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Author: Mirko Vagnoni
Publisher: MDPI
ISBN: 3039437518
Category : Social Science
Languages : en
Pages : 112
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Book Description
In the last decades, historians and art historians have created an active historiographical debate about one of the most fascinating and studied iconographic themes of the Middle Ages: the royal divine coronation. Indeed, in the specific case of some Ottonian and Salian illuminations, it has been proposed that their function was not only political or to legitimize power, as traditionally suggested (Herrscherbilder), but also liturgical and religious (Memorialbilder). This has led to a complete rethinking of the meaning of this iconographic theme: the divine coronation of the king would not symbolically allude to his earthly power but to the wholly devotional hope of receiving the crown of eternal life in the afterlife. If this academic debate has been concentrated, above all, on Ottonian and Salian royal images, this Special Issue of Arts would like to deal with this topic by stimulating the analysis of royal divine coronation and blessing scenes in religious and liturgical context (mosaics, frescos, or paintings placed in cathedrals or monastic churches and illuminations of liturgical texts) with a wider geographical and temporal setting; that is, the European and Mediterranean kingdoms in the period from the 12th to the 15th centuries.
Author: Mirko Vagnoni
Publisher: MDPI
ISBN: 3039437518
Category : Social Science
Languages : en
Pages : 112
Get Book
Book Description
In the last decades, historians and art historians have created an active historiographical debate about one of the most fascinating and studied iconographic themes of the Middle Ages: the royal divine coronation. Indeed, in the specific case of some Ottonian and Salian illuminations, it has been proposed that their function was not only political or to legitimize power, as traditionally suggested (Herrscherbilder), but also liturgical and religious (Memorialbilder). This has led to a complete rethinking of the meaning of this iconographic theme: the divine coronation of the king would not symbolically allude to his earthly power but to the wholly devotional hope of receiving the crown of eternal life in the afterlife. If this academic debate has been concentrated, above all, on Ottonian and Salian royal images, this Special Issue of Arts would like to deal with this topic by stimulating the analysis of royal divine coronation and blessing scenes in religious and liturgical context (mosaics, frescos, or paintings placed in cathedrals or monastic churches and illuminations of liturgical texts) with a wider geographical and temporal setting; that is, the European and Mediterranean kingdoms in the period from the 12th to the 15th centuries.
Author: Mirko Vagnoni
Publisher:
ISBN: 9783039437528
Category :
Languages : en
Pages : 112
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Book Description
In the last decades, historians and art historians have created an active historiographical debate about one of the most fascinating and studied iconographic themes of the Middle Ages: the royal divine coronation. Indeed, in the specific case of some Ottonian and Salian illuminations, it has been proposed that their function was not only political or to legitimize power, as traditionally suggested (Herrscherbilder), but also liturgical and religious (Memorialbilder). This has led to a complete rethinking of the meaning of this iconographic theme: the divine coronation of the king would not symbolically allude to his earthly power but to the wholly devotional hope of receiving the crown of eternal life in the afterlife. If this academic debate has been concentrated, above all, on Ottonian and Salian royal images, this Special Issue of Arts would like to deal with this topic by stimulating the analysis of royal divine coronation and blessing scenes in religious and liturgical context (mosaics, frescos, or paintings placed in cathedrals or monastic churches and illuminations of liturgical texts) with a wider geographical and temporal setting; that is, the European and Mediterranean kingdoms in the period from the 12th to the 15th centuries.
Author:
Publisher: BRILL
ISBN: 9004686371
Category : History
Languages : en
Pages : 402
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Book Description
This is Volume Two of a two-volume collection that brings together contributions from cultural and military history to offer an examination of religious rites employed in connection with warfare as well as their transformative and power- and identity-building potential across political communities of medieval Northern, Central, and Eastern Europe. Covering the period ca. 900 and 1500, the work takes theoretical, textual and practical approaches to the research on religious warfare, and investigates the connections between, and significance and function of crucial war rituals such as pre-, intra- and postbellum rites, as well as various activities surrounding the military life of individuals, polities, and corporates. Contributors are Robert Antonín, Robert Bubczyk, Dariusz Dąbrowski, Jesse Harrington, Carsten Selch Jensen, Sini Kangas, Radosław Kotecki, Gregory Leighton, Kyle C. Lincoln, Jacek Maciejewski, Yulia Mikhailova, Max Naderer, László Veszprémy, and Dušan Zupka.
Author:
Publisher: BRILL
ISBN: 900451158X
Category : History
Languages : en
Pages : 574
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Book Description
(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.
