Yakshagana

Yakshagana PDF Author: Martha Bush Ashton
Publisher: Abhinav Publications
ISBN: 8170170478
Category :
Languages : en
Pages : 188

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Book Description
Folk Culture, The Perennial Substratum Of The Sophisticated Metropolitan Culture, Takes Many Lively And Colourful Forms. This Is Particularly True In India. This Book Is A Study Of One Such Expression Of The Folk Culture Obtained In South Kanara, India. It Is Not One Of Those Dry Academic Studies Usually Made By Foreign Scholars. For The Authors, The Book Has Been A Passionate Involvement In A Traditional Art Form Yakshagana. The American Authors Have Put Down Their Experience With The Hope That The Reader Will Enjoy An Imaginary Trip To South Kanara, A Walk Through The Fields And A Thrilling Night Of Yakshagana. In A Lively Style, This Book Brings Home To The Readers Almost Everything About This Particular Form Of Dance-Drama, The Music, Dance Costumes And Make-Up And Impromptu Dialogue As Well As Its Literature On Which The Dramatic Themes Are Based, The Rituals Performed Before, During, And After The Drama, The Organization Of A Troupe, The Existing Troupes, And The Training Of The Performers. With Nineteen Four-Colour Reproductions, Twenty-Tree Black-And-White Illustrations And Eighteen Line Drawings, Yakshagana Has Something To Offer To Each Of Its Readers. For Those Trained In Music There Is The Style Of Singing And Rhythms Peculiar To Yakshagana. And Those Who Are Learned In Poetry, Religious Epics And Legends Can Revel In The Beauty Of The Poetry, And Those Who Have A Sense Of Colour And Design Can Be Enchanted By The Costumes And Make-Up. The Readers Will Vicariously Experience The Intricate Steps Of The Dance, Not To Be Seen In Any Other Indian Dance Forms, Yet They Are Characteristically Indian. Yakshagana, As Experienced By The Authors, Reveals The Deeper Meanings Of The Indian Epics And Legends Through The Extempore Dialogue Of The Performers. Their Descriptions Of The Risqué Humour Of The Buffoon And His Comic Movements Come Alive Before The Readers. Here Is A Point Of Departure For More Study In New Directions, Valuable To The Students Of Arts And Folk Culture, And Yet Tempting The General Readers With Its Rich Fare Of Aesthetic And Intellectual Experiences. Yakshagana Is Tempting To The Booklover In Many Other Ways: The Subject Of The Book Has Been Presented And Decorated By One Of The Famous Indian Artists K.K. Hebbar, And Introduced By C. Sivaramamurti, A Noted Historian And Archaeologist Whose Deep Knowledge In Inconography Has Made Rich Contributions To The Study And Understanding Of The Ancient And Medieval Visual Arts In This Country.

Yakshagana

Yakshagana PDF Author: Martha Bush Ashton
Publisher: Abhinav Publications
ISBN: 8170170478
Category :
Languages : en
Pages : 188

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Book Description
Folk Culture, The Perennial Substratum Of The Sophisticated Metropolitan Culture, Takes Many Lively And Colourful Forms. This Is Particularly True In India. This Book Is A Study Of One Such Expression Of The Folk Culture Obtained In South Kanara, India. It Is Not One Of Those Dry Academic Studies Usually Made By Foreign Scholars. For The Authors, The Book Has Been A Passionate Involvement In A Traditional Art Form Yakshagana. The American Authors Have Put Down Their Experience With The Hope That The Reader Will Enjoy An Imaginary Trip To South Kanara, A Walk Through The Fields And A Thrilling Night Of Yakshagana. In A Lively Style, This Book Brings Home To The Readers Almost Everything About This Particular Form Of Dance-Drama, The Music, Dance Costumes And Make-Up And Impromptu Dialogue As Well As Its Literature On Which The Dramatic Themes Are Based, The Rituals Performed Before, During, And After The Drama, The Organization Of A Troupe, The Existing Troupes, And The Training Of The Performers. With Nineteen Four-Colour Reproductions, Twenty-Tree Black-And-White Illustrations And Eighteen Line Drawings, Yakshagana Has Something To Offer To Each Of Its Readers. For Those Trained In Music There Is The Style Of Singing And Rhythms Peculiar To Yakshagana. And Those Who Are Learned In Poetry, Religious Epics And Legends Can Revel In The Beauty Of The Poetry, And Those Who Have A Sense Of Colour And Design Can Be Enchanted By The Costumes And Make-Up. The Readers Will Vicariously Experience The Intricate Steps Of The Dance, Not To Be Seen In Any Other Indian Dance Forms, Yet They Are Characteristically Indian. Yakshagana, As Experienced By The Authors, Reveals The Deeper Meanings Of The Indian Epics And Legends Through The Extempore Dialogue Of The Performers. Their Descriptions Of The Risqué Humour Of The Buffoon And His Comic Movements Come Alive Before The Readers. Here Is A Point Of Departure For More Study In New Directions, Valuable To The Students Of Arts And Folk Culture, And Yet Tempting The General Readers With Its Rich Fare Of Aesthetic And Intellectual Experiences. Yakshagana Is Tempting To The Booklover In Many Other Ways: The Subject Of The Book Has Been Presented And Decorated By One Of The Famous Indian Artists K.K. Hebbar, And Introduced By C. Sivaramamurti, A Noted Historian And Archaeologist Whose Deep Knowledge In Inconography Has Made Rich Contributions To The Study And Understanding Of The Ancient And Medieval Visual Arts In This Country.

