Hollywood Vault

Hollywood Vault PDF Author: Eric Hoyt
Publisher: Univ of California Press
ISBN: 0520282639
Category : Art
Languages : en
Pages : 286

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Book Description
Hollywood Vault is the story of how the business of film libraries emerged and evolved, spanning the silent era to the sale of feature libraries to television. Eric Hoyt argues that film libraries became valuable not because of the introduction of new technologies but because of the emergence and growth of new markets, and suggests that studying the history of film libraries leads to insights about their role in the contemporary digital marketplace. The history begins in the mid-1910s, when the star system and other developments enabled a market for old films that featured current stars. After the transition to films with sound, the reissue market declined but the studios used their libraries for the production of remakes and other derivatives. The turning point in the history of studio libraries occurred during the mid to late 1940s, when changes in American culture and an industry-wide recession convinced the studios to employ their libraries as profit centers through the use of theatrical reissues. In the 1950s, intermediary distributors used the growing market of television to harness libraries aggressively as foundations for cross-media expansion, a trend that continues today. By the late 1960s, the television marketplace and the exploitation of film libraries became so lucrative that they prompted conglomerates to acquire the studios. The first book to discuss film libraries as an important and often underestimated part of Hollywood history, Hollywood Vault presents a fascinating trajectory that incorporates cultural, legal, and industrial history.

Hollywood Vault

Hollywood Vault PDF Author: Eric Hoyt
Publisher: Univ of California Press
ISBN: 0520282639
Category : Art
Languages : en
Pages : 286

Get Book

Book Description
Hollywood Vault is the story of how the business of film libraries emerged and evolved, spanning the silent era to the sale of feature libraries to television. Eric Hoyt argues that film libraries became valuable not because of the introduction of new technologies but because of the emergence and growth of new markets, and suggests that studying the history of film libraries leads to insights about their role in the contemporary digital marketplace. The history begins in the mid-1910s, when the star system and other developments enabled a market for old films that featured current stars. After the transition to films with sound, the reissue market declined but the studios used their libraries for the production of remakes and other derivatives. The turning point in the history of studio libraries occurred during the mid to late 1940s, when changes in American culture and an industry-wide recession convinced the studios to employ their libraries as profit centers through the use of theatrical reissues. In the 1950s, intermediary distributors used the growing market of television to harness libraries aggressively as foundations for cross-media expansion, a trend that continues today. By the late 1960s, the television marketplace and the exploitation of film libraries became so lucrative that they prompted conglomerates to acquire the studios. The first book to discuss film libraries as an important and often underestimated part of Hollywood history, Hollywood Vault presents a fascinating trajectory that incorporates cultural, legal, and industrial history.

The American Theatrical Film

The American Theatrical Film PDF Author: John C. Tibbetts
Publisher: Popular Press
ISBN: 9780879722890
Category : Performing Arts
Languages : en
Pages : 300

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Book Description
This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.

Film and the Working Class

Film and the Working Class PDF Author: Peter Stead
Publisher: Routledge
ISBN: 1317928423
Category : Performing Arts
Languages : en
Pages : 319

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Book Description
Taking the subject chronologically from the 1890s to when the book was initially published in 1989, this book analyses those films specifically concerned with working-class conditions and struggle, and discusses them within the context of the debate on the social significance of the feature film. It concentrates on films which depict labour organizations and political activists, as well as life in working-class communities and actors with working-class identities such as James Cagney. Reviews of the original edition: ‘...fills a gap in film studies...the study of social and labour history, and the development of popular culture in Britain and the United States.’

Nostalgia in Jewish-American Theatre and Film, 1979-2004

Nostalgia in Jewish-American Theatre and Film, 1979-2004 PDF Author: Ben Furnish
Publisher: Peter Lang
ISBN: 9780820461977
Category : Drama
Languages : en
Pages : 206

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Book Description
Nostalgia, a bittersweet yearning for the past, is an important element in Jewish-American performances of the late twentieth century. Numerous plays and films of this time use nostalgia to engage Jewish, including Yiddish, cultural themes and images. Nostalgia offers audiences a window through which to examine past and current social changes. These include American Jews' departure from Europe to America, the city for the suburbs, Yiddish for English, as well as the civil rights, women's, peace, and gay and lesbian movements, and other transformations. These performances illustrate how theatre and film transmit culture from generation to generation and between one ethnic community and the wider American scene.

Jacques Brel is Alive and Well & Living in Paris

Jacques Brel is Alive and Well & Living in Paris PDF Author: Eric Blau
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822219057
Category : Musicals
Languages : en
Pages : 52

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Book Description
THE STORY: The poignant, passionate and profound songs of Belgian songwriter Jacques Brel are brought to vivid theatrical life in this intense musical experience. Brel's legendary romance, humor and moral conviction are evoked simply and directly, with fo

Within Our Gates

Within Our Gates PDF Author: Alan Gevinson
Publisher: Univ of California Press
ISBN: 9780520209640
Category : Minorities in motion pictures
Languages : en
Pages : 1588

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Book Description
"[These volumes] are endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.

A History of the American Film

A History of the American Film PDF Author: Christopher Durang
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 170

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Book Description
A comedy musical about American films in the 1930s to 1950s with a satirical movie scenario. Includes parodies from many Hollywood genres-- a silent tearjerker, slum idyll, gangster epic, courtroom melodrama, chain gang social justice thriller, screwball comedy, Busby Berkeley backstage musical, war propaganda canteen musical-- not to forget "Casablanca, " "Citizen Kane" and a variety of minor genres.

Independent Feature Film Production

Independent Feature Film Production PDF Author: Gregory Goodell
Publisher: Macmillan
ISBN: 9780312304621
Category : Performing Arts
Languages : en
Pages : 356

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Book Description
Original publication and copyright date: 1982.

A Delicate Balance

A Delicate Balance PDF Author: Edward Albee
Publisher: Abrams
ISBN: 1468307517
Category : Drama
Languages : en
Pages : 136

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Book Description
Visitors cause trouble for a pair of suburbanites in this Pulitzer Prize–winning play by the author of Who’s Afraid of Virginia Woolf?. Wealthy middle-aged couple Agnes and Tobias have their complacency shattered when their longtime friends Harry and Edna appear at their doorstep. Claiming an encroaching, nameless “fear” has forced them from their own home, these neighbors bring a firestorm of doubt, recrimination and ultimately solace, upsetting the “delicate balance” of Agnes and Tobias’s household . . . In recent years, A Delicate Balance has enjoyed many and new stunning revivals, running now, including a Broadway production in 1996, which won the Tony Award for Best Revival, and another at the Alameida Theatre in London in 2011. “Theatrical fireworks.” —The New York Times

Screening Race in American Nontheatrical Film

Screening Race in American Nontheatrical Film PDF Author: Allyson Nadia Field
Publisher: Duke University Press
ISBN: 1478005602
Category : Performing Arts
Languages : en
Pages : 320

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Book Description
Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed—for various purposes and intentions—the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it. Contributors. Crystal Mun-hye Baik, Jasmyn R. Castro, Nadine Chan, Mark Garrett Cooper, Dino Everett, Allyson Nadia Field, Walter Forsberg, Joshua Glick, Tanya Goldman, Marsha Gordon, Noelle Griffis, Colin Gunckel, Michelle Kelley, Todd Kushigemachi, Martin L. Johnson, Caitlin McGrath, Elena Rossi-Snook, Laura Isabel Serna, Jacqueline Najuma Stewart, Dan Streible, Lauren Tilton, Noah Tsika, Travis L. Wagner, Colin Williamson