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Author: Jameel Al Ghaberi
Publisher: GRIN Verlag
ISBN: 3668522715
Category : Literary Criticism
Languages : en
Pages : 93
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Book Description
Master's Thesis from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 9.2, University of Hyderabad (school of humanities,centre for comparative literature), course: MA, language: English, abstract: This book is about Arab Anglophone fiction produced after 9/11 in the United States. It attempts to analyze how the writers of such a period portray the life of Arab Americans in a post-9/11 America. It shows how Arab Americans dealt with the consequences of 9/11. It reflects several aspects that characterize Arab American writing as a diasporic narrative, such as memory and home, racialization, anti-Arab sentiment and urgency of expression, and how Arab Americans responded to the terrorist attack of 9/11. The study also investigates the role of Anglophone Arab fiction in paving the way for more intercultural understanding and attempting to de-orientalize the Arab. What I found is that some writers often try to negotiate with the American culture in order to arrive at an identity that incorporates multiple elements from both the culture of origin and the host culture. Hybrid and cosmopolitan in their approach, such writers also attempt to be cultural mediators, and they show much concern about subverting the normative judgment and stereotypical image that has fixed the Arab American. Works of fiction produced by Anglophone Arab writers, such as Laila Halaby’s Once in a Promised Land, Rabih Alameddine’s The Hakawati, and Alia Yunis’ The Night Counter represented how Arab Americans faced difficulties after 9/11 in terms of identity construction, cultural identification, and the conflicting sense of belonging and non-belonging. These works genuinely depict the life of Arab Americans and give a better understanding of who Arabs are. They also interlink both the Arab culture and American culture, celebrating both cultural identities.
Author: Jameel Al Ghaberi
Publisher: GRIN Verlag
ISBN: 3668522715
Category : Literary Criticism
Languages : en
Pages : 93
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Book Description
Master's Thesis from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 9.2, University of Hyderabad (school of humanities,centre for comparative literature), course: MA, language: English, abstract: This book is about Arab Anglophone fiction produced after 9/11 in the United States. It attempts to analyze how the writers of such a period portray the life of Arab Americans in a post-9/11 America. It shows how Arab Americans dealt with the consequences of 9/11. It reflects several aspects that characterize Arab American writing as a diasporic narrative, such as memory and home, racialization, anti-Arab sentiment and urgency of expression, and how Arab Americans responded to the terrorist attack of 9/11. The study also investigates the role of Anglophone Arab fiction in paving the way for more intercultural understanding and attempting to de-orientalize the Arab. What I found is that some writers often try to negotiate with the American culture in order to arrive at an identity that incorporates multiple elements from both the culture of origin and the host culture. Hybrid and cosmopolitan in their approach, such writers also attempt to be cultural mediators, and they show much concern about subverting the normative judgment and stereotypical image that has fixed the Arab American. Works of fiction produced by Anglophone Arab writers, such as Laila Halaby’s Once in a Promised Land, Rabih Alameddine’s The Hakawati, and Alia Yunis’ The Night Counter represented how Arab Americans faced difficulties after 9/11 in terms of identity construction, cultural identification, and the conflicting sense of belonging and non-belonging. These works genuinely depict the life of Arab Americans and give a better understanding of who Arabs are. They also interlink both the Arab culture and American culture, celebrating both cultural identities.
Author: Majed Alenezi
Publisher: Rowman & Littlefield
ISBN: 1666909629
Category : Literary Criticism
Languages : en
Pages : 147
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Book Description
Shifting Perspectives of Postcolonialism in Twenty-First-Century Anglophone-Arab Fiction explores the flourishing Anglophone-Arab fiction after 9/11. Central to this expansion are the socio-political changes in the aftermath of the 9/11attacks, not only on the international scene, but also at the local level within the Arab/Muslim world. Paralleling this expansion is a shift from traditional postcolonial discourse toward Arab nation’s internal issues. Rather than echoing the outmoded “writing back” paradigm, the Anglophone-Arab writers have taken up specific social and political concerns through their writings and offer a trenchant commentary on issues of indigenous and international significance. Moving away from postcolonial political awareness, Anglophone-Arab writers provide a critical perspective on some important contemporary issues facing the Arab nations like misuse of religious discourse, sectarianism, terrorism, feminism, class struggle, political rights and democracy, and the fragmentation of the Arab society.
