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Author: Artel Great
Publisher: Taylor & Francis
ISBN: 1000843653
Category : Social Science
Languages : en
Pages : 196
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Book Description
This culturally and politically timely collection examines new Black films and moving images that have, once again, excited and possibly shifted the global media landscape. At a moment some scholars have described as post-post-racial, Black Cinema & Visual Culture provides new, urgent definitions and theories for Black cinema and furthers the development of its critical discourses. Gathering some of the leading scholars and critics in the field, this book enriches and advances the study of Black film and media and its social and political implications at a breakthrough period of expansion in the 21st century. This anthology tackles a wide range of topics from social justice, new media, and Afrofuturism, to race, gender, sexuality, mass incarceration, cultural memory, and Afrosurrealism, exploring the current climate of Black cinematic art that has proven wildly popular with domestic and global audiences, including hit films like Get Out and Marvel’s Black Panther. Together, these essays deepen understandings of Black visual culture, its creative image-makers, the political economy of Hollywood, and the cultural politics at the intersection of modern cinema, streaming platforms, and digital technologies. Black Cinema & Visual Culture will serve as an important learning tool for university courses spanning topics in film studies, American film and television, cultural studies, American studies, African Diaspora studies, media activism, social analysis, and African-American studies. This volume will also provide a benchmark in popular and intellectual circles for anyone interested in popular culture, Black-American cinema, media, issues of race in Hollywood, or Black culture and the conditions that shape both its art and politics.
Author: Artel Great
Publisher: Taylor & Francis
ISBN: 1000843653
Category : Social Science
Languages : en
Pages : 196
Get Book
Book Description
This culturally and politically timely collection examines new Black films and moving images that have, once again, excited and possibly shifted the global media landscape. At a moment some scholars have described as post-post-racial, Black Cinema & Visual Culture provides new, urgent definitions and theories for Black cinema and furthers the development of its critical discourses. Gathering some of the leading scholars and critics in the field, this book enriches and advances the study of Black film and media and its social and political implications at a breakthrough period of expansion in the 21st century. This anthology tackles a wide range of topics from social justice, new media, and Afrofuturism, to race, gender, sexuality, mass incarceration, cultural memory, and Afrosurrealism, exploring the current climate of Black cinematic art that has proven wildly popular with domestic and global audiences, including hit films like Get Out and Marvel’s Black Panther. Together, these essays deepen understandings of Black visual culture, its creative image-makers, the political economy of Hollywood, and the cultural politics at the intersection of modern cinema, streaming platforms, and digital technologies. Black Cinema & Visual Culture will serve as an important learning tool for university courses spanning topics in film studies, American film and television, cultural studies, American studies, African Diaspora studies, media activism, social analysis, and African-American studies. This volume will also provide a benchmark in popular and intellectual circles for anyone interested in popular culture, Black-American cinema, media, issues of race in Hollywood, or Black culture and the conditions that shape both its art and politics.
Author: Mia Mask
Publisher: Routledge
ISBN: 1136308024
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
Contemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson’s and Sidney Poitier’s star vehicles to Lee Daniels’s directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.
Author: S. Craig Watkins
Publisher: University of Chicago Press
ISBN: 9780226874890
Category : Performing Arts
Languages : en
Pages : 334
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Book Description
Representing examines developments in black cinema. It looks at the distinct contradiction in American society, black youths have become targets of a racial backlash but their popular cultures have become commercially viable.
Author: Allyson Field
Publisher: Univ of California Press
ISBN: 0520284682
Category : Performing Arts
Languages : en
Pages : 482
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Book Description
"L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group--including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis--shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles"--Provided by publisher.
Author: Gladstone Lloyd Yearwood
Publisher: Africa Research and Publications
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
The book examines the way black filmmakers use expressive forms and systems of signification that reflect the cultural and historical priorities of the black experience. It delineates how the African-American expressive tradition utilizes its own vernacular space and time of story telling in the cinema and how black film narration draws on the formal structures of black experience to organize story material."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category : African American motion picture actors and actresses
Languages : en
Pages :
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Book Description
The author overviews and elucidates prominent scholarly works that have been conducted in the field of black cinema studies. Regester reviews the history of black cinema from the origins of the film industry, noting significant films of the period before 1950, through the emergence of black explotation films in the 1970s, to the contemporary black cinema and filmmakers from the 1990s. The author profiles the 1915 film "Birth of a Nation" and its critical reponses, as well as perspectives on black filmmaking by early African American filmmaker Oscar Micheaux. Prominent themes such as the black moviegoing experience, early black screen representations, black stardom, theories of race and cinema, black feminism and feminist issues in the black cinema experience, and black masculinity and sexuality in the visual culture are explored. Following the essay, a bibliography of recommended reading, a chronology of events from 1889 to 1993, and a glossary are provided.
Author: Mark A. Reid
Publisher: Wayne State University Press
ISBN: 0814345506
Category : Performing Arts
Languages : en
Pages : 365
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Book Description
Employs an interdisciplinary critical approach to discuss a selected group of black-oriented films.
Author: Michele Wallace
Publisher: Duke University Press
ISBN: 9780822334132
Category : Biography & Autobiography
Languages : en
Pages : 532
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Book Description
DIVA collection of writings from the ‘90s by the popular Black feminist scholar and journalist on film, art, and politics./div
Author: Michael Boyce Gillespie
Publisher: Duke University Press
ISBN: 0822373882
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.
Author: Mbye B. Cham
Publisher: MIT Press (MA)
ISBN:
Category : Performing Arts
Languages : en
Pages : 96
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Book Description
This collection of eight original essays by noted scholars, critics, and practitioners of independent Black cinema offers a rare global and systematic examination of what is unique and what is common to the making of films in English-speaking Africa, in the United States, and in Britain.
