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Author: Aaron Matz
Publisher: Cambridge University Press
ISBN: 1139488317
Category : Literary Criticism
Languages : en
Pages :
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Book Description
As nineteenth-century realism became more and more intrepid in its pursuit of describing and depicting everyday life, it blurred irrevocably into the caustic and severe mode of literature better named satire. Realism's task of portraying the human became indistinguishable from satire's directive to castigate the human. Introducing an entirely new way of thinking about realism and the Victorian novel, Aaron Matz refers to the fusion of realism and satire as 'satirical realism': it is a mode in which our shared folly and error are so entrenched in everyday life, and so unchanging, that they need no embellishment when rendered in fiction. Focusing on the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, Matz argues that it was the transformation of Victorian realism into satire that granted it immense moral authority, but that led ultimately to its demise.
Author: Aaron Matz
Publisher: Cambridge University Press
ISBN: 1139488317
Category : Literary Criticism
Languages : en
Pages :
Get Book
Book Description
As nineteenth-century realism became more and more intrepid in its pursuit of describing and depicting everyday life, it blurred irrevocably into the caustic and severe mode of literature better named satire. Realism's task of portraying the human became indistinguishable from satire's directive to castigate the human. Introducing an entirely new way of thinking about realism and the Victorian novel, Aaron Matz refers to the fusion of realism and satire as 'satirical realism': it is a mode in which our shared folly and error are so entrenched in everyday life, and so unchanging, that they need no embellishment when rendered in fiction. Focusing on the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, Matz argues that it was the transformation of Victorian realism into satire that granted it immense moral authority, but that led ultimately to its demise.
Author: Amy L. Friedman
Publisher: Rowman & Littlefield
ISBN: 1498571972
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.
Author: Linda M. Austin
Publisher: Cambridge University Press
ISBN: 110842855X
Category : Art
Languages : en
Pages : 281
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Book Description
Shows how the scientific question, 'Are we automata?', was addressed in late nineteenth-century literature and the arts.
Author: Aaron Matz
Publisher: Cambridge University Press
ISBN: 1108839274
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
An expansive study of the novel's moral ambivalence toward procreation, from the nineteenth century through modernism to the present.
Author: Dmitrij Tschižewskij
Publisher: Vanderbilt University Press
ISBN: 9780826511904
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
The nineteenth century was of particular importance to Russian literature. This significant era in Russian letters is now the subject of an incisive critical history by one of the foremost scholars of Slavic literatures in the West.
Author: Devin Griffiths
Publisher: JHU Press
ISBN: 1421420775
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
How did literature shape nineteenth-century science? Erasmus Darwin and his grandson, Charles, were the two most important evolutionary theorists of eighteenth- and nineteenth-century Britain. Although their ideas and methods differed, both Darwins were prolific and inventive writers: Erasmus composed several epic poems and scientific treatises, while Charles is renowned both for his collected journals (now titled The Voyage of the Beagle) and for his masterpiece, The Origin of Species. In The Age of Analogy, Devin Griffiths argues that the Darwins’ writing style was profoundly influenced by the poets, novelists, and historians of their era. The Darwins, like other scientists of the time, labored to refashion contemporary literary models into a new mode of narrative analysis that could address the contingent world disclosed by contemporary natural science. By employing vivid language and experimenting with a variety of different genres, these writers gave rise to a new relational study of antiquity, or “comparative historicism,” that emerged outside of traditional histories. It flourished instead in literary forms like the realist novel and the elegy, as well as in natural histories that explored the continuity between past and present forms of life. Nurtured by imaginative cross-disciplinary descriptions of the past—from the historical fiction of Sir Walter Scott and George Eliot to the poetry of Alfred Tennyson—this novel understanding of history fashioned new theories of natural transformation, encouraged a fresh investment in social history, and explained our intuition that environment shapes daily life. Drawing on a wide range of archival evidence and contemporary models of scientific and literary networks, The Age of Analogy explores the critical role analogies play within historical and scientific thinking. Griffiths also presents readers with a new theory of analogy that emphasizes language's power to foster insight into nature and human society. The first comparative treatment of the Darwins’ theories of history and their profound contribution to the study of both natural and human systems, this book will fascinate students and scholars of nineteenth-century British literature and the history of science.
Author: George Gissing
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 356
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Book Description
Author: Rosalind P. Blakesley
Publisher:
ISBN: 9781609091620
Category :
Languages : en
Pages : 226
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Book Description
Author: Richard Perez
Publisher: Springer Nature
ISBN: 3030398358
Category : Literary Criticism
Languages : en
Pages : 651
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Book Description
The Palgrave Handbook of Magical Realism in the Twenty-First Century examines magical realism in literatures from around the globe. Featuring twenty-seven essays written by leading scholars, this anthology argues that literary expressions of magical realism proliferate globally in the twenty-first century due to travel and migrations, the shrinking of time and space, and the growing encroachment of human life on nature. In this global context, magical realism addresses twenty-first-century politics, aesthetics, identity, and social/national formations where contact between and within cultures has exponentially increased, altering how communities and nations imagine themselves. This text assembles a group of critics throughout the world—the Americas, Europe, Africa, Asia, the Middle East, and Australia—who employ multiple theoretical approaches to examine the different ways magical realism in literature has transitioned to a global practice; thus, signaling a new stage in the history and development of the genre.
Author: Henry B. Wonham
Publisher: Oxford University Press
ISBN: 0190289880
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Why did so many of the writers who aligned themselves with the social and aesthetic aims of American literary realism rely on stock conventions of ethnic caricature in their treatment of immigrant and African-American figures? As a self-described "tool of the democratic spirit," designed to "prick the bubble of abstract types," literary realism would seem to have little in common with the aggressively dehumanizing comic imagery that began to proliferate in magazines and newspapers after the Civil War. Indeed, critics such as Alain Locke hailed realism's potential to accomplish "the artistic emancipation of the Negro," a project that logically extended to other groups systematically misrepresented in the comic imagery of the period. From the influential "Editor's Study" at Harper's Monthly, William Dean Howells touted the democratic impulse of realist imagery as an alternative to romanticism's "pride of caste," which is "averse to the mass of men" and "consents to know them only in some conventionalized and artificial guise." Yet if literary realism pursued the interests of democracy by affirming "the equality of things and the unity of men," why did its major practitioners, including Howells himself, regularly employ comic typification as a feature of their representational practice? Critics have often dismissed such apparent lapses in realist practice as blind spots, vestiges of a genteel social consciousness that failed to keep pace with realism's avowed democratic aspirations. Such explanations are useful to a point, but they overlook the fact that the age of realism in American art and letters was simultaneously the great age of ethnic caricature. Henry B. Wonham argues that these two aesthetic programs, one committed to representation of the fully humanized individual, the other invested in broad ethnic abstractions, operate less as antithetical choices than as complementary impulses, both of which receive full play within the period's most demanding literary and graphic works. The seemingly anomalous presence of gross ethnic abstractions within works by Howells, Twain, James, Wharton, and Chesnutt hints at realism's vexed and complicated relationship with the caricatured ethnic images that played a central role in late nineteenth-century American thinking about race, identity, and national culture. In illuminating that relationship, Playing the Races offers a fresh understanding of the rich literary discourse conceived at the intersection of the realist and the caricatured image.