Author: Nouri Gana
Publisher: Edinburgh University Press
ISBN: 0748685553
Category : Literary Criticism
Languages : en
Pages : 516
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Book Description
The novel is a largely imported European genre, coming relatively late to the history of Arab letters. It should therefore perhaps come as no surprise that the first novel to have been written by an Arab was written in English (Ameen Rihani's The Book of Khalid, 1911). However, subsequent years saw the flourishing of, first, Arabic novels, then the Francophone Arab novel. Only in the last two decades has the Anglophone Arab novel experienced a second coming, and it is this re-emergence of literary activity that is the focus of this collection. Opening up the field of diasporic Anglo Arab literature to critical debate, the Companion presents a range of critical responses and pedagogical approaches to the Anglo Arab novel. It offers both classroom-friendly essays and critically sophisticated analyses, bringing together original critical studies of the major Anglo Arab novelists from established and emerging scholars in the field.
Author: Carol Fadda-Conrey
Publisher: NYU Press
ISBN: 1479826677
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
The last couple of decades have witnessed a flourishing of Arab-American literature across multiple genres. Yet, increased interest in this literature is ironically paralleled by a prevalent bias against Arabs and Muslims that portrays their long presence in the US as a recent and unwelcome phenomenon. Spanning the 1990s to the present, Carol Fadda-Conrey takes in the sweep of literary and cultural texts by Arab-American writers in order to understand the ways in which their depictions of Arab homelands, whether actual or imagined, play a crucial role in shaping cultural articulations of US citizenship and belonging. By asserting themselves within a US framework while maintaining connections to their homelands, Arab-Americans contest the blanket representations of themselves as dictated by the US nation-state. Deploying a multidisciplinary framework at the intersection of Middle-Eastern studies, US ethnic studies, and diaspora studies, Fadda-Conrey argues for a transnational discourse that overturns the often rigid affiliations embedded in ethnic labels. Tracing the shifts in transnational perspectives, from the founders of Arab-American literature, like Gibran Kahlil Gibran and Ameen Rihani, to modern writers such as Naomi Shihab Nye, Joseph Geha, Randa Jarrar, and Suheir Hammad, Fadda-Conrey finds that contemporary Arab-American writers depict strong yet complex attachments to the US landscape. She explores how the idea of home is negotiated between immigrant parents and subsequent generations, alongside analyses of texts that work toward fostering more nuanced understandings of Arab and Muslim identities in the wake of post-9/11 anti-Arab sentiments.
Author: Laila Halaby
Publisher: Beacon Press
ISBN: 9780807083918
Category : Fiction
Languages : en
Pages : 358
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Book Description
They say there was or there wasn't in olden times a story as old as life, as young as this moment, a story that is yours and is mine. Once in a Promised Land is the story of Jassim and Salwa, who left the deserts of their native Jordan for those of Arizona, each chasing mirages of opportunity and freedom. Although the couple live far from Ground Zero, they cannot escape the dust cloud of paranoia settling over the nation. A hydrologist, Jassim believes passionately in his mission to make water accessible to all people, but his work is threatened by an FBI witch hunt for domestic terrorists. A Palestinian now twice displaced, Salwa embraces the American dream. She grapples to put down roots in an unwelcoming climate, becoming pregnant against her husband's wishes. When Jassim kills a teenage boy in a terrible accident and Salwa becomes hopelessly entangled with a shadowy young American, their tenuous lives in exile and their fragile marriage begin to unravel. Once in a Promised Land is a dramatic and achingly honest look at what it means to straddle cultures, to be viewed with suspicion, and to struggle to find safe haven.
