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Author: Morris Eaves
Publisher: Cambridge University Press
ISBN: 9780521786775
Category : Art
Languages : en
Pages : 332
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Book Description
Poet, painter, and engraver William Blake died in 1827 in obscure poverty with few admirers. The attention paid today to his remarkable poems, prints, and paintings would have astonished his contemporaries. Admired for his defiant, uncompromising creativity, he has become one of the most anthologized and studied writers in English and one of the most studied and collected British artists. His urge to cast words and images into masterpieces of revelation has left us with complex, forceful, extravagant, some times bizarre works of written and visual art that rank among the greatest challenges to plain understanding ever created. This Companion aims to provide guidance to Blake s work in fresh and readable introductions: biographical, literary, art historical, political, religious, and bibliographical. Together with a chronology, guides to further reading, and glossary of terms, they identify the key points of departure into Blake s multifarious world and work.
Author: Morris Eaves
Publisher: Cambridge University Press
ISBN: 9780521786775
Category : Art
Languages : en
Pages : 332
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Book Description
Poet, painter, and engraver William Blake died in 1827 in obscure poverty with few admirers. The attention paid today to his remarkable poems, prints, and paintings would have astonished his contemporaries. Admired for his defiant, uncompromising creativity, he has become one of the most anthologized and studied writers in English and one of the most studied and collected British artists. His urge to cast words and images into masterpieces of revelation has left us with complex, forceful, extravagant, some times bizarre works of written and visual art that rank among the greatest challenges to plain understanding ever created. This Companion aims to provide guidance to Blake s work in fresh and readable introductions: biographical, literary, art historical, political, religious, and bibliographical. Together with a chronology, guides to further reading, and glossary of terms, they identify the key points of departure into Blake s multifarious world and work.
Author: Jennifer Jesse
Publisher: Lexington Books
ISBN: 0739177915
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
In this innovative study, Jesse challenges the prevailing view of Blake as an antinomian and describes him as a theological moderate who defended an evangelical faith akin to the Methodism of John Wesley. She arrives at this conclusion by contextualizing Blake’s works not only within Methodism, but in relation to other religious groups he addressed in his art, including the Established Church, deism, and radical religions. Further, she analyzes his works by sorting out the theological “road signs” he directed to each audience. This approach reveals Blake engaging each faction through its most prized beliefs, manipulating its own doctrines through visual and verbal guide-posts designed to communicate specifically with that group. She argues that, once we collate Blake’s messages to his intended audiences—sounding radical to the conservatives and conservative to the radicals—we find him advocating a system that would have been recognized by his contemporaries as Wesleyan in orientation. This thesis also relies on an accurate understanding of eighteenth-century Methodism: Jesse underscores the empirical rationalism pervading Wesley’s theology, highlighting differences between Methodism as practiced and as publicly caricatured. Undergirding this project is Jesse’s call for more rigorous attention to the dramatic character of Blake’s works. She notes that scholars still typically use phrases like “Blake says” or “Blake believes,” followed by some claim made by a Blakean character, without negotiating the complex narrative dynamics that might enable us to understand the rhetorical purposes of that statement, as heard by Blake’s respective audiences. Jesse maintains we must expect to find reflections in Blake’s works of all the theologies he engaged. The question is: what was he doing with them, and why? In order to divine what Blake meant to communicate, we must explore how those he targeted would have perceived his arguments. Jesse concludes that by analyzing the dramatic character of Blake’s works theologically through this wide-angled, audience-oriented approach, we see him orchestrating a grand rapprochement of the extreme theologies of his day into a unified vision that integrates faith and reason.
Author: Magnus Ankarsjö
Publisher: McFarland
ISBN: 0786455489
Category : Religion
Languages : en
Pages : 173
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Book Description
Over the last ten years the field of Blake studies has profited from new discoveries about Blake's life and work. This book examines the effect that Blake's mother's recently discovered Moravianism has had on our understanding of his poetry, and gives special attention to Moravianism and Swedenborgianism and their relation to his sexual politics. This is accomplished by a close reading of Blake's poetry, which examines in detail the subjects of religion, sex, and the attempted colonization of Africa by a Swedenborgian utopian group.
