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Author: John Nelson
Publisher: Cambridge Scholars Publishing
ISBN: 1527579050
Category : Music
Languages : en
Pages : 265
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Book Description
During the 19th and early 20th centuries, opposition to the tsarist autocracy grew in Russia. To counter this, Tsar Nicholas I instigated the Official Nationality Decree of 1833 basing this on “Orthodoxy, Autocracy, Nationality”. Subsequent tsars who enforced repression, censorship and the suppression of the peripheral counties of the Empire upheld this policy. Nikolai Rimsky-Korsakov questioned whether this “Official Nationality” truly represented the views of the Russian people, and, through his operas, he demonstrated that the interpretation of these three premises was questionable. This book examines each of these facets of nationality and how Rimsky-Korsakov presents them in a new light in his operas. It also shows how the composer’s socio-political views, supported by his use of politically radical Russian writers, and as expressed through his correspondence and discussions with family and colleagues, clearly demonstrate that his political ideology, as well as his opposition to the tsar and his bureaucracy, gave a new interpretation of Russian “nationality”.
Author: John Nelson
Publisher: Cambridge Scholars Publishing
ISBN: 1527579050
Category : Music
Languages : en
Pages : 265
Get Book
Book Description
During the 19th and early 20th centuries, opposition to the tsarist autocracy grew in Russia. To counter this, Tsar Nicholas I instigated the Official Nationality Decree of 1833 basing this on “Orthodoxy, Autocracy, Nationality”. Subsequent tsars who enforced repression, censorship and the suppression of the peripheral counties of the Empire upheld this policy. Nikolai Rimsky-Korsakov questioned whether this “Official Nationality” truly represented the views of the Russian people, and, through his operas, he demonstrated that the interpretation of these three premises was questionable. This book examines each of these facets of nationality and how Rimsky-Korsakov presents them in a new light in his operas. It also shows how the composer’s socio-political views, supported by his use of politically radical Russian writers, and as expressed through his correspondence and discussions with family and colleagues, clearly demonstrate that his political ideology, as well as his opposition to the tsar and his bureaucracy, gave a new interpretation of Russian “nationality”.
Author: John Nelson
Publisher: Cambridge Scholars Publishing
ISBN: 9781527577732
Category :
Languages : en
Pages :
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Book Description
During the 19th and early 20th centuries, opposition to the tsarist autocracy grew in Russia. To counter this, Tsar Nicholas I instigated the Official Nationality Decree of 1833 basing this on â oeOrthodoxy, Autocracy, Nationalityâ . Subsequent tsars who enforced repression, censorship and the suppression of the peripheral counties of the Empire upheld this policy. Nikolai Rimsky-Korsakov questioned whether this â oeOfficial Nationalityâ truly represented the views of the Russian people, and, through his operas, he demonstrated that the interpretation of these three premises was questionable. This book examines each of these facets of nationality and how Rimsky-Korsakov presents them in a new light in his operas. It also shows how the composerâ (TM)s socio-political views, supported by his use of politically radical Russian writers, and as expressed through his correspondence and discussions with family and colleagues, clearly demonstrate that his political ideology, as well as his opposition to the tsar and his bureaucracy, gave a new interpretation of Russian â oenationalityâ .
Author: Gerald Abraham
Publisher:
ISBN: 9780721100074
Category : Composers
Languages : en
Pages : 355
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Book Description
Author: Marina Frolova-Walker
Publisher: Princeton University Press
ISBN: 069118271X
Category : Music
Languages : en
Pages : 384
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Book Description
A rare look at the life and music of renowned Russian composer Nikolai Rimsky-Korsakov During his lifetime, Nikolai Rimsky-Korsakov (1844–1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia—where many of his fifteen operas and various orchestral pieces are still in the standard repertoire—very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention. In this collection, Rimsky-Korsakov’s major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer’s letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov’s work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky. The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev. The Bard Music Festival Bard Music Festival 2018 Rimsky-Korsakov and His World Bard College August 10–12 and August 17–19, 2018
Author: Gerald Abraham
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 355
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Book Description
Author: Rachel Cowgill
Publisher: Boydell & Brewer
ISBN: 1843835673
Category : Music
Languages : en
Pages : 434
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Book Description
Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented by studies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, Janacek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS, DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL.
Author: Roman Utkin
Publisher: University of Wisconsin Pres
ISBN: 0299344401
Category : History
Languages : en
Pages : 293
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Book Description
As many as half a million Russians lived in Germany in the 1920s, most of them in Berlin, clustered in and around the Charlottenburg neighborhood to such a degree that it became known as “Charlottengrad.” Traditionally, the Russian émigré community has been understood as one of exiles aligned with Imperial Russia and hostile to the Bolshevik Revolution and the Soviet government that followed. However, Charlottengrad embodied a full range of personal and political positions vis-à-vis the Soviet project, from enthusiastic loyalty to questioning ambivalence and pessimistic alienation. By closely examining the intellectual output of Charlottengrad, Roman Utkin explores how community members balanced their sense of Russianness with their position in a modern Western city charged with artistic, philosophical, and sexual freedom. He highlights how Russian authors abroad engaged with Weimar-era cultural energies while sustaining a distinctly Russian perspective on modernist expression, and follows queer Russian artists and writers who, with their German counterparts, charted a continuous evolution in political and cultural attitudes toward both the Weimar and Soviet states. Utkin provides insight into the exile community in Berlin, which, following the collapse of the tsarist government, was one of the earliest to face and collectively process the peculiarly modern problem of statelessness. Charlottengrad analyzes the cultural praxis of “Russia Abroad” in a dynamic Berlin, investigating how these Russian émigrés and exiles navigated what it meant to be Russian—culturally, politically, and institutionally—when the Russia they knew no longer existed.
Author: Marina Frolova-Walker
Publisher: Princeton University Press
ISBN: 0691185514
Category : Music
Languages : en
Pages : 385
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Book Description
A rare look at the life and music of renowned Russian composer Nikolai Rimsky-Korsakov During his lifetime, Nikolai Rimsky-Korsakov (1844–1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia—where many of his fifteen operas and various orchestral pieces are still in the standard repertoire—very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention. In this collection, Rimsky-Korsakov’s major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer’s letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov’s work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky. The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev. The Bard Music Festival Bard Music Festival 2018 Rimsky-Korsakov and His World Bard College August 10–12 and August 17–19, 2018
Author: Andrew Wachtel
Publisher: Northwestern University Press
ISBN: 9780810115804
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
This collection serves as an introduction to the great variety of approaches being used by Slavicists and historians to situate music and literature in the Russian cultural imagination. Part I focuses on music in art. The nine essays in this section explore the complex interaction of literary and musical texts in the nineteenth and twentieth centuries. Contributors discuss such writers as Pushkin, Chekhov, and Pasternak, and composers including Musorgsky, Prokofiev, Shostakovich, and Blok. Part II centers on music in life. Its five essays address music as a cultural form, as presented and enjoyed in the home, the theater, and the opera house. This book provides a unique window on The musical, literary, and social interactions that have been typical of modern Russian culture.Contributing to this volume are Thomas P. Hodge, Caryl Emerson, Jennifer Fuller, Justin Weir, Alexander Burry, James Morgan, Andrew Baruch Wachtel, Tim Langen, Jesse Langen, Richard Stites, Ilya Vinitsky, Julie Buckler, Rosamund Bartlett, Boris Gasparov, Nicholas Glossop, and Amy Nelson.
Author: PhilipRoss Bullock
Publisher: Routledge
ISBN: 1351550519
Category : Music
Languages : en
Pages : 208
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Book Description
Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jank, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi
