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Author: Charles F. B. Miller
Publisher: Univ of California Press
ISBN: 0520290143
Category : Art
Languages : en
Pages : 315
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Book Description
Introduction -- The crystallisation of cubism -- Platonism after Cubism -- Mimesis after collage -- Cubism's refuse -- Picasso's sexuality -- Crucifixion and apocalypse -- Rotten sun -- Signed, Picasso.
Author: Charles F. B. Miller
Publisher: Univ of California Press
ISBN: 0520290143
Category : Art
Languages : en
Pages : 315
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Book Description
Introduction -- The crystallisation of cubism -- Platonism after Cubism -- Mimesis after collage -- Cubism's refuse -- Picasso's sexuality -- Crucifixion and apocalypse -- Rotten sun -- Signed, Picasso.
Author: Eugenia Tusquets
Publisher: Eugenia Tusquets
ISBN:
Category : Fiction
Languages : en
Pages : 178
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Book Description
It is 1998. Madame Claudel is on one of her customary rambles around the Marché aux Puces in Paris, the source of many of her findings. Suddenly, a painting grabs her attention, and she is immediately drawn to it. After a few years and many adventures, the antiquarian discovers that the painting she bought for a few francs is the lost piece from Picasso’s first exhibit in Paris, in 1901. The investigation to gather enough proof to obtain the official certification starts. She arrives to the conclusion that Pablo Picasso had painted this picture in the midst of a whirlwind of feelings, after the most awful tragedy of his youth: his best friend, who had fallen in love with him, died in the worst of circumstances. This narrative, based on real facts, presents two stories separated in time: that of the historical events in Paris, Barcelona and Malaga which led to the creation of the painting, and that of the actual investigation by an expert, both equally real. The stories alternate as the historical facts corroborate the discoveries of the investigation.
Author: Hugh Eakin
Publisher: Crown
ISBN: 0451498496
Category : Art
Languages : en
Pages : 489
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Book Description
A riveting story of how dueling ambitions and the power of prodigy made America the cultural center of the world—and Picasso the most famous artist alive—in the shadow of World War II “[Eakin] has mastered this material. . . . The book soars.”—The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Vanity Fair, The New York Times Book Review, The New Yorker In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr., a cultural visionary who, at the age of twenty-seven, became the director of New York’s new Museum of Modern Art. Barr and Quinn’s shared goal would be thwarted in the years to come—by popular hostility, by the Depression, by Parisian intrigues, and by Picasso himself. It would take Hitler’s campaign against Jews and modern art, and Barr’s fraught alliance with Paul Rosenberg, Picasso’s persecuted dealer, to get Picasso’s most important paintings out of Europe. Mounted in the shadow of war, the groundbreaking exhibition Picasso: Forty Years of His Art would launch Picasso in America, define MoMA as we know it, and shift the focus of the art world from Paris to New York. Picasso’s War is the never-before-told story about how a single exhibition, a decade in the making, irrevocably changed American taste, and in doing so saved dozens of the twentieth century’s most enduring artworks from the Nazis. Through a deft combination of new scholarship and vivid storytelling, Hugh Eakin shows how two men and their obsession with Picasso changed the art world forever.
Author: John Richardson
Publisher: Knopf
ISBN: 030749649X
Category : Biography & Autobiography
Languages : en
Pages : 657
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Book Description
The third volume of Richardson’s magisterial Life of Picasso, a groundbreaking contribution to our understanding of one of the greatest artists of the twentieth century. Here is Picasso at the height of his powers in Rome and Naples, producing the sets and costumes with Cocteau for Diaghilev’s Ballets Russes, and visiting Pompei where the antique statuary fuel his obsession with classicism; in Paris, creating some of his most important sculpture and painting as part of a group that included Braque, Apollinaire, Miró, and Breton; spending summers in the South of France in the company of Gerald and Sara Murphy, Hemingway, and Fitzgerald. These are the years of his marriage to the Russian ballerina Olga Khokhlova—the mother of his only legitimate child, Paulo—and of his passionate affair with Marie-Thérèse Walter, who was, as well, his model and muse.
Author: Robert W. Weisberg
Publisher: John Wiley & Sons
ISBN: 0471739995
Category : Psychology
Languages : en
Pages : 640
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Book Description
A name="DESCRIPTIONP̲ROFESSIONALC̲ATALOG"The big new trend in psychology is to focus on the positive. Experienced expert on creativity Robert Weisberg has written a new book on the theories of creativity for upper-class and graduate-level courses and an educated lay readership.
Author: Amelia V. Vetrone
Publisher: iUniverse
ISBN: 0595296831
Category : Art
Languages : en
Pages : 138
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Book Description
It may be said that the beauty of art comes from the struggle that is involved in creating it: struggle to hear the voice, struggle to understand the voice, struggle to express or articulate the voice, struggle to let others hear the voice, and struggle to protect what has been expressed. This book is about the last struggle--to legally protect what has been expressed by appreciating the struggle that has come before. The Legal and Moral Rights of All Artists is a clear, jargon-free explanation of the crucial concepts every artist needs to know, such as copyright, trademark, work-for-hire and other contract issues, as well as the all-important doctrine of moral rights. Drawing on the historical perspective of the artist as the core element of any created work, this book explains the protection available to artists, not only for their works but also for their vision, integrity, and reputation. Filled with anecdotes and practical advice, this book will be an important resource for everyone involved in the creative process.
Author: Suzanne Preston Blier
Publisher: Duke University Press
ISBN: 1478002042
Category : Art
Languages : en
Pages : 625
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Book Description
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.
Author: Hilton Kramer
Publisher: Routledge
ISBN: 1351486187
Category : Art
Languages : en
Pages : 588
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Book Description
Hilton Kramer, well known as perhaps the most perceptive, courageous, and influential art critic in America, is also the founder and co-editor (with Roger Kimball) of The New Criterion. This comprehensive book collects a sizable selection of his early essays and reviews published in Artforum, Commentary, Arts Magazine, The New York Review of Books, and The Times, and thus constituted his first complete statement about art and the art world. The principal focus is on the artists and movements of the last hundred years: the Age of the Avant-Garde that begins in the nineteenth century with Realism and Impressionism. Most of the major artists of this rich period, from Monet and Degas to Jackson Pollock and Claes Oldenburg, are discussed and often drastically revaluated. A brilliant introductory essay traces the rise and fall of the avant-garde as a historical phenomenon, and examines some of the cultural problems which the collapse of the avant-garde poses for the future of art. In addition, there are chapters on art critics, museums, the relation of avant-garde art to radical politics, and on the growth of photography as a fine art. This collection is not intended to be the last word on one of the greatest as well as one of the most complex periods in the history of the artistic imagination. The essays and reviews gathered here were written in response to particular occasions and for specific deadlines--in the conviction that a start in the arduous task of critical revaluation needed to be made, not because a critical theory prescribed it but because our experience compelled it!
Author: Gertje Utley
Publisher: Yale University Press
ISBN: 0300082517
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.
Author: Christopher Green
Publisher: Yale University Press
ISBN: 9780300104127
Category : Art
Languages : en
Pages : 324
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Book Description
El autor aborda la estructura pictórica y escultórica y, sobre todo, la arquitectura del conocimiento y de la sociedad en la obra de Picasso, es decir, las estructuras de la tradición, de las diferencias raciales, sociales y culturales, de la lógica y de la tecnología, proponiendo nuevas vías para apreciar la oscilación entre orden y desorden en la obra de Picasso, así como la confrontación y el reto que su obra supuso respecto a las arquitecturas de la ortodoxia. Tal reto comienza con una serie de intervenciones que el artista protagonizó en la turbulenta historia europea de los primeros años veinte, que revelan su postura respecto a temas vitales como la raza, la diferencia cultural, la modernidad, la sexualidad y el descontento de la civilización.
