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Author: Philip Furia
Publisher: Oxford University Press
ISBN: 0199792666
Category : Music
Languages : en
Pages : 282
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Book Description
From "Over the Rainbow" to "Moon River" and from Al Jolson to Barbra Streisand, The Songs of Hollywood traces the fascinating history of song in film, both in musicals and in dramatic movies such as High Noon. Extremely well-illustrated with 200 film stills, this delightful book sheds much light on some of Hollywood's best known and loved repertoire, explaining how the film industry made certain songs memorable, and highlighting important moments of film history along the way. The book focuses on how the songs were presented in the movies, from early talkies where actors portrayed singers "performing" the songs, to the Golden Age in which characters burst into expressive, integral song--not as a "performance" but as a spontaneous outpouring of feeling. The book looks at song presentation in 1930s classics with Fred Astaire and Ginger Rogers and in 1940s gems with Judy Garland and Gene Kelly. The authors also look at the decline of the genre since 1960, when most original musicals were replaced by film versions of Broadway hits such as My Fair Lady.
Author: Philip Furia
Publisher: Oxford University Press
ISBN: 0199792666
Category : Music
Languages : en
Pages : 282
Get Book
Book Description
From "Over the Rainbow" to "Moon River" and from Al Jolson to Barbra Streisand, The Songs of Hollywood traces the fascinating history of song in film, both in musicals and in dramatic movies such as High Noon. Extremely well-illustrated with 200 film stills, this delightful book sheds much light on some of Hollywood's best known and loved repertoire, explaining how the film industry made certain songs memorable, and highlighting important moments of film history along the way. The book focuses on how the songs were presented in the movies, from early talkies where actors portrayed singers "performing" the songs, to the Golden Age in which characters burst into expressive, integral song--not as a "performance" but as a spontaneous outpouring of feeling. The book looks at song presentation in 1930s classics with Fred Astaire and Ginger Rogers and in 1940s gems with Judy Garland and Gene Kelly. The authors also look at the decline of the genre since 1960, when most original musicals were replaced by film versions of Broadway hits such as My Fair Lady.
Author: Philip Furia
Publisher: Routledge
ISBN: 1135471924
Category : Music
Languages : en
Pages : 360
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Book Description
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Philip Furia
Publisher: Taylor & Francis
ISBN: 0415972469
Category : Music
Languages : en
Pages : 360
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Book Description
First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Ken Bloom
Publisher: Black Dog & Leventhal Pub
ISBN: 9781579128487
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
Offers an alphabetical survey of the most popular film musicals in history, with commentaries, synopses, behind-the-scenes information, and lists of songs and cast members for each film.
Author: Kathryn Kalinak
Publisher: Univ of Wisconsin Press
ISBN: 029913363X
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’s Captain Blood, Max Steiner’s The Informer, Bernard Herrmann’s The Magnificent Ambersons, and David Raksin’s Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’ The Empire Strikes Back and Basil Poledouris’ RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.
Author: Ken Bloom
Publisher:
ISBN: 9780816020027
Category :
Languages : en
Pages : 557
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Book Description
Author: John Mundy
Publisher: Manchester University Press
ISBN: 9780719040290
Category : Art
Languages : en
Pages : 292
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Book Description
Popular Music on Screen examines the relationship between popular music and the screen, from the origins of the Hollywood musical to contemporary developments in music television and video. Through detailed examination of films, television programs and popular music, together with analysis of the economic, technological and cultural determinants of their production and consumption, the book argues that popular music has been increasingly influenced by its visual economy. Though engaging with the debates that surround postmodernism, the book suggests that what most characterizes the relationship between popular music and the screen is a strong sense of continuity, expressed through institutional structures, representational strategies and the ideology of "entertainment."
Author: Harvey Kubernik
Publisher: UNM Press
ISBN: 9780826335425
Category : Music
Languages : en
Pages : 420
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Book Description
Insiders' accounts of the deals behind the fusion of creativity and commerce in film and television.
Author: Katherine Spring
Publisher: Oxford University Press
ISBN: 0199842213
Category : Music
Languages : en
Pages : 244
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Book Description
Saying It With Songs is a groundbreaking study of the ways in which Hollywood's conversion to synchronized-sound filmmaking in the late 1920s gave rise not only to enduring partnerships between the film and popular music industries, but also to a rich and exciting period of song use in American cinema.
Author: Susan Sackett
Publisher:
ISBN:
Category : Academy Awards (Motion pictures)
Languages : en
Pages : 360
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Book Description
The musical history of Hollywood and the Academy Awards goes back to 1934, when "The Continental" from The Gay Divorcee won the first Oscar for Best Original Song. Since then, Oscar-nominated songs have come from every genre, including dance numbers, serious compositions, and rock and roll. Author Sackett lists the songs nominated each year through 1993, listing lyricists and composers, the film each appeared in, and historical information and inside anecdotes. Appendixes list title songs, films that songs have been nominated from, most Oscar nominations by lyricist (first is Sammy Cahn with 26) and by composer (James Van Heusen, 14), and other Oscar factoids. Annotation copyright by Book News, Inc., Portland, OR
