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Author: Dean Milano
Publisher: Arcadia Publishing
ISBN: 9780738577296
Category : History
Languages : en
Pages : 132
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Book Description
This is the story of two decades of the Chicago music scene-the 1960s and 1970s, an incredibly vibrant period in urban and suburban music scenes across the country and throughout the world. Chicago was a major player throughout those decades. It was a time when jazz, rock and roll, country and western, folk, blues, and R & B flowed through the streets of Chicagoland. Much has been written about the national and international talent of that time, but not enough has been written regarding local music scenes. This story focuses on the city of Chicago (along with its suburban club scene) and the homegrown performers who made the 1960s and 1970s one of the most electrifying and memorable periods in music history. Some of those players went all the way to the big time, while others made their mark and disappeared. But they all made a difference in their own way, and for those who were there, it is a time they will never forget.
Author: Dean Milano
Publisher: Arcadia Publishing
ISBN: 9780738577296
Category : History
Languages : en
Pages : 132
Get Book
Book Description
This is the story of two decades of the Chicago music scene-the 1960s and 1970s, an incredibly vibrant period in urban and suburban music scenes across the country and throughout the world. Chicago was a major player throughout those decades. It was a time when jazz, rock and roll, country and western, folk, blues, and R & B flowed through the streets of Chicagoland. Much has been written about the national and international talent of that time, but not enough has been written regarding local music scenes. This story focuses on the city of Chicago (along with its suburban club scene) and the homegrown performers who made the 1960s and 1970s one of the most electrifying and memorable periods in music history. Some of those players went all the way to the big time, while others made their mark and disappeared. But they all made a difference in their own way, and for those who were there, it is a time they will never forget.
Author: Robert Pruter
Publisher: University of Illinois Press
ISBN: 9780252065064
Category : Music
Languages : en
Pages : 364
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Book Description
The Chicago Tribune's Bill Dahl praised Robert Pruter's Doowop for "vividly describ ing] an enchanting time on the local music scene, when a handful of teenagers could taste rock 'n' roll stardom with harmonies they cooked up on a street corner." Pruter foraged sources from fanzines to the Chicago Defender and conducted extensive interviews in cooking up Doowop, which chronicles the careers of such legendary 1950s groups as the Flamingos, the Moonglows, the Spaniels, and the El Dorados, along with virtually every other Chicago doowop group that contributed to that era.
Author: John E. Dugan
Publisher:
ISBN: 9781940430546
Category : Alternative rock music
Languages : en
Pages : 0
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Book Description
Stories, photos, and ephemera contributed by the Empty Bottle's community of fans, performers, and staff over it's 20+ year history.
Author: Steve Krakow
Publisher:
ISBN: 9781940430614
Category : Art
Languages : en
Pages : 200
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Book Description
"Compiles most of [the author's] long-running comic series of the same name, serialized in the largest Chicago alternative weekly, the 'Chicago reader,' every other week, for over a decade"--An author's not
Author: Andy Bennett
Publisher: Vanderbilt University Press
ISBN: 9780826514516
Category : Popular music
Languages : en
Pages : 284
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Book Description
While more than 80 percent of the world's commercial music is controlled by four multinational firms, most music is made and enjoyed in diverse situations divorced from such corporate behemoths. These fourteen original essays examine the fascinating world of "music scenes," those largely inconspicuous sites where clusters of musicians, producers, and fans explore their common musical tastes and distinctive lifestyle choices. Although most music scenes come and go with hardly a trace, they nevertheless give immense satisfaction to their participants, and a few - New York bop jazz, Merseybeat, Memphis rockabilly, London punk, Bronx hiphop - achieve fame and spur musical innovations. To date, serious study of the scenes phenomenon has focused mainly on specific music scenes while paying less attention to recurrent dynamics of scene life, such as how individuals construct and negotiate scenes to the various activities. This volume remedies that neglect. The editors distinguish between three types of scenes - local, translocal, and virtual - which provide the organizing framework for the essays. Aspects of local scenes, which are confined to specific areas, are explored through essays on Chicago blues, rave, karaoke, teen pop, and salsa. The section on translocal scenes, which involve the coming together of scattered local scenes around a particular type of music and lifestyle, includes articles on Riot Grrrls, goths, art music, and anarcho-punk. Aspects of virtual scenes, in which fans communicate via the internet, are illustrated using alternative country, the Canterbury sound, postrock, and Kate Bush fans. Also included is an essay that shows how the social conditions in places where jazz was made influenced that music's development.