Author: Selina Kunz
Publisher: GRIN Verlag
ISBN: 3640412311
Category :
Languages : en
Pages : 29
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Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Trier (Fachbereich II, Anglistik), course: Literature and Religion: From the Renaissance to Romanticism, language: English, abstract: The English poet and painter William Blake appears to be mysterious, mainly because his works are not easy to comprehend. His poems and books are full of religious and philosophical questions and metaphors, some of his works are even accompanied by paintings which make his legacy even more complex. Blake lived in revolutionary times. The era can be characterised as a time of big upheavals and major changes in society. Reasons for this are the French and the American Revolution which had an influence on writers of the early Romantic period. Furthermore the first signs of industrialisation in the late 18th century showed the need for political reforms. A connection between the events in France and the apocalyptic prophecies in the bible was drawn - a belief in a universal peace, similar to the promise of paradise following this apocalypse in the bible. When this hope was not satisfied, thinkers did not abandon it, but started a quiet, moralistic revolution. In Blake's work, both the social criticism and the religious aspect can clearly be found. This paper wants to find out about William Blake's (religious) beliefs which are often seen as idiosyncratic. It tries to explain the most significant influences on Blake and his writing by illustrating his relationship with the Church of his time, the ideas of the Deist movement and the influence of the mystic Emanuel Swedenborg. Afterwards it will describe the influences of religion on the well-known volumes of poetry "Songs of Innocence" and "Songs of Experience" by commenting on exemplary poems of both volumes.
Author: William Blake
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 45
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Book Description
All Religions are One is the title of a series of philosophical aphorisms by William Blake, written in 1788. Following on from his initial experiments with relief etching in the non-textual The Approach of Doom (1787), All Religions are One and There is No Natural Religion represent Blake's first successful attempt to combine image and text via relief etching, and are thus the earliest of his illuminated manuscripts. As such, they serve as a significant milestone in Blake's career. William Blake (1757 – 1827) was a British poet, painter, visionary mystic, and engraver, who illustrated and printed his own books. Blake proclaimed the supremacy of the imagination over the rationalism and materialism of the 18th-century. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.
Author: Naomi Billingsley
Publisher: T&T Clark
ISBN: 9780567694027
Category : Art
Languages : en
Pages : 272
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Book Description
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived. In drawing upon contemporaneous religious writings and artistic representations of similar subjects, this book presents an historically grounded account of Blake's oeuvre. It offers new interpretations of his individual works while also identifying textual and pictorial sources that previously have been overlooked. It will have strong interdisciplinary appeal: to intellectual historians; scholars and students of religion and literature; art historians; and all those interested in the vivid figural articulation of a uniquely English theological radicalism.
Author: William Blake
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 45
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Book Description
All Religions are One is the title of a series of philosophical aphorisms by William Blake, written in 1788. Following on from his initial experiments with relief etching in the non-textual The Approach of Doom (1787), All Religions are One and There is No Natural Religion represent Blake's first successful attempt to combine image and text via relief etching, and are thus the earliest of his illuminated manuscripts. As such, they serve as a significant milestone in Blake's career. William Blake (1757 – 1827) was a British poet, painter, visionary mystic, and engraver, who illustrated and printed his own books. Blake proclaimed the supremacy of the imagination over the rationalism and materialism of the 18th-century. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.
