Author: Joseph N. Straus
Publisher: Cambridge University Press
ISBN: 9780521602884
Category : Music
Languages : en
Pages : 284
Book Description
The first book to be devoted to the music of Stravinsky's last compositional period.
Stravinsky's Late Music
Stravinsky
Author: Eric Walter White
Publisher: Univ of California Press
ISBN: 9780520039858
Category : Biography & Autobiography
Languages : en
Pages : 664
Book Description
In the second edition of the definitive account of Igor Stravinsky's life and work, arranged in two separate sections, Eric Walter White revised the whole book, completing the biographical section by taking it up to Stravinsky's death in 1971. To the list of works, the author added some early pieces that have recently come to light, as well as the late compositions, including the Requiem Canticles and The Owl and the Pussycat. Four more of Stravinsky's own writings appear in the Appendices, and there are several important additions to the bibliography.
Publisher: Univ of California Press
ISBN: 9780520039858
Category : Biography & Autobiography
Languages : en
Pages : 664
Book Description
In the second edition of the definitive account of Igor Stravinsky's life and work, arranged in two separate sections, Eric Walter White revised the whole book, completing the biographical section by taking it up to Stravinsky's death in 1971. To the list of works, the author added some early pieces that have recently come to light, as well as the late compositions, including the Requiem Canticles and The Owl and the Pussycat. Four more of Stravinsky's own writings appear in the Appendices, and there are several important additions to the bibliography.
Stravinsky the Music-maker
Author: Hans Keller
Publisher: Boydell & Brewer Ltd
ISBN: 0907689698
Category : Biography & Autobiography
Languages : en
Pages : 244
Book Description
Hans Keller's text and Milein Cosman's vibrant illustrations combine to produce a unique and enlightening book on Stravinsky. Stravinsky the Music-Maker is the third incarnation of a book that has been greeted with superlatives on each previous appearance. Hans Keller and Milein Cosman collaborated down the decades of their married life, Keller'spen analysing music, Cosman's catching its makers at work. Stravinsky was a source of fascination for them both, and their Stravinsky at Rehearsal appeared in 1962, to be expanded, two decades later, as Stravinsky Seen and Heard. Stravinsky the Music-Maker offers the most generous compilation of their work yet: it includes Keller's complete articles on Stravinsky, written between 1954 and 1980, and augments Cosman's celebrated prints and drawings with a number not previously published. The introduction, by the composer Hugh Wood, sites the Keller-Cosman partnership in the framework of the British musical life they enriched. HANS KELLER (1919-85) fled Austria in1938 and became a commanding critical voice in British music journalism and on the BBC from the end of the war until his death. He is the author of numerous books, many illustrated by his wife Milein Cosman, including Criticism (Faber), The Great Haydn String Quartets (Dent), Essays on Music (CUP), Jerusalem Diary, Film Music and Beyond and Music and Psychology (all Plumbago). A critic of insight and integrity throughout his life, he remains a powerful influence to this day.
Publisher: Boydell & Brewer Ltd
ISBN: 0907689698
Category : Biography & Autobiography
Languages : en
Pages : 244
Book Description
Hans Keller's text and Milein Cosman's vibrant illustrations combine to produce a unique and enlightening book on Stravinsky. Stravinsky the Music-Maker is the third incarnation of a book that has been greeted with superlatives on each previous appearance. Hans Keller and Milein Cosman collaborated down the decades of their married life, Keller'spen analysing music, Cosman's catching its makers at work. Stravinsky was a source of fascination for them both, and their Stravinsky at Rehearsal appeared in 1962, to be expanded, two decades later, as Stravinsky Seen and Heard. Stravinsky the Music-Maker offers the most generous compilation of their work yet: it includes Keller's complete articles on Stravinsky, written between 1954 and 1980, and augments Cosman's celebrated prints and drawings with a number not previously published. The introduction, by the composer Hugh Wood, sites the Keller-Cosman partnership in the framework of the British musical life they enriched. HANS KELLER (1919-85) fled Austria in1938 and became a commanding critical voice in British music journalism and on the BBC from the end of the war until his death. He is the author of numerous books, many illustrated by his wife Milein Cosman, including Criticism (Faber), The Great Haydn String Quartets (Dent), Essays on Music (CUP), Jerusalem Diary, Film Music and Beyond and Music and Psychology (all Plumbago). A critic of insight and integrity throughout his life, he remains a powerful influence to this day.
Stravinsky's Piano
Author: Graham Griffiths
Publisher: Cambridge University Press
ISBN: 0521191785
Category : Biography & Autobiography
Languages : en
Pages : 355
Book Description
An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.
Publisher: Cambridge University Press
ISBN: 0521191785
Category : Biography & Autobiography
Languages : en
Pages : 355
Book Description
An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.
The American Stravinsky
Author: Gayle Murchison
Publisher: University of Michigan Press
ISBN: 0472099841
Category : Biography & Autobiography
Languages : en
Pages : 304
Book Description
divdivThe first study to show Copland's style development from his early works through his first widely accessible ballet/DIV/DIV
Publisher: University of Michigan Press
ISBN: 0472099841
Category : Biography & Autobiography
Languages : en
Pages : 304
Book Description
divdivThe first study to show Copland's style development from his early works through his first widely accessible ballet/DIV/DIV
The Apollonian Clockwork
Author: Louis Andriessen
Publisher: Amsterdam University Press
ISBN: 9053568565
Category : Music
Languages : en
Pages : 315
Book Description
The one book about Stravinsky Stravinsky would have liked. Richard Taruskin.
