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Author: Vladimir Feshchenko
Publisher: Avant-Garde Critical Studies
ISBN: 9789004526259
Category : History
Languages : en
Pages : 0
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Book Description
An outstanding and carefully documented study of Russian and American language-centred poetry of the avant-garde and the neo-avant-garde, and an important contribution to comparative linguistic poetics.
Author: Vladimir Feshchenko
Publisher: Avant-Garde Critical Studies
ISBN: 9789004526259
Category : History
Languages : en
Pages : 0
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Book Description
An outstanding and carefully documented study of Russian and American language-centred poetry of the avant-garde and the neo-avant-garde, and an important contribution to comparative linguistic poetics.
Author: Vladimir Feshchenko
Publisher: BRILL
ISBN: 9004526307
Category : History
Languages : en
Pages : 308
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Book Description
An experiment with language. Is it an object cultivated in poetic laboratories where entry is locked for mere mortals? And what do language scholars think about it? Specialists in language and literature studies interested in linguistic innovation and experimental poetry will find answers to these questions in Vladimir Feshchenko’s book. The study investigates various strategies of radical linguistic creativity in Russian and American experimental writing of the 20th century and explores cases of contemporary ‘language-oriented’ and ‘trans-language’ poetry. It is a comparative examination of two national avant-garde cultures, but also a juxtaposition of the relationships that Russian and American avant-garde poetics had with linguistic ideas of their times. The monograph may serve as a wonderful introduction to the entire field of ‘linguistic poetics of the avant-garde’.
Author: Olga M. Bardina
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Kent Johnson
Publisher: University of Michigan Press
ISBN: 9780472064151
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
The experimental poems of a new generation of Russian writers
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1366
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1708
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Book Description
Author: Evgeniĭ Bunimovich
Publisher: Dalkey Archive Press
ISBN: 1564784878
Category : Literary Criticism
Languages : en
Pages : 514
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Book Description
Prominent Moscow poet Evgeny Bunimovich selected representative work from forty-four living Russian poets born after 1945 to be translated and published in this bilingual edition. The collection ranges from the mordant post-Soviet irony of Igor Irteniev to the fresh voices of poets like Marianna Geide and Anna Russ -- young women just beginning to make themselves heard. The book includes the work of Booker Prize winner Sergey Gandlevsky and several winners of the Andrey Bely Prize and Brodsky Fellowships. Most of these poems, and many of the poets, have previously been unpublished in the West.
Author: Ainsley Morse
Publisher: Northwestern University Press
ISBN: 0810143291
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Word Play traces the history of the relationship between experimental aesthetics and Soviet children’s books, a relationship that persisted over the seventy years of the Soviet Union’s existence. From the earliest days of the Soviet project, children’s literature was taken unusually seriously—its quality and subject matter were issues of grave political significance. Yet, it was often written and illustrated by experimental writers and artists who found the childlike aesthetic congenial to their experiments in primitivism, minimalism, and other avant‐garde trends. In the more repressive environment following Stalin’s rise to power, experimental aesthetics were largely relegated to unofficial and underground literature, but unofficial writers continued to author children’s books, which were often more appealing than adult literature of the time. Word Play focuses on poetry as the primary genre for both children’s and unofficial literature throughout the Soviet period. Five case studies feature poets‐cum‐children’s writers—Leonid Aronzon, Oleg Grigoriev, Igor Kholin, Vsevolod Nekrasov, and Dmitri Prigov—whose unpublished work was not written for children but features lexical and formal elements, abundant humor, and childlike lyric speakers that are aspects of the childlike aesthetic. The book concludes with an exploration of the legacy of this aesthetic in Russian poetry today. Drawing on rich primary sources, Word Play joins a growing literature on Russian children’s books, connecting them to avant-garde poetics in fresh, surprising ways.
Author:
Publisher:
ISBN:
Category : Soviet Union
Languages : en
Pages : 410
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Book Description
Author: Nila Friedberg
Publisher: Walter de Gruyter
ISBN: 3110238098
Category : Language Arts & Disciplines
Languages : en
Pages : 225
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Book Description
Readers of poetry make aesthetic judgements about verse. It is quite common to hear intuitive statements about poets' rhythms. It is said, for example, that Joseph Brodsky, the Russian poet and 1987 Nobel Prize laureate, "sounds English" when he writes in Russian. Yet, it is far from clear what this statement means from a linguistic point of view. What is English about Brodsky's Russian poetry? And in what way are his "English" rhythms different from the verse of his Russian predecessors? The book provides an analysis of Brodsky's experiment bringing evidence from an unusually wide variety of disciplines and theories rarely combined in a single study, including the generative approach to meter; the Russian quantitative approach, analysis of readers' intuitions about poetic rhythm, analysis of the poet's source readings, as well as acoustic phonetics, statistics, and archival research. The distinct analytic approaches applied in this book to the same phenomenon complement one another each providing insight alternate approaches do not, and showing that only a combination of theories and methods allows us to fully appreciate what Brodsky's "English accent" really was, and what any poetic innovation means.
