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Author: Stephanie Nolen
Publisher: Simon and Schuster
ISBN: 9781451603897
Category : History
Languages : en
Pages : 384
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Book Description
A fascinating literary detective story charting the surprising, true history of a recently discovered painting of Shakespeare held by the same family for 400 years -- adding new drama to the Bard's life. When author Stephanie Nolen reported the discovery of the only portrait of William Shakespeare painted while he was alive, the announcement ignited furious controversy around the world. Now, in this provocative biography of the portrait, she tells the riveting story of how a rare image of the young Bard at thirty-nine came to reside in the suburban home of a retired engineer, whose grandmother kept the family treasure under her bed, and how he embarked on authenticating it. The ultimate Antiques Roadshow dream, the portrait has been confirmed by six years of painstaking forensic studies to date from around 1600, and it has not been altered since.
Author: Stephanie Nolen
Publisher: Simon and Schuster
ISBN: 9781451603897
Category : History
Languages : en
Pages : 384
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Book Description
A fascinating literary detective story charting the surprising, true history of a recently discovered painting of Shakespeare held by the same family for 400 years -- adding new drama to the Bard's life. When author Stephanie Nolen reported the discovery of the only portrait of William Shakespeare painted while he was alive, the announcement ignited furious controversy around the world. Now, in this provocative biography of the portrait, she tells the riveting story of how a rare image of the young Bard at thirty-nine came to reside in the suburban home of a retired engineer, whose grandmother kept the family treasure under her bed, and how he embarked on authenticating it. The ultimate Antiques Roadshow dream, the portrait has been confirmed by six years of painstaking forensic studies to date from around 1600, and it has not been altered since.
Author: Professor James A Knapp
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472415795
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
As contributors to this volume prove, Shakespeare’s language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare’s treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare’s England.
Author: Stephanie Nolen
Publisher: Vintage Canada
ISBN: 0307366510
Category : Art
Languages : en
Pages : 388
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Book Description
On May 11, 2001, Globe and Mail reporter Stephanie Nolen announced a stunning discovery to the world: an attractive portrait held by an Ontario family for twelve generations, which may well be the only known portrait of Shakespeare painted during his lifetime. Shakespeare’s Face is the biography of a portrait — a literary mystery story — and the furious debate that has ensued since its discovery. A slip of paper affixed to the back proclaims “Shakespere. This likeness taken 1603, Age at that time 39 ys.” But is it really Shakespeare who peers at us from the small oil on wood painting? The twinkling eyes, reddish hair, and green jacket are not in keeping with the duller, traditional images of the bard. But they are more suggestive of the humorous and humane man who wrote the greatest plays in the English language. Shakespeare’s Face tells the riveting story of how the painting came to reside in the home of a retired engineer in a mid-sized Ontario town. The painting is reputed to be by John Sanders of Worcester, England. As a retirement project, the engineer, whose grandmother kept the family treasure under her bed, embarked on authenticating the portrait: the forensic analyses that followed have proven it without doubt to the period. In a remarkable publishing coup, Knopf Canada has gathered around Stephanie Nolen’s story a group of the world’s leading Shakespeare scholars and art and cultural historians to delve into one of the most fascinating literary mysteries of our times: “Is this the face of genius?” Excerpt from Chapter 1 of Shakespeare’s Face by Stephanie Nolen By the late afternoon I was beginning to go a little cross-eyed. I had examined countless documents and read the test results from the painting’s painstaking forensic analysis. I now had everything I needed to write my story — except for one crucial item. “Is he here?” I asked, almost in a whisper.... The owner laid the package carefully on the cluttered table. He gently pulled back the kraft paper wrapping, underneath which was a layer of bubble wrap. Then he peeled back this second layer to reveal his treasure. I was caught off-guard by how small the portrait was — and how vivid. The colours in the paint seemed too rich to be 400 years old. Except for the hairline cracks in the varnish, the face could have been painted yesterday. And there was nothing austere or haughty about it, nothing of the great man being painted for posterity. It was a rogue’s face, a charmer’s face that looked back at me with a tolerant, mischievous slightly world-weary air.... It was painted on two pieces of solid board so expertly joined that the seam was barely visible. A date, “Ano 1603”, was painted in small red letters in the top right hand corner. The right side had been nibbled by woodworms.... I stood and gazed, quelling an instinctive urge to pick the portrait up and hold it in my hands. And as my professional skepticism crumpled for a moment, I found myself wanting desperately to believe that this was indeed Shakespeare’s face.
