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Author: Diane Apostolos-Cappadona
Publisher: BRILL
ISBN: 9004361561
Category : Art
Languages : en
Pages : 92
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Book Description
In Religion and the Arts: History and Method, Diane Apostolos-Cappadona analyses the origins and methodological journey of this field though concerns with repatriation, museum exhibitions, and globalization, to offer an indispensable introduction to study of the field.
Author: Diane Apostolos-Cappadona
Publisher: BRILL
ISBN: 9004361561
Category : Art
Languages : en
Pages : 92
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Book Description
In Religion and the Arts: History and Method, Diane Apostolos-Cappadona analyses the origins and methodological journey of this field though concerns with repatriation, museum exhibitions, and globalization, to offer an indispensable introduction to study of the field.
Author: Eric Ziolkowski
Publisher: BRILL
ISBN: 9004423907
Category : Religion
Languages : en
Pages : 118
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Book Description
Religion and Literature: History and Method considers the history, methods, institutionalization, globalization, and future of the study of religion and literature, focusing on its emergence from the “field” of theology and literature, and its relations to myth criticism and biblical reception.
Author: James Elkins
Publisher: Routledge
ISBN: 1135879702
Category : Art
Languages : en
Pages : 154
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Book Description
Can contemporary art say anything about spirituality? John Updike calls modern art "a religion assembled from the fragments of our daily life," but does that mean that contemporary art is spiritual? What might it mean to say that the art you make expresses your spiritual belief? On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art. This book will enable you to walk into a museum and talk about the spirituality that is or is not visible in the art you see.
Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297647
Category : Art
Languages : en
Pages : 416
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Book Description
"One might say that where Religion becomes artificial, it is reserved for Art to save the spirit of religion." With these words Richard Wagner began "Religion and Art" (1880), one of his most passionate essays. That passion made Wagner himself a central icon in the growing cult of art. Wagner felt that he lived in an age of spiritual crisis. "It can but rouse our apprehension, to see the progress of the art-of-war departing from the springs of moral force, and turning more and more to the mechanical," he wrote. In response to the frightening progress of dynamite and steel, Wagner adopted the role of the Tone Poet Seer, who reveals the inexpressible in concert halls and cleanses souls in waves of symhonic revelation. "Religion and Art" is the pivot of the works collected here. Also included are his defining essays "Public and Popularity" and "The Public in Time and Space"; his papers relating to the creation of the Bayreuth School; his complaint against publishers, "On Poetry and Composition" (1879); his article on the first production of Parsifal (1882); and other works that speak his mind about strengthening the spirit through music. These works participated in the duel between Wagner and Nietzsche that ensued after the breakup of their friendship in 1878. Nietzsche publicly called Wagner an incurable romantic, emphasizing how sick he thought both Wagner and his art were. Here Wagner counterattacks with arch innuendo and sarcasm. This edition includes the complete volume 6 of the 1897 translation of Wagner's works commissioned by the London Wagner Society. William Ashton Ellis is one of the most important translators of nineteenth-century musicology. In addition to his monumental translation of Wagner's prose works, he translated Wagner's correspondence with Franz Lizst, Mathilde Wesendonck, and Wagner's own family. Ellis died in 1919.
Author: S. Plate
Publisher: Palgrave Macmillan
ISBN: 9780312240295
Category : Religion
Languages : en
Pages : 240
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Book Description
Religion, Art, and Visual Culture is a cross-cultural exploration of the study of visuality and the arts from a religious perspective. This forward looking and accessible collection gathers together the most current scholarship for those interested in art, religion, visual culture, and cultural studies. Inherently interdisciplinary, this reader approaches the study of world religions through the human, meaning-making activity of seeing. The volume oscillates between specific visual subjects (painting, landscape gardens, calligraphy, architecture, mass media) and the broader theoretical discourses which are relevant to Humanities students today.
Author: James Romaine
Publisher: Lutterworth Press
ISBN: 0718842219
Category : Art
Languages : en
Pages : 355
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Book Description
'ReVisioning: Critical Methods of Seeing Christianity in the History of Art' explores some of underlying methodological assumptions in the field of art history by examining the suitability and success, as well as the incompatibility and failure, of varying art historical methodologies when applied to works of art which distinctly manifest Christian narratives, themes, motifs, and symbols.
Author: Frank Burch Brown
Publisher: Oxford University Press, USA
ISBN: 0195176677
Category : Art
Languages : en
Pages : 566
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Book Description
This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.
Author: Douglas G. Adams
Publisher: Wipf and Stock Publishers
ISBN: 1579106358
Category : Religion
Languages : en
Pages : 257
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Book Description
Author: Diane Apostolos-Cappadona
Publisher: Bloomsbury Publishing
ISBN: 9780826408297
Category : Religion
Languages : en
Pages : 354
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Book Description
A collection of essays concerning religion and art, including contributions by Barbara Novak, Leo Steinberg, Paul Tillich, Wassily Kandinsky, John Dixon Jr., David Tracy, Joshua Taylor, and Langdon B. Gilkey.
Author: Zhange Ni
Publisher: BRILL
ISBN: 9004449132
Category : Philosophy
Languages : en
Pages : 95
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Book Description
In this selective overview of scholarship generated by The Hunger Games—the young adult dystopian fiction and film series which has won popular and critical acclaim—Zhange Ni showcases various investigations into the entanglement of religion and the arts in the new millennium.
