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Author: William Briggs
Publisher: Fred B. Rothman
ISBN:
Category : Law
Languages : en
Pages : 884
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Book Description
The law of international copyright, with special sections on the colonies and the United States of America. This book, "The law of international copyright," by William Briggs, is a replication of a book originally published before 1906. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.
Author: William Briggs
Publisher: Fred B. Rothman
ISBN:
Category : Law
Languages : en
Pages : 884
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Book Description
The law of international copyright, with special sections on the colonies and the United States of America. This book, "The law of international copyright," by William Briggs, is a replication of a book originally published before 1906. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.
Author: William Briggs
Publisher:
ISBN:
Category : Copyright, International
Languages : en
Pages : 850
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Book Description
Author: William Briggs
Publisher: Forgotten Books
ISBN: 9780260055538
Category : Political Science
Languages : en
Pages : 872
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Book Description
Excerpt from The Law of International Copyright: With Special Sections on the Colonies and the United States of America The relation of International Law to domestic Law in England differs widely from that which generally obtains on the Continent, and consequently the interpretation of Inter national Law calls for special treatment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: William Briggs
Publisher: London : Stevens and Haynes
ISBN:
Category : America
Languages : en
Pages : 882
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Book Description
Author: United States
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 86
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Book Description
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 98
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Book Description
Author: Brian Fitzgerald
Publisher: Routledge
ISBN: 1351570978
Category : Law
Languages : en
Pages : 604
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Book Description
This volume reproduces writings, social teachings, testimonies and reports of figures as diverse as Karl Marx, Victor Hugo, Charles Dickens and Mark Twain, and bodies such as the US Congress. Extracted material charts the development of an international system of copyright regulation, and the growth, in the 20th century, of copyright industries benefitting from new copyright laws. In the second half of the 19th century, many writers and thinkers, like Marx, attacked capital, and its corollary, property rights. Some writers, such as Victor Hugo, while exposing the horrors of poverty and social alienation, demanded for authors rights of property. The modern system of copyright substantially originates from the efforts of Hugo and others. Articles by leading US copyright scholars such as Jessica Litman and Tim Wu explain the development of copyright law in the 20th century, and are complemented by reproduction of key copyright cases in the US and UK, as well the primary copyright legislation in those countries. Contributors examine critically whether copyright law in the 20th century developed to encourage information dissemination or enable producers to control the supply of information for super profit.
Author: Isabella Alexander
Publisher: Bloomsbury Publishing
ISBN: 184731564X
Category : Law
Languages : en
Pages : 344
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Book Description
Copyright law is commonly described as carrying out a balancing act between the interests of authors or owners and those of the public. While much academic work, both historical and contemporary, has been done on the authorship side of the equation, this book examines the notion of public interest, and the way that concepts of public interest and the rhetoric surrounding it have been involved in shaping the law of copyright. While many histories of copyright focus on the eighteenth century, this book's main concern is with the period after 1774. The nineteenth century was the period during which the boundaries of copyright, as we know it today, were drawn and ideas of “public interest” were integral to this process, but in different, and complex, ways. The book engages with this complexity by moving beyond debates about the appropriate duration of copyright, and considers the development of other important features of copyright law, such as the requirement of legal deposit, the principle that some works will not be subject to copyright protection on the grounds of public interest, and the law of infringement. While the focus of the book is on literary copyright, it also traces the expansion of copyright to cover new subject matters, such as music, dramatic works and lectures. The book concludes by examining the making of the 1911 Imperial Copyright Act – the statute upon which the law of copyright in Britain, and in all former British colonies, is based. The history traced in this book has considerable relevance to debates over the scope of copyright law in the present day; it emphasises the contingency and complexity of copyright law's development and current shape, as well as encouraging a critical approach to the justifications for copyright law.
Author: United States
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 92
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Book Description
Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 878
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Book Description