Author: Stephanie Nolen
Publisher: Piatkus Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 408
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Book Description
Shakespeare's Face is a detective story, one that blends investigative journalism, forensic analysis and scholarship in an attempt to solve one of the most fascinating literary and art mysteries of our time - 'Is this the face of genius?'In May 2001 Stephanie Nolen reported the discovery of a painting that may be the only known portrait of William Shakespeare painted during his lifetime. - a stunning announcement that ignited heated debate around the world.In Shakespeare's Face she tells the extraordinary story: how the painting came to reside in the home of a retired Canadian engineer (whose grandmother had kept the family treasure under her bed) and how he set about painstakingly authenticating the portrait despite all setbacks. And an unparalleled international cast of experts in art and literature spiritedly weighs the evidence for and against the 'Sanders portrait'.The face in the small oil-on-wood painting is an attractive one: mischievous, keen-eyed, enigmatic - not the 'bladder-faced burgher', disparaged by Mark Twain, taken from images of the playwright created after his death. The smile is suggestive, for many, of the humorous, humane man who wrote the greatest plays in the English language. Is it really him?
Author: William Page
Publisher:
ISBN:
Category :
Languages : en
Pages : 34
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Book Description
Author: Peter Holland
Publisher: Cambridge University Press
ISBN: 9780521050005
Category : Drama
Languages : en
Pages : 372
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Book Description
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies, and of the year's major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. Most volumes of Survey have long been out of print. Backnumbers are gradually being reissued in paperback.
Author: Alfred H. Wall
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author: Henry Halford Vaughan
Publisher:
ISBN:
Category : English drama(Tragedy)
Languages : en
Pages : 650
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Book Description
Author: James A. Knapp
Publisher: Routledge
ISBN: 131705637X
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Throughout his plays, Shakespeare placed an extraordinary emphasis on the power of the face to reveal or conceal moral character and emotion, repeatedly inviting the audience to attend carefully to facial features and expressions. The essays collected here disclose that an attention to the power of the face in Shakespeare’s England helps explain moments when Shakespeare’s language of the self becomes intertwined with his language of the face. As the range of these essays demonstrates, an attention to Shakespeare’s treatment of faces has implications for our understanding of the historical and cultural context in which he wrote, as well as the significance of the face for the ongoing interpretation and production of the plays. Engaging with a variety of critical strands that have emerged from the so-called turn to the body, the contributors to this volume argue that Shakespeare’s invitation to look to the face for clues to inner character is not an invitation to seek a static text beneath an external image, but rather to experience the power of the face to initiate reflection, judgment, and action. The evidence of the plays suggests that Shakespeare understood that this experience was extremely complex and mysterious. By turning attention to the face, the collection offers important new analyses of a key feature of Shakespeare’s dramatic attention to the part of the body that garnered the most commentary in early modern England. By bringing together critics interested in material culture studies with those focused on philosophies of self and other and historians and theorists of performance, Shakespeare and the Power of the Face constitutes a significant contribution to our growing understanding of attitudes towards embodiment in Shakespeare’s England.
Author: Hildegard Hammerschmidt-Hummel
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 212
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Book Description
Offers a convincing solution to the centuries-old problem of the appearance and identity of William Shakespeare and answers previously open questions concerning what made him abandon his celebrated career, and what may have caused his death.
