The Temple, the Church Fathers, and Early Western Chant PDF Download
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Author: James McKinnon
Publisher: Variorum Publishing
ISBN: 9780860786887
Category : Music
Languages : en
Pages : 300
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Book Description
This book is a collection of articles examining liturgical music from classical Greece and ancient Israel to late 15th-century Flanders and Spain. The focus is on two main topics: the negative role of instruments in ancient cult music; and the development of ecclesiastical song in early Christianity. Presented in this book are 16 articles written by the author over a period of 30 years. They span two millenia in their coverage, ranging from classical Greece and ancient Israel to the late 15th-century Flanders and Spain. Liturgical music in some form or another is the theme that binds them together, and two topics in particular are focused on: the negative role that instruments play in ancient cult music; and the development of ecclesiastical song in early Christianity. For the negative role of instruments, a series of articles treats classical Greek ethical notions of instruments, the status of instruments in temple and synagogue and the absence of instruments from early Christian and medieval Church music. The second focus - that of the development of ecclesiastical song - is dealt with in several studies that trace the psalmody and hymnody of the Christian tradition from its roots in Judaism to the origins of Gregorian chant in 7th-century Rome. The articles rely strongly on the writings of the Christian Church Fathers, such as Augustine, Basil and John Crystostom.
Author: James McKinnon
Publisher: Variorum Publishing
ISBN: 9780860786887
Category : Music
Languages : en
Pages : 300
Get Book
Book Description
This book is a collection of articles examining liturgical music from classical Greece and ancient Israel to late 15th-century Flanders and Spain. The focus is on two main topics: the negative role of instruments in ancient cult music; and the development of ecclesiastical song in early Christianity. Presented in this book are 16 articles written by the author over a period of 30 years. They span two millenia in their coverage, ranging from classical Greece and ancient Israel to the late 15th-century Flanders and Spain. Liturgical music in some form or another is the theme that binds them together, and two topics in particular are focused on: the negative role that instruments play in ancient cult music; and the development of ecclesiastical song in early Christianity. For the negative role of instruments, a series of articles treats classical Greek ethical notions of instruments, the status of instruments in temple and synagogue and the absence of instruments from early Christian and medieval Church music. The second focus - that of the development of ecclesiastical song - is dealt with in several studies that trace the psalmody and hymnody of the Christian tradition from its roots in Judaism to the origins of Gregorian chant in 7th-century Rome. The articles rely strongly on the writings of the Christian Church Fathers, such as Augustine, Basil and John Crystostom.
Author: Sean Gallagher
Publisher: Routledge
ISBN: 135153713X
Category : Music
Languages : en
Pages : 544
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Book Description
Taking up questions and issues in early chant studies, this volume of essays addresses some of the topics raised in James McKinnon's The Advent Project: The Later Seventh-Century Creation of the Roman Mass, the last book before his untimely death in February 1999. A distinguished group of chant scholars examine the formation of the liturgy, issues of theory and notation, and Carolingian and post-Carolingian chant. Special studies include the origins of musical notations, nuances of early chant performance (with accompanying CD), musical style and liturgical structure in the early Divine Office, and new sources for Old-Roman chant. Western Plainchant in the First Millenium offers new information and new insights about a period of crucial importance in the growth of the liturgy and music of the Western Church.
Author: Paul F. Bradshaw
Publisher: Liturgical Press
ISBN: 0814662455
Category : Religion
Languages : en
Pages : 161
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Book Description
"First published in 2009 by the Society for Promoting Christian Knowledge"--T.p. verso.
Author: Paul F. Bradshaw
Publisher: Wipf and Stock Publishers
ISBN: 1606081055
Category : Religion
Languages : en
Pages : 208
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Book Description
'In liturgical study, and especially in English liturgical study, the subject of the daily office has always been something of the poor relation', writes the author in his preface. This volume aims to do something to fill that gap. It begins with a detailed examination of the Jewish background and of the practice of daily prayer in the first three centuries of the Church, and goes on to trace the evolution of the divine office in both its monastic and secular forms in East and West down to the time of St. Benedict. Intended as a replacement forThe Influence of the Synagogue upon the Divine Officeby C. W. Dugmore (Alcuin Club Collection No. 45), it not only incorporates the results of recent research by continental scholars and others but also challenges traditional assumptions at a number of important points, offering a fresh interpretation of the evidence.
Author: Jaroslav Z. Skira
Publisher: Peeters Publishers
ISBN: 9789042918306
Category : Language Arts & Disciplines
Languages : en
Pages : 350
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Book Description
The articles on the church and ecumenism in this Festschrift celebrate Professor Fahey's contributions, accomplishments and gifts to the academy and the Church. They reflect his sensitivities and spirituality as a friend and pastor, his support for the many voices in the church, his engagement and mentoring of several generations of students and scholars, his demand for honest and critical scholarship, and his deep desire for a spirit of Christian unity among us all.