Author: Tim Prentki
Publisher: Routledge
ISBN: 1000177076
Category : Performing Arts
Languages : en
Pages : 415
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Book Description
The Routledge Companion to Applied Performance provides an in-depth, far-reaching and provocative consideration of how scholars and artists negotiate the theoretical, historical and practical politics of applied performance, both in the academy and beyond. These volumes offer insights from within and beyond the sphere of English-speaking scholarship, curated by regional experts in applied performance. The reader will gain an understanding of some of the dominant preoccupations of performance in specified regions, enhanced by contextual framing. From the dis(h)arming of the human body through dance in Colombia to clowning with dementia in Australia, via challenges to violent nationalism in the Balkans, transgender performance in Pakistan and resistance rap in Kashmir, the essays, interviews and scripts are eloquent testimony to the courage and hope of people who believe in the power of art to renew the human spirit. Students, academics, practitioners, policy-makers, cultural anthropologists and activists will benefit from the opportunities to forge new networks and develop in-depth comparative research offered by this bold, global project.
Author: Manav Ratti
Publisher: Routledge
ISBN: 1135096902
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
The Postsecular Imagination presents a rich, interdisciplinary study of postsecularism as an affirmational political possibility emerging through the potentials and limits of both secular and religious thought. While secularism and religion can foster inspiration and creativity, they also can be linked with violence, civil war, partition, majoritarianism, and communalism, especially within the framework of the nation-state. Through close readings of novels that engage with animism, Buddhism, Christianity, Hinduism, Islam, and Sikhism, Manav Ratti examines how questions of ethics and the need for faith, awe, wonder, and enchantment can find expression and significance in the wake of such crises. While focusing on Michael Ondaatje and Salman Rushdie, Ratti addresses the work of several other writers as well, including Shauna Singh Baldwin, Mahasweta Devi, Amitav Ghosh, and Allan Sealy. Ratti shows the extent of courage and risk involved in the radical imagination of these postsecular works, examining how writers experiment with and gesture toward the compelling paradoxes of a non-secular secularism and a non-religious religion. Drawing on South Asian Anglophone literatures and postcolonial theory, and situating itself within the most provocative contemporary debates in secularism and religion, The Postsecular Imagination will be important for readers interested in the relations among culture, literature, theory, and politics.
Author: Marvin Carlson
Publisher: University of Michigan Press
ISBN: 0472026550
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Speaking in Tongues presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in part a reflection of a more globalized culture, but it also calls attention to how the mixing of language has always been an important part of the functioning of theatre. The book begins by investigating various "levels" of language-high and low style, prose and poetry-and the ways in which these have been used historically to mark social positions and relationships. It next considers some of the political and historical implications of dialogue theatre, as well as theatre that literally employs several languages, from classical Greek examples to the postmodern era. Carlson treats with special attention the theatre of the postcolonial world, and especially the triangulation of the local language, the national language, and the colonial language, drawing on examples of theatre in the Caribbean, Africa, Australia, and New Zealand. Finally, Carlson considers the layering of languages in the theatre, such as the use of supertitles or simultaneous signing. Speaking in Tongues draws important social and political conclusions about the role of language in cultural power, making a vital contribution to the fields of theatre and performance. Marvin Carlson is Sidney E. Cohn Professor of Theatre and Comparative Literature, CUNY Graduate Center. He is author of Performance: A Critical Introduction; Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present; and The Haunted Stage: The Theatre as Memory Machine, among many other books.
Author: Mattar Karim Mattar
Publisher: Edinburgh University Press
ISBN: 1474467059
Category : Literary Criticism
Languages : en
Pages : 359
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Book Description
At the heart of this book is a spectral theory of world literature that draws on Edward Said, Aamir Mufti, Jacques Derrida and world-systems theory to assess how the field produces local literature as an "e;other"e; that haunts its universalising, assimilative imperative with the force of the uncanny. It takes the Middle Eastern novel as both metonym and metaphor of a spectral world literature. It explores the worlding of novels from the Middle East in recent years, and, focusing on the pivotal sites of Middle Eastern modernity (Egypt, Turkey, Iran), argues that lost to their global production, circulation and reception is their constitution in the logic of spectrality. With the intention of redressing this imbalance, it critically restores their engagements with the others of Middle Eastern modernity and shows, through a new reading of the Middle Eastern novel, that world literature is always-already haunted by its others, the ghosts of modernity.
Author:
Publisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages : 368
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Book Description