Author: Raeburn Flerlage
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
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Book Description
Including over 200 of Flerlage's photographs of folk musicians during the 1960s, Chicago Folk presents a stunning portrait of a vibrant urban folk milieu. Featuring popular performers such as Bob Dylan and Joan Baez, as well as old and new traditional musicians like the New Lost City Ramblers and other blues, bluegrass, old-time, Cajun and gospel performers who appeared in Chicago, these images capture the broad scope of folk musicians who were part and parcel of the 1960s folk music revival in Chicago and elsewhere.
Author: Fabian Holt
Publisher: University of Chicago Press
ISBN: 0226350401
Category : Music
Languages : en
Pages : 224
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Book Description
The popularity of the motion picture soundtrack O Brother, Where Art Thou? brought an extraordinary amount of attention to bluegrass, but it also drew its share of criticism from some aficionados who felt the album’s inclusion of more modern tracks misrepresented the genre. This soundtrack, these purists argued, wasn’t bluegrass, but “roots music,” a new and, indeed, more overarching category concocted by journalists and marketers. Why is it that popular music genres like these and others are so passionately contested? And how is it that these genres emerge, coalesce, change, and die out? In Genre in Popular Music, Fabian Holt provides new understanding as to why we debate music categories, and why those terms are unstable and always shifting. To tackle the full complexity of genres in popular music, Holt embarks on a wide-ranging and ambitious collection of case studies. Here he examines not only the different reactions to O Brother, but also the impact of rock and roll’s explosion in the 1950s and 1960s on country music and jazz, and how the jazz and indie music scenes in Chicago have intermingled to expand the borders of their respective genres. Throughout, Holt finds that genres are an integral part of musical culture—fundamental both to musical practice and experience and to the social organization of musical life.
Author: Karen Hanson
Publisher: Lake Claremont Press
ISBN: 9781893121195
Category : Music
Languages : en
Pages : 266
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Book Description
Profiles dozens of Chicago's blues musicians; discusses the city's blues history; and offers tips on clubs, radio stations, record labels, grave sites, and places of interest to blues fans.
Author: Liz Phair
Publisher: Random House Trade Paperbacks
ISBN: 0525512004
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
The two-time Grammy-nominated singer-songwriter behind the groundbreaking album Exile in Guyville traces her life and career in a genre-bending memoir in stories about the pivotal moments that haunt her. “Honest, original and absolutely remarkable.”—NPR (Best Books of the Year) When Liz Phair shook things up with her musical debut, Exile in Guyville—making her as much a cultural figure as a feminist pioneer and rock star—her raw candor, uncompromising authenticity, and deft storytelling inspired a legion of critics, songwriters, musicians, and fans alike. Now, like a Gen X Patti Smith, Liz Phair reflects on the path she has taken in these piercing essays that reveal the indelible memories that have stayed with her. For Phair, horror is in the eye of the beholder—in the often unrecognized universal experiences of daily pain, guilt, and fear that make up our humanity. Illuminating despair with hope and consolation, tempering it all with her signature wit, Horror Stories is immersive, taking readers inside the most intimate junctures of Phair’s life, from facing her own bad behavior and the repercussions of betraying her fundamental values, to watching her beloved grandmother inevitably fade, to undergoing the beauty of childbirth while being hit up for an autograph by the anesthesiologist. Horror Stories is a literary accomplishment that reads like the confessions of a friend. It gathers up all of our isolated shames and draws them out into the light, uniting us in our shared imperfection, our uncertainty and our cowardice, smashing the stigma of not being in control. But most importantly, the uncompromising precision and candor of Horror Stories transforms these deeply personal experiences into tales about each and every one of us.
Author: Vera Brodsky Lawrence
Publisher: University of Chicago Press
ISBN: 9780226470092
Category : Music
Languages : en
Pages : 756
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Book Description
In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly
