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Author: Matt Wolf
Publisher: Hal Leonard Corporation
ISBN: 9780879109820
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
Matt Wolf's book chronicles ten amazing years for the Donmar and for Mendes, combining accounts of numerous productions and extensive interviews with Mendes himself and more than sixty Donmar alumni: Sondheim, Nicole Kidman, Gwyneth Paltrow, Alan Cumming, Helen Mirren, Stephen Dillane and Jennifer Ehle, to name but a few. This celebration of the Donmar's tenth anniversary is full of candid conversation, analyses of its successes as well as its failures, and trenchant behind-the-scenes reporting. It is also the Donmar's farewell to Sam Mendes, who is leaving the theatre to pursue other opportunities on the stage and screen. As director of American Beauty, for which he won an Academy Award, and Road to Perdition, his future is as bright as his past.
Author: Matt Wolf
Publisher: Hal Leonard Corporation
ISBN: 9780879109820
Category : Biography & Autobiography
Languages : en
Pages : 196
Get Book
Book Description
Matt Wolf's book chronicles ten amazing years for the Donmar and for Mendes, combining accounts of numerous productions and extensive interviews with Mendes himself and more than sixty Donmar alumni: Sondheim, Nicole Kidman, Gwyneth Paltrow, Alan Cumming, Helen Mirren, Stephen Dillane and Jennifer Ehle, to name but a few. This celebration of the Donmar's tenth anniversary is full of candid conversation, analyses of its successes as well as its failures, and trenchant behind-the-scenes reporting. It is also the Donmar's farewell to Sam Mendes, who is leaving the theatre to pursue other opportunities on the stage and screen. As director of American Beauty, for which he won an Academy Award, and Road to Perdition, his future is as bright as his past.
Author: Dana P. Rowe
Publisher: Samuel French, Inc.
ISBN: 0573695792
Category : Drama
Languages : en
Pages : 116
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Book Description
5m, 5f (with doubling) / Ints. This girl loves ghoul rock and roll Off Broadway musical is set in the atomic 1950s at Enrico Fermi High, where the law is laid down by a zany, tyrannical principal. Pretty senior Toffee has fallen for the class bad boy. Family pressure forces her to end the romance, and he charges off on his motorcycle to the nuclear waste dump. He returns glowing and determined to reclaim Toffee's heart. He still wants to graduate, but most of all he wants to take Toffee to the
Author: Robert Gordon
Publisher: Oxford University Press
ISBN: 0199988757
Category : Music
Languages : en
Pages : 624
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Book Description
The Oxford Handbook of the British Musical provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's The Beggar's Opera (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from The Boy Friend (1953) to Oliver! (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as Jesus Christ Superstar (1970) and Les Misérables (1980). There is a consideration of "jukebox" musicals such as Mamma Mia! (1999), while essays on overtly political shows such as Billy Elliot (2005) are complemented by those on experimental musicals like Jerry Springer: the Opera (2003) and London Road (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. The Oxford Handbook of the British Musical demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today.
Author: Jami Rogers
Publisher: Bloomsbury Publishing
ISBN: 1350112933
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
Shakespeare is at the heart of the British theatrical tradition, but the contribution of Ira Aldridge and the Shakespearean performers of African, African-Caribbean, south Asian and east Asian heritage who came after him is not widely known. Telling the story for the first time of how Shakespearean theatre in Britain was integrated from the 1960s to the 21st century, this is a timely and important account of that contribution. Drawing extensively on empirical evidence from the British Black and Asian Shakespeare Performance Database and featuring interviews with nearly forty performers and directors, the book chronicles important productions that led to ground-breaking castings of Black and Asian actors in substantial Shakespearean roles including: · Zakes Mokae (Cry Freedom) as one of three black witches in William Gaskill's 1966 production of Macbeth at the Royal Court Theatre. · Norman Beaton as Angelo in Michael Rudman's 1981 production of Measure for Measure at the National Theatre – the first majority Black Shakespearean cast at the theatre. · Josette Simon as Isabella in Measure for Measure at the Royal Shakespeare Company in 1987. · Adrian Lester in the title role of Nicholas Hytner's 2003 production of Henry V. · Iqbal Khan on his 2012 production of Much Ado About Nothing – the first production with an all south Asian cast at the Royal Shakespeare Company. · Alfred Enoch and Rakie Ayola as Edgar and Goneril in Talawa Theatre Company's 2016 production of King Lear · Paapa Essiedu as Hamlet in Simon Godwin's 2016 production for the Royal Shakespeare Company. With first-hand accounts from key performers including Joseph Marcell, Adrian Lester, Josette Simon, Lolita Chakrabarti, Noma Dumezweni, Rakie Ayola, David Yip, Ray Fearon, Paterson Joseph, Alfred Enoch, Rudolph Walker and many more, this book is an invaluable history of Black and Asian Shakespeareans that highlights the gains these actors have made and the challenges still faced in pursuing a career in classical theatre.
Author: Eugene O'Neill
Publisher: Good Press
ISBN:
Category : Drama
Languages : en
Pages : 80
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Book Description
This is a play about Anna Christie, a young woman who, after an illness, decides to spend some time with her father. She hardly knows him, and while she is with him meets and falls in love with a young man called Mat. At this point, divided loyalties and a troubled past are revealed.
Author: Christopher Hampton
Publisher: Samuel French, Inc.
ISBN: 9780573613982
Category : Comedies
Languages : en
Pages : 90
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Book Description
The Prime Minister and his cabinet have been assassinated and England's most treasured writers are being murdered one by one. Back at the university, a bachelor don anguishes over sex, marriage, anagrams and the meaning of life. Written as a response to Molière's 'The Misanthrope' and first performed at the Royal Court in 1970, this biting 'bourgeois comedy' examines the empty, insular lives of college intellectuals.
Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521535922
Category : Drama
Languages : en
Pages : 100
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Book Description
Provides an international forum where theatrical scholarship and practice can meet.
Author: Geraldine Brodie
Publisher: Bloomsbury Publishing USA
ISBN: 1501322125
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
In today's theatre, productions of plays that originated in another language are frequently distinguished by two characteristics: the authorship of the English text by a well-known local theatre specialist, and the absence of the term 'translation'-generally in favour of 'adaptation' or 'version'. The Translator on Stage investigates the creative processes that bring translated plays to the mainstream stage, exploring the commissioning, translation and development procedures that end with a performed play. Through a sample of eight plays that span two thousand years and six languages-including Festen, Don Carlos, Hedda Gabler and The UN Inspector-and that were all staged within a three-month period, Geraldine Brodie brings in a wide range of theatre practitioners to discuss their roles in the translation process and the motivations that govern London theatre translation activities. The Translator on Stage is informed by specially conducted interviews with the productions' producers, artistic directors, directors, literary managers, playwrights and specialist translators, including Michael Grandage, Rufus Norris, David Eldridge, Juan Mayorga, David Johnston and Mike Poulton. It sheds new light not only on theatrical translation procedures, but also on the place of translation in society today.
Author: Robert Gordon
Publisher: Oxford Handbooks
ISBN: 0195391373
Category : Music
Languages : en
Pages : 517
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Book Description
This handbook presents a comprehensive introduction to all aspects of composer-lyricist Stephen Sondheim's oeuvre. Chapters come from a remarkably wide range of disciplines as they offer new insights into Sondheim's work not only for the stage, but also for film and television, describing in full how Sondheim has re-shaped American musical theater.
Author: Leslie Kane
Publisher: Routledge
ISBN: 113679171X
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
The 12 original and two classic essays offer a dialectic on performance and structure, and substantially advance our knowledge of this seminal playwright. The commentaries examine feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet's vision of America, providing insights on the theatricality, originality, and universality of the work. Although the dominant focus is on Glengarry Glen Ross, several essays look at the play against the background of Mamet's Edmund, Reunion, and American Buffalo, whereas others find fascinating parallels in Emerson, Baudrillard, Conrad, Miller, and Churchill. The book also includes an interview with Sam Mendes, the director of the highly acclaimed 1994 revival of Glengarry Glen Ross in London, conducted specifically for this collectio. A chronology of major productions and the most current and comprehensive bibliography of secondary references from 1983-1995 complete the volume.
