The Monteverdi Vespers of 1610 : Music, Context, Performance

The Monteverdi Vespers of 1610 : Music, Context, Performance PDF Author: Jeffrey Kurtzman
Publisher: Clarendon Press
ISBN: 0191590711
Category :
Languages : en
Pages : 626

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Book Description
This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources.

The Monteverdi Vespers of 1610 : Music, Context, Performance

The Monteverdi Vespers of 1610 : Music, Context, Performance PDF Author: Jeffrey Kurtzman
Publisher: Clarendon Press
ISBN: 0191590711
Category :
Languages : en
Pages : 626

Get Book

Book Description
This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources.

The Monteverdi Vespers of 1610

The Monteverdi Vespers of 1610 PDF Author: Jeffrey G. Kurtzman
Publisher:
ISBN: 9781383008029
Category : Performance practice (Music)
Languages : en
Pages : 0

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Book Description


A Musical Offering

A Musical Offering PDF Author: Martin Bernstein
Publisher: Pendragon Press
ISBN: 9780945193838
Category : Music
Languages : en
Pages : 784

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Book Description
In the great tradition of the German Festschrift, this book brings together articles by Professor Bernstein's colleagues, friends and students to honor him on his 70th birthday. Ranging in subject from the trouv e song through esoteric aspects of Renaissance studies and authenticity in 18th-century musical sources to a lively and irreverent attack on performance practices today, the twenty essays by many of America's most distinguished scholars reflect the breadth and variety of Martin Bernstein's far-reaching interests and demonstrates the vitality and relevance of what is best in musicology today.

The Cambridge Companion to Monteverdi

The Cambridge Companion to Monteverdi PDF Author: John Whenham
Publisher: Cambridge University Press
ISBN: 9781139828222
Category : Music
Languages : en
Pages :

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Book Description
Claudio Monteverdi is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book, first published in 2007, provides an authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life, and the contexts in which he worked. Chapters offering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles.

Monteverdi: Vespers (1610)

Monteverdi: Vespers (1610) PDF Author: John Whenham
Publisher: Cambridge University Press
ISBN: 9780521459792
Category : Music
Languages : en
Pages : 152

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Book Description
A guide to Monteverdi's Vespers, providing in-depth information on music settings and performance practice.

The Cambridge History of Musical Performance

The Cambridge History of Musical Performance PDF Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 1316184420
Category : Music
Languages : en
Pages :

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Book Description
The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.

Choral-Orchestral Repertoire

Choral-Orchestral Repertoire PDF Author: Jonathan D. Green
Publisher: Rowman & Littlefield Publishers
ISBN: 1442244674
Category : Music
Languages : en
Pages : 747

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Book Description
Choral-Orchestral Repertoire: A Conductor's Guide offers an expansive compilation of choral orchestral works from 1600 to the present. Synthesizing Jonathan Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, currently available editions, and locations of manuscript materials, as well as descriptive commentary, discography, and bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role, and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire: A Conductor's Guide is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.

A Conductor's Guide to Selected Baroque Choral-Orchestral Works

A Conductor's Guide to Selected Baroque Choral-Orchestral Works PDF Author: Jonathan D. Green
Publisher: Scarecrow Press
ISBN: 0810886502
Category : Music
Languages : en
Pages : 284

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Book Description
In addition to brief biographical sketches for each composer, A Conductor’s Guide to Selected Baroque Choral-Orchestral Works includes for each work the approximate duration, text sources, performing forces, currently available editions, locations of manuscript materials, notes, performance issues, evaluation of solo roles, evaluation of difficulty, and a discography and bibliography. Duration information comes from a variety of sources, but Green turns to actual recording times of performances. The purpose of this book is to aid conductors in selecting repertoire appropriate to their needs and the abilities of their ensembles.

A History of Western Choral Music

A History of Western Choral Music PDF Author: Chester Lee Alwes
Publisher: Oxford University Press, USA
ISBN: 0199361932
Category : Music
Languages : en
Pages : 505

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Book Description
Volume 1. From medieval foundations to the romantic age

Renaissance Music

Renaissance Music PDF Author: Kenneth Kreitner
Publisher: Routledge
ISBN: 1351551477
Category : History
Languages : en
Pages : 469

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Book Description
We know what, say, a Josquin mass looks like but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.