The French Fictional Journal PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The French Fictional Journal PDF full book. Access full book title The French Fictional Journal by Valerie Raoul. Download full books in PDF and EPUB format.
Author: Valerie Raoul
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 198
Get Book
Book Description
Unlike other forms of fictional first-person narrative such as the memoir or epistolary novel, the French fictional journal or diary-novel has received inadequate critical attention. This is the first full-length analysis devoted to its particular features. Valerie Raoul bases her study on the premise that the interest of the fictional journal lies in its subjugation of one set of conventions, those of the diary, to another set, those of the novel, and the interference of each of those 'codes' in the function of the other. In this context she discusses more than fifty novels or short stories wholly or partly in diary form and written in France between 1800 and the present. In the first part of the book she deals with the fictivity of the diary-novel. Philippe Lejeune's work on the functioning of autobiography serves as a point of comparison to elucidate the distinctive reading pact involved in this aspect of first-person fiction. The second part analyses the internal communication model: on this intradiegetic level the fictional diarist is narrator, actor, and narrate. In the third part, an abstract model is developed to illustrate the functioning of the fictional journal as a bi-textual form of communication, in which the internal communications process is a mise en abyme of the external one between author, character, and reader. The personal narcissism of the 'intimiste' is seen to give way in the fictional 'journal intime' to narcissistic fiction, since diary-novels are always the narration of the production of a 'recit.' This book is an important investigation into the very nature of fiction and the meaning of the activity of writing. It not only fills an important gap in the appreciation of French prose, but also adds to the comprehension of personal narrative in particular and narrative discourse in general.
Author: Valerie Raoul
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 198
Get Book
Book Description
Unlike other forms of fictional first-person narrative such as the memoir or epistolary novel, the French fictional journal or diary-novel has received inadequate critical attention. This is the first full-length analysis devoted to its particular features. Valerie Raoul bases her study on the premise that the interest of the fictional journal lies in its subjugation of one set of conventions, those of the diary, to another set, those of the novel, and the interference of each of those 'codes' in the function of the other. In this context she discusses more than fifty novels or short stories wholly or partly in diary form and written in France between 1800 and the present. In the first part of the book she deals with the fictivity of the diary-novel. Philippe Lejeune's work on the functioning of autobiography serves as a point of comparison to elucidate the distinctive reading pact involved in this aspect of first-person fiction. The second part analyses the internal communication model: on this intradiegetic level the fictional diarist is narrator, actor, and narrate. In the third part, an abstract model is developed to illustrate the functioning of the fictional journal as a bi-textual form of communication, in which the internal communications process is a mise en abyme of the external one between author, character, and reader. The personal narcissism of the 'intimiste' is seen to give way in the fictional 'journal intime' to narcissistic fiction, since diary-novels are always the narration of the production of a 'recit.' This book is an important investigation into the very nature of fiction and the meaning of the activity of writing. It not only fills an important gap in the appreciation of French prose, but also adds to the comprehension of personal narrative in particular and narrative discourse in general.
Author: Sam Ferguson
Publisher: Oxford University Press
ISBN: 0198814534
Category : Literary Collections
Languages : en
Pages : 264
Get Book
Book Description
An authoritative and original volume on the history of the diary in French writing in the twentieth century with a series of chapter-length studies on works by Andre Gide, Raymond Queneau, Roland Barthes, and Annie Ernaux
Author: Sam Ferguson
Publisher: Oxford University Press
ISBN: 0192545833
Category : Literary Collections
Languages : en
Pages : 256
Get Book
Book Description
This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries—a supposedly private form of writing —would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, André Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'André Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question.
Author: Giancarlo Lombardi
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638538
Category : Literary Criticism
Languages : en
Pages : 204
Get Book
Book Description
In tracing the individual struggles encountered by each single diarist, Lombardi presents, as a result of the juxtaposition of so many different texts, a wider portrayal of women's struggles across five decades and four different national cultures."--BOOK JACKET.
