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Author: Marta Gibińska
Publisher:
ISBN: 9788323324669
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
The essays collected in the present volume are the result of a long-term project. An international group of scholars addressed questions connected with the relation of the changing concepts of history and the status of history in Shakespearean plays in reading and in actual representation on the stage. Especially interesting aspects of the research deal with the transposition of the time and place of Shakespeare's plays to the time and place of their reception within the context of historical awareness; equally fascinating are the studies which up the perspectives of the medieval and Renaissance contexts. Memory and how in operates (or how we operate it) turns out to be an indispensable complement to the research on the literary and dramatic representation of history. The variety of problems and aspects tackled here opens up interesting insights into the diversity of experience of and reflection on history and representation of history in Shakespeare's plays.
Author: Angel-Luis Pujante
Publisher: University of Delaware Press
ISBN: 9780874138122
Category : Drama
Languages : en
Pages : 304
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Book Description
Table of contents
Author: Andrew Hiscock
Publisher: Cambridge University Press
ISBN: 1108830188
Category : Drama
Languages : en
Pages : 301
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Book Description
Andrew Hiscock locates Shakespeare's history plays within debates over the status and function of violence in a nation's culture.
Author: Ladina Bezzola Lambert
Publisher: University of Delaware Press
ISBN: 9780874138603
Category : Drama
Languages : en
Pages : 324
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Book Description
The title of this collection, Shifting the Scene, adapts words from one of the Choruses in Henry V. Its essays try, without denying authority to the text and the theatre, to widen the scene of inquiry to include other institutions, like education, politics, language, and the arts, and to juxtapose the constructions of Shakespeare and his works that have been produced by them. However, as in Henry V, there is also a geographical dimension. The collection goes beyond England and the English-speaking world and focuses on Europe (including Britain). It brings together 17 essays by leading authorities and promising young scholars in the field
Author: Elena Bandín Fuertes
Publisher:
ISBN: 9789027211026
Category :
Languages : en
Pages : 275
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Book Description
This volume argues that a focus on the European reception of Othello represents an important contribution to critical work on the play. The chapters in this volume examine non-anglophone translations and performances, alternative ways of distinguishing between texts, adaptations and versions, as well as differing perspectives on questions of gender and race. Additionally, a European perspective raises key political questions about power and representation in terms of who speaks for and about Othello, within a European context profoundly divided over questions of immigration, religious, ethnic, gender and sexual difference. The volume illustrates the ways in which Othello has been not only a stimulus but also a challenge for European Shakespeares. It makes clear that the history of the play is inseparable from histories of race, religion and gender and that many engagements with the play have reinforced rather than challenged the social and political prejudices of the period.
Author: Lewinter
Publisher:
ISBN: 9780844624631
Category :
Languages : en
Pages :
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Book Description
Author: Jeremy Black
Publisher: Indiana University Press
ISBN: 0253042348
Category : Literary Criticism
Languages : en
Pages : 428
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Book Description
How did it feel to hear Macbeth’s witches chant of "double, double toil and trouble" at a time when magic and witchcraft were as real as anything science had to offer? How were justice and forgiveness understood by the audience who first watched King Lear; how were love and romance viewed by those who first saw Romeo and Juliet? In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare’s plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized. These moments of recognition often reflected the audience’s own experiences of what it was to, as Hamlet says, "grunt and sweat under a weary life." Black’s clear and sweeping approach seeks to reclaim Shakespeare from the ivory tower and make the plays’ histories more accessible to the public for whom the plays were always intended.
Author: Marta Gibińska
Publisher:
ISBN: 9788323324669
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
The essays collected in the present volume are the result of a long-term project. An international group of scholars addressed questions connected with the relation of the changing concepts of history and the status of history in Shakespearean plays in reading and in actual representation on the stage. Especially interesting aspects of the research deal with the transposition of the time and place of Shakespeare's plays to the time and place of their reception within the context of historical awareness; equally fascinating are the studies which up the perspectives of the medieval and Renaissance contexts. Memory and how in operates (or how we operate it) turns out to be an indispensable complement to the research on the literary and dramatic representation of history. The variety of problems and aspects tackled here opens up interesting insights into the diversity of experience of and reflection on history and representation of history in Shakespeare's plays.