Author: Jaume Aurell
Publisher: Cambridge University Press
ISBN: 1108889824
Category : History
Languages : en
Pages : 355
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Book Description
Based on narrative, iconographical, and liturgical sources, this is the first systematic study to trace the story of the ritual of royal self-coronations from Ancient Persia to the present. Exposing as myth the idea that Napoleon's act of self-coronation in 1804 was the first extraordinary event to break the secular tradition of kings being crowned by bishops, Jaume Aurell vividly demonstrates that self-coronations were not as transgressive or unconventional as has been imagined. Drawing on numerous examples of royal self-coronations, with a particular focus on European Kings of the Middle Ages, including Frederic II of Germany (1229), Alphonse XI of Castile (1328), Peter IV of Aragon (1332) and Charles III of Navarra (1390), Aurell draws on history, anthropology, ritual studies, liturgy and art history to explore royal self-coronations as privileged sites at which the frontiers and limits between the temporal and spiritual, politics and religion, tradition and innovation are encountered.
Author: Mirko Vagnoni
Publisher:
ISBN: 9783036553702
Category :
Languages : en
Pages : 0
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Book Description
Encyclopedia of Medieval Royal Iconography" sets out to be the first extensive collection of data on royal iconography from the Middles Ages (476-1492). In particular, it aims to collect entries about the most important rulers or dynasties that reigned during this period, from the Iberian Peninsula to Levant and from the Scandinavian Peninsula to the Mediterranean Sea. Specifically, "Encyclopedia of Medieval Royal Iconography" focuses on royal official images (namely, those representations that were commissioned at the behest of the ruler) and analyses them not only from an iconographic (namely, 'static') point of view but also as parts of a more general political communicative strategy (namely, in a 'dynamic' way) in order to better clarify their social functions and, consequently, their iconographic meanings. Thanks to this approach, "Encyclopedia of Medieval Royal Iconography" aims to offer a substantial overview on matters of medieval regal iconography and to be a useful tool for scholars who use royal images for their research.
Author: János M. Bak
Publisher: Univ of California Press
ISBN: 0520311124
Category : History
Languages : en
Pages : 268
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Book Description
Fascination with royal pomp and circumstance is as old as kingship itself. The authors of Coronations examine royal ceremonies from the ninth to the sixteenth century, and find the very essence of the monarchical state in its public presentation of itself. This book is an enlightened response to the revived interest in political history, written from a perspective that cultural historians will also enjoy. The symbolic and ritual acts that served to represent and legitimate monarchical power in medieval and early modern Europe include not only royal and papal coronations but also festive entries, inaugural feasts, and rulers' funerals. Fifteen leading scholars from North America, Britain, France, Germany, Poland, and Denmark explore the forms and the underlying meanings of such events, as well as problems of relevant scholarship on these subjects. All the contributions demonstrate the importance of in-depth study of rulership for the understanding of premodern power structures. Emphasis is placed on interdisciplinary approaches, drawing on the findings of ethnography and anthropology, combined with rigorous critical evaluation of the written and iconic evidence. The editor's historiographical introduction surveys the past and present of this field of study and proposes some new lines of inquiry. "For 'reality' is not a one-dimensional matter: even if we can establish what actually transpired, we still need to ask how it was perceived by those present." This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
Author: Oliver J. Thatcher
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 512
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Book Description
A Source Book for Mediæval History is a scholarly piece by Oliver J. Thatcher. It covers all major historical events and leaders from the Germania of Tacitus in the 1st century to the decrees of the Hanseatic League in the 13th century.
Author: John M. Thompson
Publisher: National Geographic Books
ISBN: 1426205333
Category : Atlases
Languages : en
Pages : 388
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Book Description
This comprehensive historical atlas concentrates on the Mediterranean world but also shows what happened across the globe between A.D. 400 and 1500--from the fall of Rome to the age of discovery. Sumptuously illustrated, it features period works of art, fascinating maps, quotes from medieval figures, close-ups of intriguing artifacts, and rich landscape photographs. For every century, a signature city is spotlighted to represent that era's developments, and time lines connect the many dramatic events that took place in these dark and exciting times.
Author: Helen C. Evans
Publisher: Metropolitan Museum of Art
ISBN: 1588396606
Category : Art
Languages : ru
Pages : 360
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Book Description
At the foot of Mount Ararat on the crossroads of the eastern and western worlds, medieval Armenians dominated international trading routes that reached from Europe to China and India to Russia. As the first people to convert officially to Christianity, they commissioned and produced some of the most extraordinary religious objects of the Middle Ages. These objects—from sumptuous illuminated manuscripts to handsome carvings, liturgical furnishings, gilded reliquaries, exquisite textiles, and printed books—show the strong persistence of their own cultural identity, as well as the multicultural influences of Armenia’s interactions with Romans, Byzantines, Persians, Muslims, Mongols, Ottomans, and Europeans. This unprecedented volume, written by a team of international scholars and members of the Armenian religious community, contextualizes and celebrates the compelling works of art that define Armenian medieval culture. It features breathtaking photographs of archaeological sites and stunning churches and monasteries that help fill out this unique history. With groundbreaking essays and exquisite illustrations, Armenia illuminates the singular achievements of a great medieval civilization. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
