A Sourcebook of Feminist Theatre and Performance

A Sourcebook of Feminist Theatre and Performance PDF Author: Carol Martin
Publisher: Psychology Press
ISBN: 9780415106450
Category : Feminism and theater
Languages : en
Pages : 348

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Book Description
This outstanding collection includes key texts by theorists such as Elin Diamond, Peggy Phelan and Lynda Hart and interviews with practitioners including Anna Deveare Smith and Robbie McCauley.

A Sourcebook of Feminist Theatre and Performance

A Sourcebook of Feminist Theatre and Performance PDF Author: Carol Martin
Publisher: Psychology Press
ISBN: 9780415106450
Category : Feminism and theater
Languages : en
Pages : 348

Get Book

Book Description
This outstanding collection includes key texts by theorists such as Elin Diamond, Peggy Phelan and Lynda Hart and interviews with practitioners including Anna Deveare Smith and Robbie McCauley.

Women, Theatre and Performance

Women, Theatre and Performance PDF Author: Maggie Barbara Gale
Publisher: Manchester University Press
ISBN: 9780719057137
Category : Performing Arts
Languages : en
Pages : 260

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Book Description
This collection addresses key questions in women's theatre history and retrieves a number of previously "hidden" histories of women performers. The essays range across the past 300 years--topics covered include Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' "Mademoiselle Mars," Mme. Arnould-Plessey, and the actresses of the Russian serf theatre.

Auto/Biography and Identity

Auto/Biography and Identity PDF Author: Maggie B B. Gale
Publisher: Manchester University Press
ISBN: 9780719063329
Category : Performing Arts
Languages : en
Pages : 280

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Book Description
Arguing that women use autobiography and performance for expression and as a means of controlling their public and private selves, the contributors of these 11 essays examine the lives and work of a variety of artists ranging from actors as working women in the eighteenth century to monologists and performance artists today. Subjects include several performers, including Alma Ellerslie, Kitty Marion, Ina Rozant, Susan Glaspell, Adrienne Kennedy, Emma Robinson, Lena Ashwell, Tilly Wedekind, Clare Dowie, Janet Cardiff, Tracey Emin, and, in an interview, Bobby Baker, as well as essays on Latina theater and lesbians as performers constructing themselves and their community. Annotation : 2005 Book News, Inc., Portland, OR (booknews.com).

Stage women, 1900–50

Stage women, 1900–50 PDF Author: Maggie B. Gale
Publisher: Manchester University Press
ISBN: 1526136872
Category : History
Languages : en
Pages : 403

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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women’s networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women’s sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on and off stage – and autobiography, activism, technique, touring, education and the law. ‘Women and popular performance’ focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford.

A Sourcebook on Feminist Theatre and Performance

A Sourcebook on Feminist Theatre and Performance PDF Author: Carol Martin
Publisher: Routledge
ISBN: 1134844239
Category : Performing Arts
Languages : en
Pages : 332

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Book Description
This work is a unique collection of key articles on feminist theatre and performance form The Drama Review (TDR). Carol Martin juxtaposes theory and practice to provide an exceptionally comprehensive overview of the development of feminist theatre. This outstanding collection includes key texts by theorists such as Elin Diamond, Peggy Phelan and Lynda Hart and interviews with practitioners including Anna Deveare Smith and Robbie McCauley. It also contains full performances texts by two of the most influential and controversial practiitioners of feminist theatre: Dress Suits to Hire by Holly Hughes and The Constant State of Desire by Karen Finley. A Sourcebook on Feminist Theatre and Performance is an essential purchase for students of theatre studies, performance studies and women's theatre.

Women as Hamlet

Women as Hamlet PDF Author: Tony Howard
Publisher: Cambridge University Press
ISBN: 0521864666
Category : Biography & Autobiography
Languages : en
Pages : 315

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Book Description
A study of actresses playing the role of Hamlet on stage and screen.

Wom Pol Perf S/Afr Thre Vol 2

Wom Pol Perf S/Afr Thre Vol 2 PDF Author: Lizbeth Goodman
Publisher: NIAS Press
ISBN: 9057021838
Category : Actresses
Languages : en
Pages : 102

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Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Danj?r?’s Girls

Danj?r?’s Girls PDF Author: L. Edelson
Publisher: Springer
ISBN: 0230618588
Category : Performing Arts
Languages : en
Pages : 264

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Book Description
Danjuro ' s Girls is a fascinating history of Japan's female kabuki troupes, offering a penetrating investigation into three generations of kabuki actresses associated with the renowned Ichikawa Danjuro acting dynasty. Contextually grounding early female precedents in kabuki, the book focuses on the Ichikawa Girls' Kabuki Troupe, a unique and trailblazing company founded after Japan's defeat in World War II. The troupe became a national sensation in the 1950s, briefly becoming part of the otherwise impenetrable all-male kabuki establishment. Drawing on numerous interviews, as well as written and visual primary sources, Danjuro ' s Girls challenges readers to re-examine conventional notions about gender, performance, and traditional Japanese theatre.

Victorian Women and the Theatre of Trance

Victorian Women and the Theatre of Trance PDF Author: Amy Lehman
Publisher: McFarland
ISBN: 0786454717
Category : Performing Arts
Languages : en
Pages : 212

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Book Description
Spiritualists in the nineteenth century spoke of the "Borderland," a shadowy threshold where the living communed with the dead, and where those in the material realm could receive comfort or advice from another world. The skilled performances of mostly female actors and performers made the "Borderland" a theatre, of sorts, in which dramas of revelation and recognition were produced in the forms of seances, trances, and spiritualist lectures. This book examines some of the most fascinating American and British actresses of the Victorian era, whose performances fairly mesmerized their audiences of amused skeptics and ardent believers. It also focuses on the transformative possibilities of the spiritualist theatre, revealing how the performances allowed Victorian women to speak, act, and create outside the boundaries of their restricted social and psychological roles.

Women, Collective Creation, and Devised Performance

Women, Collective Creation, and Devised Performance PDF Author: Kathryn Mederos Syssoyeva
Publisher: Springer
ISBN: 1137550139
Category : Social Science
Languages : en
Pages : 348

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Book Description
This book explores the role and centrality of women in the development of collaborative theatre practice, alongside the significance of collective creation and devising in the development of the modern theatre. Tracing a web of women theatremakers in Europe and North America, this book explores the connections between early twentieth century collective theatre practices such as workers theatre and the dramatic play movement, and the subsequent spread of theatrical devising. Chapters investigate the work of the Settlement Houses, total theatre in 1920s’ France, the mid-century avant-garde and New Left collectives, the nomadic performances of Europe’s transnational theatre troupes, street-theatre protests, and contemporary devising. In so doing, the book further elucidates a history of modern theatre begun in A History of Collective Creation (2013) and Collective Creation in Contemporary Performance (2013), in which the seemingly marginal and disparate practices of collective creation and devising are revealed as central—and women theatremakers revealed as progenitors of these practices.