews with families of tailors and shirt-makers who assisted in creating the 'look' of James Bond, and considers marketing strategies for the films and tie-in merchandise that promoted the idea of an aspirational 'James Bond lifestyle'. Addressing each Bond film in turn, Chapman questions why costumes are an important tool for analysing and evaluating film, both in terms of the development of gender and identity in the James Bond film franchise in relation to character, and how it evokes the desire in audiences to become part of a specific lifestyle construct through the wearing of fashions as seen on screen. She researches the agency of the costume department, director, producer and actor in creating the look and characterisation of James Bond, the villains, the Bond girls and the henchmen who inhibit the world of 007. Alongside this, she analyses trends and their impact on the Bond films, how the different costume designers have individually and creatively approached costuming them, and how the costumes were designed and developed from novel to script and screen. In doing so, this book contributes to the emerging critical literature surrounding the combined areas of film, fashion, gender and James Bond.
Author: Olga Vainshtein
Publisher: Anthem Press
ISBN: 1839984465
Category : Design
Languages : en
Pages : 252
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Book Description
The book explores the dandy as a cultural type across Europe and Russia from the eighteenth century through the present day. Olga Vainshtein offers a unique view on dandyism as a cultural tradition, based not merely on fashionable attire, but also as a particular lifestyle with specific standards of behaviour, bodily practices and conceptual approaches to dress. The dandy is described as the prototypical hero of the modern cult of celebrities. From clubbing manners, the techniques of virtual aristocratism, urban flâneurs and the correct way to examine people, Vainshtein walks us through optical duels and the techniques of visual assessment at social gatherings. Readers will learn about strategies of subversive behaviour found in practical jokes, the fine art of noble scandal, dry wit, bare-faced impudence and mocking politeness. Looking at dandyism as a nineteenth-century literary movement, Vainshtein examines representation of dandies in fiction. Finally, a large section is devoted to Russian and Soviet dandyism and the dandies of today.
Author: Elizabeth A. Fay
Publisher: UPNE
ISBN: 1584657782
Category : Art
Languages : en
Pages : 338
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Book Description
A fresh look at how literary and visual portraiture in the Romantic era embodied a newly commercial culture
Author: W.H. Davis
Publisher: Springer Science & Business Media
ISBN: 9401030200
Category : Philosophy
Languages : en
Pages : 98
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Book Description
This book is the result of a discontent on my part with (r) the super ficial and offhand way many determinists set forth their arguments, without the slightest hint of the difficulties which have been raised against those arguments, and (2) the fact that the chief and best argu ments of the libertarians are scattered allover the literature and are seldom if ever brought together in one package. may be taken as an effort to gather into one place Mostly this work and to express as cogently as possible the arguments for freewill. So far as I know all of the arguments we treat have been made before. Only toward the end of this work do I attempt to elaborate a point not heretofore emphasized. That point is that freedom of the will is a concept intimately entangled with the human power to reason, so that if one of these powers goes, the other must also go. Moreover, both the will and the reason are intimately tied up with our moral sensitivities, so that no one of these phenomena is intelligible without the others. Hints of these ideas abound, of course, in the literature, and the degree of originality claimed is minimal. The interconnections, however, between these three basic concepts of the will, the reason, and the good, are of such great importance and are so usually ignored that I feel our short statement of the situation warrants the reader's sympathetic attention.
Author: Cecilia Brioni
Publisher: Manchester University Press
ISBN: 1526161990
Category : History
Languages : en
Pages : 179
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Book Description
Fashioning Italian youth examines popular media representations of Italian young people’s style trends and bodily practices from 1958–75. By looking at visual and written representations of transnational youth trends – like urlatori, amici, beats and hippies – in Italian teen magazines, Musicarelli films and youth-oriented television programmes, it investigates changes in the social construction of Italian young people’s political, generational, national, ethnic and gender identities. The monograph connects the emergence of youth-oriented transnational trends to the national and global history of young people, and explores the dynamics that contributed to the construction of a specifically Italian youth culture in this period.
Author: Emily Priscott
Publisher: Vernon Press
ISBN: 164889707X
Category : Social Science
Languages : en
Pages : 191
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Book Description
'Fashioning the Self: Identity and Style in British Culture' offers an eclectic approach to contemporary fashion studies. Taking a broad definition of British culture, this collection of essays explores the significance of style to issues such as colonialism, race, gender and class, embracing topics as diverse as eighteenth-century portraiture, literary dress culture and Edwardian working-class glamour. Examining the emblematic power of garments themselves and the context in which they are styled, this work interrogates the ways that personal style can itself decontextualize garments to radically reframe their meanings. Using an intentionally eclectic range of subjects from an interdisciplinary perspective, this collection builds on the work of theorists such as Aileen Ribeiro, Vika Martina Plock, Cheryl Buckley and Hilary Fawcett, to examine the social significance of personal style, while also highlighting the diversity of British culture itself.
