Author: Alexandra Heller-Nicholas
Publisher: Edinburgh University Press
ISBN: 1474440207
Category : Performing Arts
Languages : en
Pages : 264
Get Book
Book Description
Spanning from obscurity to notoriety, the films of director, screenwriter, actor and comic Elaine May have recently experienced a long-overdue renaissance. Although she made only four films - A New Leaf (1971), The Heartbreak Kid (1972), Mikey and Nicky (1976) and Ishtar (1987) - and never reached the level of acclaim of her frequent collaborator Mike Nichols, May's work is as enigmatic, sophisticated and unceasingly fascinating as her own complicated, reluctant star persona. This collection focuses both on the films she has directed, and also emphasises her work with other high profile collaborators such as John Cassavetes, Warren Beatty and Otto Preminger.
Author: Alexandra Heller-Nicholas
Publisher: University of Wales Press
ISBN: 1786834979
Category : Performing Arts
Languages : en
Pages : 285
Get Book
Book Description
Why has the mask been such an enduring generic motif in horror cinema? This book explores its transformative potential historically across myriad cultures, particularly in relation to its ritual and mythmaking capacities, and its intersection with power, ideology and identity. All of these factors have a direct impact on mask-centric horror cinema: meanings, values and rituals associated with masks evolve and are updated in horror cinema to reflect new contexts, rendering the mask a persistent, meaningful and dynamic aspect of the genre’s iconography. This study debates horror cinema’s durability as a site for the potency of the mask’s broader symbolic power to be constantly re-explored, re-imagined and re-invented as an object of cross-cultural and ritual significance that existed long before the moving image culture of cinema.
Author: Robert E. Kapsis
Publisher: Univ. Press of Mississippi
ISBN: 1496831063
Category : Performing Arts
Languages : en
Pages : 306
Get Book
Book Description
In the late 1950s, Mike Nichols (1931–2014) and Elaine May (b. 1932) soared to superstar status as a sketch comedy duo in live shows and television. After their 1962 breakup, both went on to long and distinguished careers in other areas of show business—mostly separately, but sporadically together again. In Nichols and May: Interviews, twenty-seven interviews and profiles ranging over more than five decades tell their stories in their own words. Nichols quickly became an A-list stage and film director, while May, like many women in her field, often found herself thwarted in her attempts to make her distinctive voice heard in projects she could control herself. Yet, in recent years, Nichols’s work as a filmmaker has been perhaps unfairly devalued, while May’s accomplishments, particularly as a screenwriter and director, have become more appreciated, leading to her present widespread acceptance as a groundbreaking female artist and a creative genius of and for our time. Nichols gave numerous interviews during his career, and editor Robert E. Kapsis culled hundreds of potential selections to include in this volume the most revealing and those that focus on his filmmaking career. May, however, was a reluctant interview subject at best. She often subverted the whole interview process, producing instead a hilarious parody or even a comedy sketch—with or without the cooperation of the sometimes-oblivious interviewer. With its contrasting selection of interviews conventional and oddball, this volume is an important contribution to the study of the careers of Nichols and May.
Author: Patrick Cooper
Publisher: BearManor Media
ISBN:
Category : Performing Arts
Languages : en
Pages : 210
Get Book
Book Description
Aren’t You Gonna Die Someday? explores the deceptions and veiled truths lurking within a film that has haunted author Patrick Cooper for nearly a decade: Elaine May’s Mikey and Nicky. Called both a “masterpiece” and a “celluloid death wish” upon its release in 1976, Mikey and Nicky is an astonishingly dark work in the oeuvre of legendary comedienne-filmmaker Elaine May. This book examines May’s tragic film scene-by-scene, digging up the titular friends’ long-buried truths in an attempt to get at the heart of their lies. Along the way, Cooper offers behind the scenes insight and anecdotes, gathered from interviews and research, as well as never before seen set photos. Weaved together with this detailed look at the film are autobiographical threads in which Cooper uses Mikey and Nicky as a lens to examine toxic friendships from his own past. A tapestry of film history, reconstruction, and personal reflection, Aren’t You Gonna Die Someday? is an unexpected look at a wholly unique American film. “Patrick Cooper's Aren't You Gonna Die Someday? is a big-hearted and personal look at Elaine May’s Mikey and Nicky, my all-time favorite film, a tender and neurotic masterpiece. Cooper’s approach is so accessible, so highly readable, that this felt less like a work of criticism or biography and more like a thrilling novel centering around May, Falk, Cassavetes, and the City of Brotherly Love. This is an essential companion to the film. If you’re like me and you bought the recent Criterion Blu-ray the day it came out, well, this is your next move. Revel in Cooper’s detailed investigation of the greatest film by one of our most neglected masters.” —William Boyle, author of Gravesend, The Lonely Witness, and A Friend Is a Gift You Give Yourself
Author: Maya Montañez Smukler
Publisher: Rutgers University Press
ISBN: 0813587476
Category : Business & Economics
Languages : en
Pages : 364
Get Book
Book Description
Feminist reform comes to Hollywood -- 1970s cultures of production: studio, art house, and exploitation -- New women: women directors and the 1970s new woman film -- Radicalizing the directors guild of america -- Desperately seeking the eighties: 1970s perseverance turns to 1980s progress
Author: Leonard J. Greenspoon
Publisher: Purdue University Press
ISBN: 1612497136
Category : Religion
Languages : en
Pages : 335
Get Book
Book Description
Jews and Gender features sixteen authors exploring the history and culture of the intersection of Judaism and gender from the biblical world to today. Topics include subversive readings of biblical texts; reappraisal of rabbinic theory and practice; women in mysticism, Chasidism, and Yiddish literature; and women in contemporary culture and politics. Accessible and comprehensive, this volume will appeal to the general reader in addition to engaging with contemporary academic scholarship.
