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Author: Suki Schorer
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 456
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Book Description
George Balanchine was one of the greatest choreographers in the history of ballet. Written by a leading teacher at the School of American Ballet who is also one of Balanchine''s former dancers, this is a highly detailed book on the master''s technique.'
Author: Suki Schorer
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 456
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Book Description
George Balanchine was one of the greatest choreographers in the history of ballet. Written by a leading teacher at the School of American Ballet who is also one of Balanchine''s former dancers, this is a highly detailed book on the master''s technique.'
Author: Suki Schorer
Publisher: Workman Publishing
ISBN: 9780761137955
Category : Juvenile Nonfiction
Languages : en
Pages : 104
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Book Description
Presents advice for young ballet students, including practicing etiquette and grooming, finding a balance between mind and body, maintaining focus, developing patience, and fostering an attitude of generosity in dancing for audiences.
Author: Barbara Walczak
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
This work is a technical explanation of the stylistic approach that George Balanchine taught in New York City between 1940 and 1960, as recorded by two prominent dancers who studied with him at the time.
Author: Nancy Goldner
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 156
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Book Description
The literature on Balanchine is vast, but it is primarily biographical. Balanchine Variations is the first book to concentrate on the ballets themselves, providing critical analysis and detailed descriptions of what the dancers actually do. Beginning with Apollo (1928), Balanchine's first extant work, and ending with one of his last ballets, Ballo della Regina (1978), Nancy Goldner offers detailed insights into more than twenty individual ballets. Based on lectures given across the United States, under the auspices of the Balanchine Foundation, they are intended to illuminate his art. Goldner discusses the history of each ballet, places each in the context of Balanchine's life and sensibility. She also addresses his taste in music and whether his style can be considered particularly American. The ballets Balanchine choreographed for the New York City Ballet are danced by companies around the world, and this innovative book is sure to become an indispensable guide to dancers and spectators alike.
Author: Elizabeth Kattner
Publisher: University Press of Florida
ISBN: 0813057663
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Ever since George Balanchine arrived on the American dance scene in 1933, his revolutionary, fleet-footed repertoire has been immortalized in the ballet canon. Yet most of the works he created in Russia as a budding choreographer have been lost to history—until now. In the first book to focus exclusively on Balanchine’s Russian ballets, Elizabeth Kattner offers new insights into the artistic evolution of a legend through her reconstruction of his first group ballet, Funeral March. Drawing on more than a decade of research conducted in archives in the United States and Europe, Kattner synthesizes textual descriptions, photographs, musical scores, and the comparative study of other early Balanchine ballets in order to re-create this forgotten work. By interpreting and building upon these historical findings in the studio and in performance, this project enables dance history to be experienced kinesthetically. Addressing the controversy surrounding whether unrecorded dances should be reconstructed in the first place, Kattner meticulously describes her research methodologies, providing a valuable resource for other scholars seeking to revive history in this way. Finding Balanchine’s Lost Ballets enriches our understanding of Balanchine’s development as a choreographer through its ambitious, original approach to the subject. Kattner argues for the importance of dance reconstruction, when correctly approached, as a tool for reimagining the past and charting the future possibilities of dance history research.
Author:
Publisher: Eakins Press Foundation/Ballet Society
ISBN: 9780871301000
Category : Ballet dancers
Languages : en
Pages : 36
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Book Description
In 1961, Nancy Lassalle, long-time ballet patron and associate of Lincoln Kirstein, co-founder of the New York City Ballet, was given permission to photograph a two-day teacher seminar led by George Balanchine at the School of American Ballet in New York City. The nonprofit workshop was intended to elevate the level of ballet education across the United States by inviting teachers from around the country to learn directly from the master of dance. Published for the first time in this slender but exquisitely designed and printed softcover catalog are 14 of Lassalles duotone photographs capturing Balanchine demonstrating various ballet positions, his command of the art and his desire to share that knowledge. The intimate images offer a rare behind-the-scenes glimpse of a pivotal moment in the history of American dance. Comments under each image along with a detailed essay by Suki Schorer reveal her deep knowledge of Balanchines teaching and working years.