Folklore, Public Sphere, and Civil Society

Folklore, Public Sphere, and Civil Society PDF Author: M. D. Muthukumaraswamy
Publisher: NFSC www.indianfolklore.org
ISBN: 8190148141
Category : Folklore
Languages : en
Pages : 328

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Book Description
In the Indian context; papers presented at a symposium held at New Delhi in 2002.

Yakshagana Badagatittu Bayalata

Yakshagana Badagatittu Bayalata PDF Author: Martha Bush Ashton-Sikora
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 708

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Book Description


UPSC Mains Paper-II : General Studies-I Exam 2024 | Topic-wise Study Notes as Per the Latest Syllabus (NCERT) | Concise Guide Book for Complete Preparation

UPSC Mains Paper-II : General Studies-I Exam 2024 | Topic-wise Study Notes as Per the Latest Syllabus (NCERT) | Concise Guide Book for Complete Preparation PDF Author: EduGorilla Prep Experts
Publisher: EduGorilla Community Pvt. Ltd.
ISBN: 9358801565
Category : Education
Languages : en
Pages : 442

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Book Description
EduGorilla General Studies - I (Paper II) Study Notes are a comprehensive guide for aspirants preparing for UPSC Civil Services Mains Examination. These UPSC Mains Notes cover the entire syllabus, to provide you with a well-rounded understanding of the topics covered in General Studies - I (Paper II) Why EduGorilla’s UPSC Civil Services Study Notes for General Studies - I (Paper II)? ■ EduGorilla UPSC Study Notes provide concise theory and practice questions for better retainment of facts. ■ General Studies - I (Paper II) Notes for Civil Services are curated by a team of experts at EduGorilla, composed of experienced educators and industry professionals. ■ Our Prep Experts have broken down complex topics in General Studies - I (Paper II) UPSC syllabus into simple easy-to-understand chapters. ■ These topics are further enriched with suitable examples, graphs, and Illustrations

Yakṣagāna

Yakṣagāna PDF Author: Śivarāma Kāranta
Publisher: Abhinav Publications
ISBN: 8170173574
Category : Art
Languages : en
Pages : 256

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Book Description
No country in the world is blessed with a greater variety of forms in music, dance and theatre than ours. One of the theatre forms generally described as folk but possessing a strong classical connection is the Yakshagana. Although the name signifies the music of celestial beings, Yakshagana is an amalgam of the sky with the earth. There is both mystery and robustness about this form in which singing and drumming merge with dancing, and words with gestural interpretation, and players clad m costumes of striking colour and contours. It is the cherished cultural possession of the coastal districts of Karnataka. Dr. K.S. Karanth is the foremost living authority on Yakshagana and has been working on all its aspects, namely—dance, music, and literature, since 1930. He has led the way to a deep and systematic study of this art form. He has spent decades travelling to remote villages within Karnataka to inspect and study every Yakshagana manuscript, the earliest going back to A.D. 1651. With his fine literary judgement and aesthetic sensibility, he has traced the changing trends in the performance of Yakshagana. He has interacted with hundreds of Yakshagana artistes to find out what customs in training and interpretation had prevailed earlier and had fallen into disuse and deserved to be resuscitated. He has put together his findings in the shape of two standard books YakshaganaBayalata (1958) in Kannada, and Yakshagana in Kannada and English (1975). The present volume is a revised edition of the earlier book, with additional material and illustrations. It is hoped that the book will provide valuable insights into one of the most attractive and dynamic art forms of our land, as well as into a penetrative mind.