Author: Alexandra Heller-Nicholas
Publisher: McFarland
ISBN: 1476686491
Category : Performing Arts
Languages : en
Pages : 208
Get Book
Book Description
Often considered the lowest depth to which cinema can plummet, the rape-revenge film is broadly dismissed as fundamentally exploitative and sensational, catering only to a demented, regressive demographic. This second edition, ten years after the first, continues the assessment of these films and the discourse they provoke. Included is a new chapter about women-directed rape-revenge films, a phenomenon that--revitalized since #MeToo exploded in late 2017--is a filmmaking tradition with a history that transcends a contemporary context. Featuring both famous and unknown movies, controversial and widely celebrated filmmakers, as well as rape-revenge cinema from around the world, this revised edition demonstrates that diverse and often contradictory treatments of sexual violence exist simultaneously.
Author: Aaron Hunter
Publisher: Rutgers University Press
ISBN: 1978821816
Category : Performing Arts
Languages : en
Pages : 179
Get Book
Book Description
The 1970s has often been hailed as a great moment for American film, as a generation of “New Hollywood” directors like Scorsese, Coppola, and Altman offered idiosyncratic visions of what movies could be. Yet the auteurist discourse hailing these directors as the sole authors of their films has obscured the important creative roles women played in the 1970s American film industry. Women and New Hollywood revises our understanding of this important era in American film by examining the contributions that women made not only as directors, but also as screenwriters, editors, actors, producers, and critics. Including essays on film history, film texts, and the decade’s film theory and criticism, this collection showcases the rich and varied cinematic products of women’s creative labor, as well as the considerable barriers they faced. It considers both women working within and beyond the Hollywood film industry, reconceptualizing New Hollywood by bringing it into dialogue with other American cinemas of the 1970s. By valuing the many forms of creative labor involved in film production, this collection offers exciting alternatives to the auteurist model and new ways of appreciating the themes and aesthetics of 1970s American film.
Author: Davinia Caddy
Publisher: Cambridge University Press
ISBN: 1107014409
Category : Music
Languages : en
Pages : 255
Get Book
Book Description
A fresh perspective on the Ballets Russes, focusing on relations between music, dance and the cultural politics of belle-époque Paris.
Author: Bruce Babington
Publisher: John Libbey Publishing
ISBN: 0861969545
Category : Art
Languages : en
Pages : 297
Get Book
Book Description
The profusion of research on film history means that there are now few Hollywood filmmakers in the category of Neglected Master; John M Stahl (1886–1950) has been stuck in it for far too long. His strong association with melodrama and the womans film is a key to this neglect; those mainstays of popular cinema are no longer the object of critical scorn or indifference, but Stahl has until now hardly benefited from this welcome change in attitude. His remarkable silent melodramas were either lost, or buried in archives, while his major sound films such as Imitation of Life and Magnificent Obsession, equally successful in their time, have been overshadowed by the glamour of the 1950s remakes by Douglas Sirk. Sirk is a far from neglected figure; Stahls much longer Hollywood career deserves attention and celebration in its own right, as this book definitively shows. Drawing on a wide range of film and document archives, scholars from three continents come together to cover Stahls work, as director and also producer, from its beginnings during World War I to his death, as a still active filmmaker, in 1950. Between them they make a strong case for Stahl as an important figure in cinema history, and as author of many films that still have the power to move their audiences.