Author: Dirk Delabastita
Publisher: Associated University Presse
ISBN: 9780874130041
Category : Literary Criticism
Languages : en
Pages : 398
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Book Description
"This volume's main focus is on the ways in which, over the past 400 years, Shakespeare has played a role of significance within a European framework, particularly where a series of political events and ideologically based developments were concerned, such as the early modern wars of religion, the emergence of "the nation" during the late-eighteenth and nineteenth centuries, the First and Second World Wars, the process of European unification during the 1990s, the attack on the World Trade Center in New York, and Britain's participation in the war in Iraq." "The whole of the collection and particularly the opening section clearly invites a European and even a global perspective." "This book convincingly demonstrates that Shakespeare, both at the level of his meaning in his own time and at that of his reception in later ages, should no longer be studied only in relation to particular nations, but as Dirk Delabastita argues, also at various supranational levels." --Book Jacket.
Author: Nicoleta Cinpoes
Publisher: Bloomsbury Publishing
ISBN: 1350140171
Category : Drama
Languages : en
Pages : 257
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Book Description
From the aftermath of World War II to the convulsions of Brexit, festivals have deployed Shakespeare as a model of inclusive and progressive theatre to seek cultural solutions to Europe's multi-faceted crises. Shakespeare on European Festival Stages is the first book to chart Shakespeare's presence at continental European festivals. It examines the role these festivals play in European socio-cultural exchanges, and the impact festivals make on the wider production and circulation of staged Shakespeare across the continent. This collection offers authoritative, lively and informed accounts of the production of Shakespeare at the following festivals: the Avignon Festival and Le Printemps des comédiens in Montpellier (France), the Almagro festival (Spain), Shakespeare at Four Castles (Czech Republic and Slovakia), the International Shakespeare Festival in Craiova (Romania), the Shakespeare festivals in Elsinore (Denmark), Gdansk (Poland), Gyula (Hungary), Itaka (Serbia), Neuss (Germany), Patalenitsa (Bulgaria), Rome and Verona (Italy). Shakespeare on European Festival Stages is essential reading for students, scholars and practitioners interested in Shakespeare in performance, in translation and in a post-national Shakespeare that knows no borders and belongs to all of Europe.
Author: Zdeněk Stříbrný
Publisher: Oxford Shakespeare Topics
ISBN:
Category : Drama
Languages : en
Pages : 180
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Book Description
Oxford Shakespeare Topics provides students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research. This is the first full account of Shakespeare's impact on the whole of Eastern and East Central Europe up to the present day. Starting with the tours of the English Comedians on the Continent during Shakespeare's lifetime and shortly after his death, it traces their routes as far as Poland (Gd nsk, Warsaw) and the core of the Habsburg Empire (Prague, Vienna, Graz). Later chapters explore the profound Shakespearean influence on Russian drama, literature, and criticism since the 18th centuryTsarina Catherine II's Russian adaptations of Merry Wives and Timon, Tolstoy's attack on King Lear, Stanislavsky's interpretation of Hamlet and Othelloand Shakespeare's major role in the national revivals in Poland, the Czech lands, Slovakia, Hungary, Romania, Slovenia, Croatia, Serbia, and Bulgaria. Chapters on Shakespeare after the Bolshevik revolution and behind the Iron Curtain deal with the appropriation of his plays for political interpretations but also with the ways his humanism became an increasingly inspiring voice of dissent from Stalinist totalitarianism. This book evaluates the Shakespearean achievements of the film-maker Grigori Kozintsev, the poet and translator Boris Pasternak, the composers Sergei Prokofiev and Dmitry Shostakovich, and the stage designer Josef Svoboda as well as the more controversial contributions of the critic Jan Kott and the playwright and director Bertold Brecht.