Publisher: Amsterdam University Press
ISBN: 9053568565
Category : Music
Languages : en
Pages : 315
Book Description
The one book about Stravinsky Stravinsky would have liked. Richard Taruskin.
Stravinsky
Author: Eric Walter White
Publisher: Courier Corporation
ISBN: 9780486297552
Category : Music
Languages : en
Pages : 212
Book Description
Fascinating critical and biographical portrait of famed 20th-century composer includes commentary on the evolution of such masterworks as The Firebird, Petrouchka, Le Sacre du Printemps, Pulcinella, and Histoire du Soldat.
Publisher: Courier Corporation
ISBN: 9780486297552
Category : Music
Languages : en
Pages : 212
Book Description
Fascinating critical and biographical portrait of famed 20th-century composer includes commentary on the evolution of such masterworks as The Firebird, Petrouchka, Le Sacre du Printemps, Pulcinella, and Histoire du Soldat.
Poetics Of Music In The Form Of Six Lessons
Author: Igor Stravinsky
Publisher: Read Books Ltd
ISBN: 1447493095
Category : Music
Languages : en
Pages : 152
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Publisher: Read Books Ltd
ISBN: 1447493095
Category : Music
Languages : en
Pages : 152
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Building Blocks
Author: Gretchen Horlacher
Publisher: Oxford University Press
ISBN: 0195370864
Category : Music
Languages : en
Pages : 233
Book Description
Yet, from the perspective of his later works, the static and discontinuous depictions of Stravinsky's music seem incomplete and perhaps even simplistic. The "building blocks" of his novel textures often consist of tunes with identifiable intervallic shapes, goal pitches, and defining durational patterns-organizations that engender continuity and connection. In other words, although its basic materials are combined into new, often dissonant and usually repetitive textures, those materials still originate in, and depend upon, traditional concepts of melody, harmony, and pulsation. Presenting an innovative analytical model for Stravinsky's compositions, Building Blocks seeks a fuller perspective, and enables a fresh, insightful approach to this music and the theoretical constructs behind it.
Publisher: Oxford University Press
ISBN: 0195370864
Category : Music
Languages : en
Pages : 233
Book Description
Yet, from the perspective of his later works, the static and discontinuous depictions of Stravinsky's music seem incomplete and perhaps even simplistic. The "building blocks" of his novel textures often consist of tunes with identifiable intervallic shapes, goal pitches, and defining durational patterns-organizations that engender continuity and connection. In other words, although its basic materials are combined into new, often dissonant and usually repetitive textures, those materials still originate in, and depend upon, traditional concepts of melody, harmony, and pulsation. Presenting an innovative analytical model for Stravinsky's compositions, Building Blocks seeks a fuller perspective, and enables a fresh, insightful approach to this music and the theoretical constructs behind it.
Conversations with Igor Stravinsky
Author: Robert Craft
Publisher: Faber & Faber
ISBN: 0571308791
Category : Music
Languages : en
Pages : 163
Book Description
Conversations with Igor Stravinsky is the first of the celebrated series of conversation books in which Stravinsky, prompted by Robert Craft, reviewed his long and remarkable life. The composer brings the Imperial Russia of his childhood vividly into focus, at the same time scanning what were at the time the brave new horizons of Boulez and Stockhausen with extraordinary acuity. Stravinsky answers searching questions about his musical development and recalls his association with Diaghilev and the Russian Ballet. There are sympathetic and extraordinarily illuminating reminiscences of such composers as Debussy and Ravel ('the only musicians who immediately understood Le Sacre du Printemps'), while mischievous squibs are directed at others, most notably perhaps against Richard Strauss, all of whose operas Stravinsky wished 'to admit ... to whichever purgatory punishes triumphant banality'. The conversations are by no means confined to musical subjects, ranging uninhibitedly across all the arts: Stravinsky gives unforgettable sketches of Ibsen, Rodin, Proust, Giacometti, Dylan Thomas and T S Eliot. 'The conversations between Igor Stravinsky and Robert Craft are unique in musical history. The penetration of Craft's questions and the patience and detail of Stravinsky's answers combine to produce an intimate picture of a man who has sometimes puzzled, often delighted, and always intrigued ...' The Sunday Times
Publisher: Faber & Faber
ISBN: 0571308791
Category : Music
Languages : en
Pages : 163
Book Description
Conversations with Igor Stravinsky is the first of the celebrated series of conversation books in which Stravinsky, prompted by Robert Craft, reviewed his long and remarkable life. The composer brings the Imperial Russia of his childhood vividly into focus, at the same time scanning what were at the time the brave new horizons of Boulez and Stockhausen with extraordinary acuity. Stravinsky answers searching questions about his musical development and recalls his association with Diaghilev and the Russian Ballet. There are sympathetic and extraordinarily illuminating reminiscences of such composers as Debussy and Ravel ('the only musicians who immediately understood Le Sacre du Printemps'), while mischievous squibs are directed at others, most notably perhaps against Richard Strauss, all of whose operas Stravinsky wished 'to admit ... to whichever purgatory punishes triumphant banality'. The conversations are by no means confined to musical subjects, ranging uninhibitedly across all the arts: Stravinsky gives unforgettable sketches of Ibsen, Rodin, Proust, Giacometti, Dylan Thomas and T S Eliot. 'The conversations between Igor Stravinsky and Robert Craft are unique in musical history. The penetration of Craft's questions and the patience and detail of Stravinsky's answers combine to produce an intimate picture of a man who has sometimes puzzled, often delighted, and always intrigued ...' The Sunday Times