Author: Trevor Field
Publisher: Rowman & Littlefield
ISBN: 9780389208198
Category : Literary Criticism
Languages : en
Pages : 228
Get Book
Book Description
Contents: Definitions: Basic Qualities, Border-line Cases, Formal Objections; History and Evolution; Mimetics: Editorial Functions, External Form, Dates and Days; Verisimilitude: Start to Finish, Likely Stories, Narra-tease?; Parody; The Character of the Diarist: Life Sentences, Daily Mirrors, Now and Then; Appendix A: Titles of diary novels studied in translation; Appendix B: English titles of French diary novels mentioned in the text; Notes; Bibliography; Index^R
Author: Catherine Delafield
Publisher: Routledge
ISBN: 1351871331
Category : Literary Criticism
Languages : en
Pages : 230
Get Book
Book Description
Using private diary writing as her model, Catherine Delafield investigates the cultural significance of nineteenth-century women's writing and reading practices. Beginning with an examination of non-fictional diaries and the practice of diary-writing, she assesses the interaction between the fictional diary and other forms of literary production such as epistolary narrative, the periodical, the factual document and sensation fiction. The discrepancies between the private diary and its use as a narrative device are explored through the writings of Frances Burney, Elizabeth Gaskell, Anne Brontë, Dinah Craik, Wilkie Collins and Bram Stoker. The ideological function of the diary, Delafield suggests, produces a conflict in fictional narrative between that diary's received use as a domestic and spiritual record and its authority as a life-writing opportunity for women. Delafield considers women as writers, readers, and subjects and contextualizes her analysis within nineteenth-century reading practice. She demonstrates ways in which women could becomes performers of their own story through a narrative method which was authorized by their femininity and at the same time allowed them to challenge the myth of domestic womanhood.
Author: R. Steinitz
Publisher: Springer
ISBN: 0230339603
Category : Literary Criticism
Languages : en
Pages : 272
Get Book
Book Description
Through close examinations of diaries, diary publication, and diaries in fiction, this book explores how the diary's construction of time and space made it an invaluable and effective vehicle for the dominant discourses of the period; it also explains how the genre evolved into the feminine, emotive, private form we continue to privilege today.
Author: William H. New
Publisher: University of Toronto Press
ISBN: 1487591160
Category : History
Languages : en
Pages : 524
Get Book
Book Description
This new volume of the Literary History of Canada covers the continuing development of English-Canadian writing from 1972 to 1984. As with the three earlier volumes, this book is an invaluable guide to recent developments in English-Canadian literature and a resource for both the general reader and the specialist researcher. The contributors to this volume are Laurie Ricou, David Jackel, Linda Hutcheon, Philip Stratford, Barry Cameron, Balachandra Rajan, Robert Fothergill, Brian Parker, Cynthia Zimmerman, Frances Frazer, Edith Fowke, Bruce G. Trigger, Alan C. Cairns, Douglas Williams, Carl Berger, Shirley Neuman, Raymond S. Corteen, and Francess G. Halpenny.
Author: Alison Holland
Publisher: Routledge
ISBN: 1351937936
Category : Literary Criticism
Languages : en
Pages : 243
Get Book
Book Description
Alison Holland’s innovative book fills a gap in Beauvoir studies by focusing on the writer’s frequently neglected novels and short stories, L’Invitée, Les Mandarins, Les Belles Images, and La Femme rompue. In illuminating the density and rich complexity of Beauvoir’s style, Holland challenges the often accepted view that Beauvoir’s writing is flat, detached, and controlled, revealing, rather, that her prose is frequently disrupted and inflected by forceful emotion. Holland shows that excess and transgression are intrinsic qualities of the texts, and argues that Beauvoir’s textual strategies duplicate madness in her fiction. Holland’s reading of Beauvoir’s fiction demonstrates the extent to which Beauvoir’s fiction undermines an ideologically patriarchal position on language. Her study is important not only for its re-evaluation of Beauvoir as a fiction writer but for its contribution to the wider debate on madness and literature.
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1736
Get Book
Book Description
