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Author: Leo Salingar
Publisher: Cambridge University Press
ISBN: 9780521291132
Category : Drama
Languages : en
Pages : 372
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Book Description
For students of English and European literature, renaissance studies, comparative literature, drama and classics.
Author: Leo Salingar
Publisher: Cambridge University Press
ISBN: 9780521291132
Category : Drama
Languages : en
Pages : 372
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Book Description
For students of English and European literature, renaissance studies, comparative literature, drama and classics.
Author: Alexander Leggatt
Publisher: Cambridge University Press
ISBN: 9780521779425
Category : Drama
Languages : en
Pages : 260
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Book Description
An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.
Author: LEO. SALINGER
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Leo Salingar
Publisher:
ISBN:
Category : Comedy
Languages : en
Pages : 356
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Book Description
Author: Aristophanes
Publisher: Penguin UK
ISBN: 0141959487
Category : Drama
Languages : en
Pages : 383
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Book Description
From the fifth to the second century BC, innovative comedy drama flourished in Greece and Rome. This collection brings together the greatest works of Classical comedy, with two early Greek plays: Aristophanes' bold, imaginative Birds, and Menander's The Girl from Samos, which explores popular contemporary themes of mistaken identity and sexual misbehaviour; and two later Roman comic plays: Plautus' The Brothers Menaechmus - the original comedy of errors - and Terence's bawdy yet sophisticated double love-plot, The Eunuch. Together, these four plays demonstrate the development of Classical comedy, celebrating its richness, variety and extraordinary legacy to modern drama.
Author: Cesar Lombardi Barber
Publisher: Princeton University Press
ISBN: 0691149526
Category : Drama
Languages : en
Pages : 323
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Book Description
In this classic work, acclaimed Shakespeare critic C. L. Barber argues that Elizabethan seasonal festivals such as May Day and Twelfth Night are the key to understanding Shakespeare's comedies. Brilliantly interweaving anthropology, social history, and literary criticism, Barber traces the inward journey--psychological, bodily, spiritual--of the comedies: from confusion, raucous laughter, aching desire, and aggression, to harmony. Revealing the interplay between social custom and dramatic form, the book shows how the Elizabethan antithesis between everyday and holiday comes to life in the comedies' combination of seriousness and levity. "I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction This new edition includes a foreword by Stephen Greenblatt, who discusses Barber's influence on later scholars and the recent critical disagreements that Barber has inspired, showing that Shakespeare's Festive Comedy is as vital today as when it was originally published.
Author: Robert S. Miola
Publisher: OUP Oxford
ISBN:
Category : Drama
Languages : en
Pages : 256
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Book Description
This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert S. Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre. Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical Comedy presents an integrated and comprehensive assessment of the complex interactions of the Classical, Shakespearean, and other Renaissance theatres. Robert S. Miola re-evaluates Plautus and Terence in the light of their Greek antecedents, and gives special attention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramatists such as Middleton, Jonson, Heywood, and Chapman. Four broad categories organize the discussion - New Comedic errors, intrigue, alazoneia (pretension), and romance - and each is illustrated by illuminating readings of individual Shakespearean plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet and King Lear. Robert S. Miola's thoroughly researched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and his foremost antecedents, but also of Renaissance theatre, and its complex adaptations of ancient texts and traditions.
Author: Heather Hirschfeld
Publisher: Oxford University Press
ISBN: 019104346X
Category : Fiction
Languages : en
Pages : 592
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Book Description
The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects that have only relatively recently become pressing concerns for sustained scholarly interrogation, such as ecology, cross-species interaction, and humoral theory. Some contributions, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare's period through the first decades of the twenty-first century. Others still investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. All the chapters offer contemporary perspectives on the plays even as they gesture to critical traditions, and they illuminate as well as challenge some of our most cherished expectations about the ways in which Shakespearean comedy affects its audiences. The Handbook situates these approaches against the long history of criticism and provides a valuable overview of the most up-to-date work in the field.
Author: Sudha Gopalakrishnan
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 184
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Book Description
A comparative study of classical Indian and Western drama with special reference to comedy reveals interesting similarities and differences between the two in respect of aesthetic theory, theatric practice and elements of dramatic composition. The common ground between Western and Sanskrit theatre relates to the use of stage-devices like pantomime, off-stage voices, soliloquy and play within the play, as well as histrionic elements like dance and music, and the exaggerated costume and make up of the characters. But apart from these, Indian drama, as outlined in Natya Sastra and maintained by stage performances through the centuries is markedly different from the Western, because while the latter mostly depends on realistic devices the former is basically a stylized mode of theatre which caters to an idealized audience. In Western drama, the interest of the audience in watching a play lies in the effective rendering of the dialogue, so that the verbal text is of primary value. But in traditional Sanskrit dramatic practice, the actor is encouraged to resort to an elaborate method of improvisation, using vocal and /or gestural expression, supplemented by the appropriate movements of the face and other parts of the body as well as by musical accompaniment. The written text has therefore only a minimal importance here. The method of dramatic composition of the comedies in both Western and Sanskrit traditions also bears striking similarities and divergences. These may be seen in the methods of employing plot, situation and themes as well as in the creation of character and the use of language. In the present study, the comedies of Shakespeare and Bhasa have been selected for closer analysis, because they seem to encompass within their respective spheres a wide variety of levels and interpretations of Western and Indian comedy. The two dramatists also seem to share a common underlying philosophy of comedy, namely, a joyous involvement in the process of living.
Author: Xiaoyang Zhang
Publisher: Associated University Presse
ISBN: 9780874135367
Category : Drama
Languages : en
Pages : 284
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Book Description
The value of the book is not limited to the scope of Shakespeare studies and comparative literature. With the combination of the literary criticism and sociological approach, it describes and investigates a variety of social and psychological phenomena in the process of cultural exchange between the West and the East. The book also provides a brief view of the social, political, and historical changes in modern China for Western readers.