Performing the Ramayana Tradition

Performing the Ramayana Tradition PDF Author: Paula Richman
Publisher: Oxford University Press
ISBN: 0197552501
Category : Performing Arts
Languages : en
Pages : 393

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Book Description
"Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theatre. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu and Kathakali from Kerala; Kattaikkuttu and a "mythological" drama from Tamilnadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila. Apart from the editors' two introductions, which orient readers to the history of Ramayana narratives by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as the performance vocabulary of their enactments, the volume includes many voices, including those of directors, performers, scholars, connoisseurs, and the scholar-abbot of a monastery. It also contains two full scripts of plays, photographs of productions, interviews, conversations, and a glossary of Indian terms. Each essay in the volume, written by an expert in the field, is linked to several others, clustered around shared themes: the politics of caste and gender, the representation of the anti-hero, contemporary re-interpretations of traditional narratives, and the presence of Ramayana discourse in everyday life"--

Dance Dialects of India

Dance Dialects of India PDF Author: Ragini Devi
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120806740
Category : Performing Arts
Languages : en
Pages : 262

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Book Description
This book aims at creating a deeper understanding and appreciation of the Indian dance and its cultural environment in India. The book is addressed to the general reader, dancer, and connoisseur, interested in the arts and traditions of India, where regional forms of dance rituals, dance-drama, folk dance, and classical dance forms have existed for centuries as an essential part of sacred rites and festivals, and as a classical art patronised and practised by the royalty.

Community and Culture

Community and Culture PDF Author: K.V. Subbanna
Publisher: Akshara Prakashana
ISBN:
Category : Performing Arts
Languages : en
Pages : 334

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Book Description
The writings of K.V. Subbanna reveal the range, dimension and courage of an intellectual who never, ever, let the pressures of contemporary cultural politics affect his free and open enquiries into the nature of the culture of the land he was rooted in. K.V. Subbanna was an organic intellectual who drew his intellectual powers from a sense of community that was vibrant and alive and never from the context of a centralising nation-state and its dominant quality of homogenizing practically every aspect of social and cultural life. The spirit of decentralisation was what a community symbolised for Subbanna and all his writings – on literature, theatre, cinema, language – engender this vital principle of decentralization. For that matter even the smallest community was, for him, a complex, heterogeneous universe, quite autonomous at one level, yet, at another, an integral part of the entire globe... In other words, for Subbanna concern for the community also meant a deep commitment to the whole world for the two are part of, and grow from, each other. It was this faith in the 'local' and the 'global' that helped Subbanna locate Ninasam in Heggodu while drawing from ideas, thinkers, artistes from all over the world... This book contains three sections comprising several essays and lectures by Subbanna written and delivered at various points of time; an interview that he conducted and two interviews others conducted with him; and tributes paid to him by two individuals who are important cultural spokespersons of our times and happened to know Subbanna quite intimately. An English book by Akshara Prakashana

AKASHVANI

AKASHVANI PDF Author: All India Radio (AIR), New Delhi
Publisher: All India Radio (AIR),New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 60

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Book Description
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 01 AUGUST, 1976 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 60 VOLUME NUMBER: Vol. XLI, No. 31 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 15-57 ARTICLE: 1. Total Theatre of the South Photo Mania 2. Early Detection of Cancer 3. Ramblings of the Retired 4. Indo-Pak Agreement on Airlinks AUTHOR: 1. Prabhat M. Poddar 2. Dr. D. Shankar Raj 3. Jagam 4. K. P. Krishnan Unny KEYWORDS : 1.Marvellous achievements, expression of art 2.Smt. Gandhi’s concern for the poor, 3.An ote of warning, orthodox wife,freedom by superannuation 4.Resumption of rail traffic, overflight, dual claim Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

History, Religion and Culture of India

History, Religion and Culture of India PDF Author: S. Gajrani
Publisher: Gyan Publishing House
ISBN: 9788182050617
Category : India
Languages : en
Pages : 248

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Book Description