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Author: Jonathan Rosenbaum
Publisher: Univ of California Press
ISBN: 0520914953
Category : Performing Arts
Languages : en
Pages : 347
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Book Description
Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films—from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism. It is this last element—Rosenbaum's reflections on the art of film criticism—that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism. They also serve as representative samples of Rosenbaum's unique brand of film writing. Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen.
Author: Jonathan Rosenbaum
Publisher: Univ of California Press
ISBN: 0520914953
Category : Performing Arts
Languages : en
Pages : 347
Get Book
Book Description
Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films—from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism. It is this last element—Rosenbaum's reflections on the art of film criticism—that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism. They also serve as representative samples of Rosenbaum's unique brand of film writing. Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen.
Author: Jonathan Rosenbaum
Publisher: Univ of California Press
ISBN: 9780520914957
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films—from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism. It is this last element—Rosenbaum's reflections on the art of film criticism—that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism. They also serve as representative samples of Rosenbaum's unique brand of film writing. Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen.
Author: Maurice Rapf
Publisher: Scarecrow Press
ISBN: 1461706394
Category : Reference
Languages : en
Pages : 117
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Book Description
Movies are a passion shared by people of all ages and backgrounds. Maurice Rapf, the first director of the Film Studies Program at Dartmouth College, recognizes that most people who profess a love of the movies have not spent much time learning about them. He has written this text as an attempt to fill in some of the information that movie-lovers should have but usually don't. The information contained in the book has been gleaned from courses that he has taught at Dartmouth over the past thirty years. From 30 years of experience, Rapf assembles the essential information every movie lover should know. It begins with a brief history, followed by a description of the movie-making process, broken down into five components—literary, administrative, shooting, editing and post-production, and marketing. Drawing from his own experience as a magazine film critic, Rapf then outlines how critics work and how studios woo their favor. He also touches on some of the forms movies have taken—as animation, documentary, avant-garde, and as promotion and education. Not to be read as an all-inclusive guide, this work can be seen instead as a launching-point for a deeper appreciation of the movies.
Author: Ray Pratt
Publisher:
ISBN:
Category : History
Languages : en
Pages : 358
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Book Description
A wide-ranging and idiosyncratic look at sixty years of politics and film that uncovers how American movies have mirrored and even challenged anxieties and paranoid perceptions embedded in American society since the start of the Cold War. The first book to take a sweeping look at 60 years of film and analyze them thematically.
Author: Matilda Mroz
Publisher: Edinburgh University Press
ISBN: 0748643478
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. In close readings of Michelangelo Antonioni's L'Avventura, Andrei Tarkovsky's Mirror, and the ten short films that make up Krzysztof Kie?lowski's Decalogue series, Mroz highlights how film analysis must consider both particular moments in cinema which are critically significant, and the way in which such moments interrelate in temporal flux. She explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh perspective to film analysis and criticism.Essential reading for students and scholars in Film Studies, this engaging study will also be a valuable resource for critical theorists.
Author: Bert Cardullo
Publisher: Anthem Press
ISBN: 184331388X
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
'Screen Writings: Genres, Classics, and Aesthetics' offers close readings of genre films and acknowledged film classics in an attempt to explore both the aesthetics of genre and the definition of 'classic' - as well as the changing perception of so-called classic movies over time. Implicitly theoretical as much as it is unashamedly practical, this book is a model not only of film analysis, but also of the enlightened deployment of cultural studies in the service of cinema study.
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Languages : en
Pages : 294
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Category : Periodicals
Languages : en
Pages : 644
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Category :
Languages : en
Pages : 344
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Category :
Languages : en
Pages : 1072
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