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Author: Alena Friedrich
Publisher: GRIN Verlag
ISBN: 3638643492
Category : Brassed off (Motion picture)
Languages : en
Pages : 65
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Book Description
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7 (A-), University of Leipzig (Anglistics), course: Screening Britain: British History and Society in Recent Films, language: English, abstract: Ziel dieser Arbeit ist es, die Darstellung der britischen Arbeiterklasse in den beiden Filmen 'Brassed Off' (Mark Herman, 1996) und 'The Full Monty' (Peter Cattaneo, 1997) zu analysieren. Insbesondere soll dabei auf die sozio-ökonomische Situation der Charaktere, deren soziale Beziehungen untereinander, den 'Working Class Pride and Traditionalism', die männliche Identifikation der Figuren und ihre regionale Verwurzelung eingegangen werden. Die zentralen Fragen, die sich dahingehend stellen, sind: Wie werden diese Aspekte in den Filmen dargestellt? Und inwiefern werden sie stereotypisiert dargestellt? Diese Arbeit beruht auf der Annahme, dass die meisten Stereotype auf das traditionelle Bild der 'working class' des beginnenden 20. Jahrhunderts zurückgreifen. Aus diesem Grund wird diese Ära und ihr Einfluss auf das Leben der Arbeiter näher betrachtet, um dann Rückschlüsse auf die Repräsentation der Arbeiterklasse in 'Brassed Off' und 'The Full Monty' ziehen zu können. This essay, which is going to analyse the representation of class in 'Brassed Off' and 'The Full Monty', will particularly focus on the typicality of the representations. It will analyse the characters' socio-economic situation, their social bonds, the 'working class pride and traditionalism', the workers' male identity and their regional identity. The central question will be, in which ways the films can be seen as "typical" working class motion pictures. In this respect, the stereotyping of the social classes in these two films will particularly be focused on. This essay is based on the assumption that most stereotypes refer back to the traditional image of the working class as it existed at the beginning of the 20th century. In
Author: Alena Friedrich
Publisher: GRIN Verlag
ISBN: 3638643492
Category : Brassed off (Motion picture)
Languages : en
Pages : 65
Get Book
Book Description
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7 (A-), University of Leipzig (Anglistics), course: Screening Britain: British History and Society in Recent Films, language: English, abstract: Ziel dieser Arbeit ist es, die Darstellung der britischen Arbeiterklasse in den beiden Filmen 'Brassed Off' (Mark Herman, 1996) und 'The Full Monty' (Peter Cattaneo, 1997) zu analysieren. Insbesondere soll dabei auf die sozio-ökonomische Situation der Charaktere, deren soziale Beziehungen untereinander, den 'Working Class Pride and Traditionalism', die männliche Identifikation der Figuren und ihre regionale Verwurzelung eingegangen werden. Die zentralen Fragen, die sich dahingehend stellen, sind: Wie werden diese Aspekte in den Filmen dargestellt? Und inwiefern werden sie stereotypisiert dargestellt? Diese Arbeit beruht auf der Annahme, dass die meisten Stereotype auf das traditionelle Bild der 'working class' des beginnenden 20. Jahrhunderts zurückgreifen. Aus diesem Grund wird diese Ära und ihr Einfluss auf das Leben der Arbeiter näher betrachtet, um dann Rückschlüsse auf die Repräsentation der Arbeiterklasse in 'Brassed Off' und 'The Full Monty' ziehen zu können. This essay, which is going to analyse the representation of class in 'Brassed Off' and 'The Full Monty', will particularly focus on the typicality of the representations. It will analyse the characters' socio-economic situation, their social bonds, the 'working class pride and traditionalism', the workers' male identity and their regional identity. The central question will be, in which ways the films can be seen as "typical" working class motion pictures. In this respect, the stereotyping of the social classes in these two films will particularly be focused on. This essay is based on the assumption that most stereotypes refer back to the traditional image of the working class as it existed at the beginning of the 20th century. In
Author: David Wilson
Publisher: Waterside Press
ISBN: 1904380085
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
An analysis of the impact of TV on the democratic processes that lead to criminal policy making - Everthing from 'The Shawshank Redemption' to the TV sit-com; how public perceptions of serious social issues are often based on superficial, misleading and sometimes comfortable accounts.
Author: 石同云著
Publisher: BEIJING BOOK CO. INC.
ISBN: 7310047729
Category : Performing Arts
Languages : en
Pages : 315
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Book Description
本书共8章，通过文本诠释和意识形态解析研究50年代至今的英国社会现实主义电影对工人阶级身份特性的展示，以此来审视英国工人阶级命运的变化。它探讨不同年代工人阶级题材电影的主要主题，比较和对比银幕展示的工人阶级身份特性的延续和变化，并从英国文化研究视角对变迁加以分析，探究工人阶级形象背后隐含的思想意识形态和文化抵抗。
Author: Emma Bell
Publisher: Bloomsbury Publishing
ISBN: 1137120754
Category : Business & Economics
Languages : en
Pages : 233
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Book Description
The advent of film has meant that we are able to capture in great detail - and often inadvertently - the enduring aspects of our working lives. Reading Management and Organisation in Film provides a new framework for understanding organizational theory and its development in a vital new way.
Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838714782
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.
Author: Paul Dave
Publisher: Berg
ISBN: 1845202937
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
Publisher description
Author: Carmen Dexl
Publisher: Springer Nature
ISBN: 3030886042
Category : Social Science
Languages : en
Pages : 330
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Book Description
This international and multidisciplinary volume focuses on the male body and constructions of gender in a variety of cultural productions and formats. Locating the subject matter in relevant theoretical fields, it looks at representations of male bodies in various contexts through paranoid and reparative lenses. Organized into four major sections, the contributions assembled in this book feature engaging readings of ‘non/conforming bodies’, ‘fashionable bodies’, ‘passing bodies’, and ‘pioneering bodies’ that to different degrees foreground their critical and creative potentials. In its full scope, the book acknowledges the plurality of gendered experiences and the diversity of male bodies. The Male Body in Representation: Returning to Matter adds to Cultural Studies scholarship interested in the body and gender in general and contributes to the fields of Masculinity and Body Studies in particular.
Author: Samantha Lay
Publisher: Columbia University Press
ISBN: 0231501617
Category : Performing Arts
Languages : en
Pages : 159
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Book Description
British Social Realism details and explores the rich tradition of social realism in British cinema from its beginnings in the documentary movement of the 1930s to its more stylistically eclectic and generically hybrid contemporary forms. Samantha Lay examines the movements, moments and cycles of British social realist texts through a detailed consideration of practice, politics, form, style and content, using case studies of key texts including Listen to Britain, Saturday Night and Sunday Morning, Letter to Brezhnev, and Nil by Mouth. In discussing the work of many prominent realist filmmakers, the book considers the challenges for social realist film practice and production in Britain, now and in the future.
Author: Elisa Valerie Thieme
Publisher: GRIN Verlag
ISBN: 3656827931
Category : Foreign Language Study
Languages : de
Pages : 26
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Book Description
Studienarbeit aus dem Jahr 2013 im Fachbereich Anglistik - Kultur und Landeskunde, Note: 1,7, Johannes Gutenberg-Universität Mainz (Department of English and Linguistics), Veranstaltung: The North of England, Sprache: Deutsch, Abstract: In 2001, Paul Marris argued in an essay which appeared in Cineaste that the tradition of “northern realism” could be traced back to Elizabeth Gaskell’s social problem novels which announced many of the themes and approaches that have underpinned the traditional representation of the North up to the present: a documentary interest in the industrial urban districts; a realism which is in tension with melodramatic devices; the incorporation of elements of demotic speech; a continuing association between northerness and the industrial working class; [and] a portrayal from the vantage point which is not wholly within. The reliance on stereotypes is probably partly related to the fact that most works of art, documentaries and studies concerning the northern working class have been written and conducted by members of the middle class. Therefore, general notions about the working class are often arrived at by following track of “what the middle class thinks of it”. According to Ian Christie, “British cinema’s most successful genre of the 90s [was] the tragicomedy of urban survival”. Particularly “northern film always [aroused] certain expectations [and was often] a site for debating serious moral, economic and social issues”. Along with films, such as Trainspotting (Danny Boyle, 1996) and The Full Monty (Peter Cattaneo, 1997), the movie Brassed Off (Mark Herman, 1996) certainly belongs into this genre of northern tragi-comedy. It is a Channel Four film production which made use of “a popular (. . .) format with two or three star names and a host of British character actors [and] is situated at a moment of closure of one of the Yorkshire coalfields”. Interestingly, Brassed Off is set in 1992 but was in fact produced in 1996 and one might argue that some “extra sharpness . . . might have been acquired [if the] script had been made in the 1980s, when the industrial north was truly in the grip of recession” and that Brassed Off is “almost a period piece”. Bromley states that Brassed Off’s “works within a number of staple and formulaic conventions of workingclass representation: regional, masculine, industrial, brass band”.
Author: Sally Munt
Publisher: A&C Black
ISBN: 9780304705498
Category : Social Science
Languages : en
Pages : 262
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Book Description
This work challenges the field of British cultural studies to return to the question of social class as a primary focus of study. The chapters examine contemporary working-class life and its depiction in the media through a number of case studies on topics such as popular cinema, football, romance magazines and club culture. The essays pose methodologies for understanding working-class responses to dominant culture, and explore the contradictions and limitations of the traditional Marxist model. The book's contributors conclude that it is time for cultural theorists to revisit issues of working-class cultural formations and to renew the original radical intentions of the discipline by reintegrating class analysis into social templates of race, sexuality and gender.