Author: Selina Kunz
Publisher: GRIN Verlag
ISBN: 3640416104
Category : Literary Criticism
Languages : en
Pages : 13
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Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Trier (Fachbereich II, Anglistik), course: Literature and Religion: From the Renaissance to Romanticism, language: English, abstract: The English poet and painter William Blake appears to be mysterious, mainly because his works are not easy to comprehend. His poems and books are full of religious and philosophical questions and metaphors, some of his works are even accompanied by paintings which make his legacy even more complex. Blake lived in revolutionary times. The era can be characterised as a time of big upheavals and major changes in society. Reasons for this are the French and the American Revolution which had an influence on writers of the early Romantic period. Furthermore the first signs of industrialisation in the late 18th century showed the need for political reforms. A connection between the events in France and the apocalyptic prophecies in the bible was drawn - a belief in a universal peace, similar to the promise of paradise following this apocalypse in the bible. When this hope was not satisfied, thinkers did not abandon it, but started a quiet, moralistic revolution. In Blake’s work, both the social criticism and the religious aspect can clearly be found. This paper wants to find out about William Blake’s (religious) beliefs which are often seen as idiosyncratic. It tries to explain the most significant influences on Blake and his writing by illustrating his relationship with the Church of his time, the ideas of the Deist movement and the influence of the mystic Emanuel Swedenborg. Afterwards it will describe the influences of religion on the well-known volumes of poetry “Songs of Innocence” and “Songs of Experience” by commenting on exemplary poems of both volumes.
Author: Jennifer G. Jesse
Publisher: Rowman & Littlefield
ISBN: 0739177907
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
In this innovative study, Jesse challenges the prevailing view of Blake as an antinomian and describes him as a theological moderate who defended an evangelical faith akin to the Methodism of John Wesley. She arrives at this conclusion by contextualizing Blake's works not only within Methodism, but in relation to other religious groups he addressed in his art, including the Established Church, deism, and radical religions. Further, she analyzes his works by sorting out the theological "road signs" he directed to each audience. This approach reveals Blake engaging each faction through its most prized beliefs, manipulating its own doctrines through visual and verbal guide-posts designed to communicate specifically with that group. She argues that, once we collate Blake's messages to his intended audiences--sounding radical to the conservatives and conservative to the radicals--we find him advocating a system that would have been recognized by his contemporaries as Wesleyan in orientation. This thesis also relies on an accurate understanding of eighteenth-century Methodism: Jesse underscores the empirical rationalism pervading Wesley's theology, highlighting differences between Methodism as practiced and as publicly caricatured. Undergirding this project is Jesse's call for more rigorous attention to the dramatic character of Blake's works. She notes that scholars still typically use phrases like "Blake says" or "Blake believes," followed by some claim made by a Blakean character, without negotiating the complex narrative dynamics that might enable us to understand the rhetorical purposes of that statement, as heard by Blake's respective audiences. Jesse maintains we must expect to find reflections in Blake's works of all the theologies he engaged. The question is: what was he doing with them, and why? In order to divine what Blake meant to communicate, we must explore how those he targeted would have perceived his arguments. Jesse concludes that by analyzing the dramatic character of Blake's works theologically through this wide-angled, audience-oriented approach, we see him orchestrating a grand rapprochement of the extreme theologies of his day into a unified vision that integrates faith and reason.
Author: William Blake
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 60
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Book Description
This carefully crafted ebook: "The Book of Urizen (Illuminated Manuscript with the Original Illustrations of William Blake)" is formatted for your eReader with a functional and detailed table of contents. The Book of Urizen is one of the major prophetic books of the English poet William Blake, illustrated by Blake's own plates. It was originally published as The First Book of Urizen in 1794. Later editions dropped the word "first". The book takes its name from the character Urizen in Blake's mythology, who represents alienated reason as the source of oppression. The book describes Urizen as the "primeaval priest", and describes how he became separated from the other Eternals to create his own alienated and enslaving realm of religious dogma. Los and Enitharmon create a space within Urizen's fallen universe to give birth to their son Orc, the spirit of revolution and freedom. In form, the book is a parody of the Book of Genesis, with Blake's Urizen being more similar to the demiurge of the Gnostics than a benevolent creator. The poems of William Blake reinterpret the spiritual history of the human race from the fall from Eden to the beginning of the French Revolution. Blake believed in the correspondence between the physical world and the spiritual world and used poetic metaphor to express these beliefs. In his poetry, we hear a man who look's for mankind to salvage his redemption from oppression through resurgence of imaginative life. The power of repression is a constant theme in Blake's poems and he articulates his belief in the titanic forces of revolt and the struggle for freedom against the guardians of tradition. "William Blake (1757 – 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.
