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Author: Robert Linn
Publisher:
ISBN:
Category : Quartets (Clarinet, flute, guitar, cello)
Languages : en
Pages : 24
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Book Description
Author: Robert Linn
Publisher:
ISBN:
Category : Quartets (Clarinet, flute, guitar, cello)
Languages : en
Pages : 24
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Book Description
Author: Morton Subotnick
Publisher:
ISBN:
Category : Sextets (Piano, clarinet, flute, mandolin, vibraphone, cello)
Languages : en
Pages : 40
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Book Description
Author: Hunter Johnson
Publisher:
ISBN:
Category : Clarinet and flute music
Languages : en
Pages : 16
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Author: Morton Subotnick
Publisher:
ISBN:
Category : Electronic music
Languages : en
Pages : 36
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Book Description
Author: Neil Butterworth
Publisher: Routledge
ISBN: 1136790233
Category : Music
Languages : en
Pages : 1359
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Book Description
The Dictionary of American Classical Composers covers over 650 composers active from the 18th century to today. Covering all classical styles, it offers the most comprehensive overview of key composers in the United States available. Entries include basic biographical information and critical analysis of each composer's key works and ideas. Entries also include worklists and bibliographic information. Whenever possible, the entries will have been checked by the composers themselves to assure greatest possible accuracy. This new edition, completely updated and expanded from the 1984 edition, also includes over 200 historic photographs.
Author: Thea Musgrave
Publisher:
ISBN:
Category : Quintets (Clarinet, flute, harp, viola, cello)
Languages : en
Pages : 54
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Book Description
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Trios (Flute, violin, viola)
Languages : en
Pages : 24
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Book Description
Author: Victor Talking Machine Company
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 346
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Book Description
Author: Bill Alves
Publisher: Indiana University Press
ISBN: 0253026431
Category : Biography & Autobiography
Languages : en
Pages : 603
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Book Description
A biography on the legendary gay American composer of contemporary classical music. American composer Lou Harrison (1917–2003) is perhaps best known for challenging the traditional musical establishment along with his contemporaries and close colleagues: composers John Cage, Aaron Copland, Virgil Thomson, and Leonard Bernstein; Living Theater founder, Judith Malina; and choreographer, Merce Cunningham. Today, musicians from Bang on a Can to Björk are indebted to the cultural hybrids Harrison pioneered half a century ago. His explorations of new tonalities at a time when the rest of the avant-garde considered such interests heretical set the stage for minimalism and musical post-modernism. His propulsive rhythms and ground-breaking use of percussion have inspired choreographers from Merce Cunningham to Mark Morris, and he is considered the godfather of the so-called “world music” phenomenon that has invigorated Western music with global sounds over the past two decades. In this biography, authors Bill Alves and Brett Campbell trace Harrison’s life and career from the diverse streets of San Francisco, where he studied with music experimentalist Henry Cowell and Austrian composer Arnold Schoenberg, and where he discovered his love for all things non-traditional (Beat poetry, parties, and men); to the competitive performance industry in New York, where he subsequently launched his career as a composer, conducted Charles Ives’s Third Symphony at Carnegie Hall (winning the elder composer a Pulitzer Prize), and experienced a devastating mental breakdown; to the experimental arts institution of Black Mountain College where he was involved in the first “happenings” with Cage, Cunningham, and others; and finally, back to California, where he would become a strong voice in human rights and environmental campaigns and compose some of the most eclectic pieces of his career. “Lou Harrison’s avuncular personality and tuneful music coaxed affectionate regard from all who knew him, and that affection is evident on every page of Alves and Campbell’s new biography. Eminently readable, it puts Harrison at the center of American music: he knew everyone important and was in touch with everybody, from mentors like Henry Cowell and Arnold Schoenberg and Charles Ives and Harry Partch and Virgil Thomson to peers like John Cage to students like Janice Giteck and Paul Dresher. He was larger than life in person, and now he is larger than life in history as well.” —Kyle Gann, author of Charles Ives’s Concord: Essays After a Sonata
Author: John Schneider
Publisher: Univ of California Press
ISBN: 9780520040489
Category : Music
Languages : en
Pages : 260
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Book Description