Author: Jason McFarland
Publisher: Liturgical Press
ISBN: 0814662625
Category : Religion
Languages : en
Pages : 353
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Book Description
How does the entrance song of the Mass function within the Roman Rite? What can it express theologically? What should Roman Catholics sing at the beginning of Mass? In this groundbreaking study, Jason McFarland answers these and other important questions by exploring the history and theology of the entrance song of Mass. After a careful history of the entrance song, he investigates its place in church documents. He proposes several models of the entrance song for liturgical celebration today. Finally, he offers a skillful theological analysis of the entrance song genre, focusing on the song for the Holy Thursday Evening Mass-arguably the most important entrance song of the entire liturgical year. Announcing the Feast provides the most comprehensive treatment of the Roman Rite entrance song to date. It is unique in that it bridges the disciplines of liturgical studies, musicology, and theological method.
Author: Hans-Jürgen Feulner
Publisher: LIT Verlag Münster
ISBN: 3643904126
Category : Religion
Languages : en
Pages : 348
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Book Description
The celebration of the liturgy is central to the life of faith and also for the self-understanding of the various churches in the East and West. An amazing convergence of Christian denominations has taken place in the area of liturgy and liturgical studies since the Second Vatican Council, entering also into the practice of liturgical celebration. In this collection - with contributions from a symposium held in Vienna in November 2007 - internationally recognized scholars from various Christian denominations present the ecumenical contributions and the Jewish roots of the Christian liturgy. [PLEASE NOTE: The individual essays in this volume are written in various languages. The book contains ten essays in English, eight in German, and two in French.] (Series: Austrian Studies of Liturgy and Sacramental Theology / Osterreichische Studien zur Liturgiewissenschaft und Sakramententheologie - Vol. 6)
Author: Margot E. Fassler
Publisher: Oxford University Press
ISBN: 9780195352382
Category : Music
Languages : en
Pages : 668
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Book Description
The Divine Office--the cycle of daily worship other than the Mass--is the richest source of liturgical texts and music from the Latin Middle Ages. However, its richness, the great diversity of its manuscripts, and its many variations from community to community have made it difficult to study, and it remains largely unexplored terrain. This volume is a practical guide to the Divine Office for students and scholars throughout the field of medieval studies. The book surveys the many questions related to the Office and presents the leading analytical tools and research methods now used in the field. Beginning with the Office in the early Middle Ages, the book covers manuscript sources and their contents; regional developments and variations; the relationship between the Office, the Mass, and other ceremonies and repertories; and the deep links between the Office and medieval hagiography. The book concludes with a discussion of recent technical advances for handling the enormous amounts of evidence on the Office and its performance, in particular CANTUS, the vast electronic database developed by Ruth Steiner of Catholic University for the analysis of chant repertories. The Divine Office in the Latin Middle Ages is an essential resource for anyone studying medieval liturgy. Its accessible style and broad coverage make it an important basic reference for a wide range of students and scholars in art history, religious studies, social history, literature, musicology, and theology.
Author: Luisa Nardini
Publisher: Oxford University Press
ISBN: 0197514138
Category : Music
Languages : en
Pages : 329
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Book Description
"The liturgical chant that was sung in the churches of Southern Italy between the ninth and the thirteenth centuries reflects the multiculturalism of a territory in which Roman, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were present at various titles and with different political roles. This book examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants of the liturgy of mass. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics the city of Benevento. They shed light on the creativity of local cantors to provide new meanings to the liturgy in accordance with contemporary waves of religious spirituality and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological 'beyond' and because of their interconnectedness with the parent chant, they can be likened to modern hypertexts. The emphasis on universal saints of ancient lineage stressed the perceived links with the cradles of Christianity, Africa and the Levant, and the centre of the Papal power, Rome, while the high number of Christological prosulas in manuscripts used in nunneries might be tied to the devotion to Jesus as 'spiritual spouse' that was typical of female religiosity. Full edition of texts, melodies, and manuscript facsimiles in the companion website enrich the study of the stylistic features and the cultural components of this fascinating genre"--
Author: Thomas Forrest Kelly
Publisher: Taylor & Francis
ISBN: 1000948536
Category : Music
Languages : en
Pages : 396
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Book Description
The area whose capital was the southern Lombard city of Benevento developed a culture identified with the characteristic form of writing known as the Beneventan script, which was used throughout the area and was brought to perfection at the abbey of Montecassino in the late eleventh century. This repertory, along with other now-vanished or suppressed local varieties of music, give a far richer picture of the variety of musical practice in early medieval Europe than was formerly available. Thomas Forrest Kelly has identified and collected the surviving sources of an important repertory of early medieval music; this is the so-called Beneventan Chant, used in southern Italy in the early middle ages, before the adoption there of the now-universal music known as Gregorian chant. Because it was deliberately suppressed in the course of the eleventh century, this music survives mostly in fragments and palimpsests, and the fascinating process of restoring the repertory piece by piece is told in the studies in this book. A companion volume to this collection also by Professor Kelly details the practice of Medieval music.