Author: Jacques D'Amboise
Publisher: Knopf
ISBN: 0307595234
Category : Biography & Autobiography
Languages : en
Pages : 465
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Book Description
“Who am I? I’m a man; an American, a father, a teacher, but most of all, I am a person who knows how the arts can change lives, because they transformed mine. I was a dancer.” In this rich, expansive, spirited memoir, Jacques d’Amboise, one of America’s most celebrated classical dancers, and former principal dancer with the New York City Ballet for more than three decades, tells the extraordinary story of his life in dance, and of America’s most renowned and admired dance companies. He writes of his classical studies beginning at the age of eight at The School of American Ballet. At twelve he was asked to perform with Ballet Society; three years later he joined the New York City Ballet and made his European debut at London’s Covent Garden. As George Balanchine’s protégé, d’Amboise had more works choreographed on him by “the supreme Ballet Master” than any other dancer, among them Tchaikovsky Pas de Deux; Episodes; A Midsummer’s Night’s Dream; Jewels; Raymonda Variations. He writes of his boyhood—born Joseph Ahearn—in Dedham, Massachusetts; his mother (“the Boss”) moving the family to New York City’s Washington Heights; dragging her son and daughter to ballet class (paying the teacher $7.50 from hats she made and sold on street corners, and with chickens she cooked stuffed with chestnuts); his mother changing the family name from Ahearn to her maiden name, d’Amboise (“It’s aristocratic. It has the ‘d’ apostrophe. It sounds better for the ballet, and it’s a better name”). We see him. a neighborhood tough, in Catholic schools being taught by the nuns; on the streets, fighting with neighborhood gangs, and taking ten classes a week at the School of American Ballet . . . being taught professional class by Balanchine and by other teachers of great legend: Anatole Oboukhoff, premier danseur of the Maryinsky; and Pierre Vladimiroff, Pavlova’s partner. D’Amboise writes about Balanchine’s succession of ballerina muses who inspired him to near-obsessive passion and led him to create extraordinary ballets, dancers with whom d’Amboise partnered—Maria Tallchief; Tanaquil LeClercq, a stick-skinny teenager who blossomed into an exquisite, witty, sophisticated “angel” with her “long limbs and dramatic, mysterious elegance . . .”; the iridescent Allegra Kent; Melissa Hayden; Suzanne Farrell, who Balanchine called his “alabaster princess,” her every fiber, every movement imbued with passion and energy; Kay Mazzo; Kyra Nichols (“She’s perfect,” Balanchine said. “Uncomplicated—like fresh water”); and Karin von Aroldingen, to whom Balanchine left most of his ballets. D’Amboise writes about dancing with and courting one of the company’s members, who became his wife for fifty-three years, and the four children they had . . . On going to Hollywood to make Seven Brides for Seven Brothers and being offered a long-term contract at MGM (“If you’re not careful,” Balanchine warned, “you will have sold your soul for seven years”) . . . On Jerome Robbins (“Jerry could be charming and complimentary, and then, five minutes later, attack, and crush your spirit—all to see how it would influence the dance movements”). D’Amboise writes of the moment when he realizes his dancing career is over and he begins a new life and new dream teaching children all over the world about the arts through the magic of dance. A riveting, magical book, as transformative as dancing itself.
Author: Rory Foster
Publisher:
ISBN: 9780813034591
Category : Ballet
Languages : en
Pages : 0
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Book Description
Rory Foster argues that it isn't sufficient for a ballet teacher to be well versed in technique; they must also know how to utilize pedagogial skills.
Author: Deirdre Kelly
Publisher: Greystone Books Ltd
ISBN: 1771640006
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Throughout her history, the ballerina has been perceived as the embodiment of beauty and perfection--the feminine ideal. But the reality is another story. From the earliest ballerinas in the 17th century--who often led double lives as concubines--through the poverty of the corps de ballet dancers in the 1800's and the anorexic and bulimic ballerinas of George Balanchine, starvation and exploitation have plagued ballerinas throughout history. Using the stories of great dancers such as Anna Pavlova, Isadora Duncan, Suzanne Farrell, Gelsey Kirkland, Evelyn Hart, Marie Camargo, and Misty Copeland, Deirdre Kelly exposes the true rigors for women in ballet. She rounds her critique with examples of how the world of ballet is slowly evolving for the better. But to ensure that this most graceful of dance forms survives into the future, she says that the time has come to rethink ballet, to position the ballerina at its center and accord her the respect she deserves.
Author: Mindy Aloff
Publisher: Oxford University Press, USA
ISBN: 0195054113
Category : Biography & Autobiography
Languages : en
Pages : 286
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Book Description
A collection of stories that aim to capture the boundless variety and richness of dance as an art, a tradition, a profession, an obsession, and an ideal.
