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Author: Sara F. Matthews Grieco
Publisher:
ISBN:
Category :
Languages : en
Pages : 321
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Book Description
Author: Sara F. Matthews Grieco
Publisher:
ISBN:
Category :
Languages : en
Pages : 321
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Book Description
Author: Geraldine A. Johnson
Publisher:
ISBN: 9780521562768
Category : Art
Languages : en
Pages : 321
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Book Description
Interdisciplinary approach to the history of women and Renaissance and Baroque Italy.
Author: Merry E. Wiesner
Publisher: Cambridge University Press
ISBN: 9780521778220
Category : History
Languages : en
Pages : 348
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Book Description
This is a major new textbook, designed for students in all disciplines seeking an introduction to the very latest research on all aspects of women's lives in Europe from 1500 to 1750, and on the development of the notions of masculinity and femininity. The coverage is geographically broad, ranging from Spain to Scandinavia, and from Russia to Ireland, and the topics investigated include the female life-cycle, literacy, women's economic role, sexuality, artistic creations, female piety - and witchcraft - and the relationship between gender and power. To aid students each chapter contains extensive notes on further reading (but few footnotes), and the approach throughout is designed to render the subject in as accessible and stimulating manner as possible. Women and Gender in Early Modern Europe is suitable for usage on numerous courses in women's history, early modern European history, and comparative history.
Author: Paola Tinagli
Publisher: Manchester University Press
ISBN: 9780719040542
Category : Art
Languages : en
Pages : 226
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Book Description
This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.
Author: Christa Grössinger
Publisher: Manchester University Press
ISBN: 9780719041099
Category : Art, Early Renaissance
Languages : en
Pages : 200
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Book Description
This extensively illustrated book discusses the representation of women in the art of the late Middle Ages in Northern Europe. Drawing on a wide range of different media, but making particular use of the rich plethora of woodcuts, the author charts how the images of women changed during the period and proposes two basic categories - the Virgin and Eve, good and evil. Within these, however, we discover attitudes to sinful, foolish, married and unmarried women and the style and use of these images exposes the full extent of the misogyny entrenched in medieval society.
Author: Carole Collier Frick
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Surveying the women painters, engravers and sculptors working in 16th and 17th century Italy, this text examines their artistic practices and achievements.
Author: Kellen Kee MacIntyre
Publisher: BRILL
ISBN: 9004153926
Category : Art
Languages : en
Pages : 470
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Book Description
This illustrated anthology brings together for the first time a collection of essays that explore the position of women and the contributions made by them to the arts and architecture of early modern Latin America.
Author: Christoph E. Schweitzer
Publisher: Camden House
ISBN: 9781571132598
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Varied images of women studied in a variety of German texts as a springboard for plot or character. A man looks at the portrait of a woman and then sets out to 'liberate'her and make her his own (Die Zauberflöte, Maria Stuart); an oldman, while looking at the picture of his youthful beloved, reminiscesabout his failedcourtship (Storm's Immensee). These are just twoof many uses of art works depicting women discussed in this book. Theart work can displace the living woman as in Hauff's 'Die Bettlerinvom Pont des Arts', in Jensen's 'Gradiva', and in Schimmang's'Intimität'. A man looking at a painting of himself (E. T. A.Hoffmann's Die Fermate) or a man looking at a sculpture comes toappreciate the beauty of the female figure, both in art and life(Stifter's Der Nachsommer). The innovative approach, which in part goes back to theories developed by Lessing in his Laokoon, yields, via a close reading of a variety of the texts, new insights into their structure and meaning.
Author: ErinE. Benay
Publisher: Routledge
ISBN: 1351567284
Category : Art
Languages : en
Pages : 305
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Book Description
Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. This book reconsiders depictions of the ambiguous encounter of Mary Magdalene and Christ in the garden (John 20:11-19, known as the Noli me tangere) and that of Christ?s post-Resurrection appearance to Thomas (John 20:24-29, the Doubting Thomas) as manifestations of complex theological and art theoretical milieus. By focusing on key artistic monuments of the Italian Renaissance and Baroque periods, the authors demonstrate a relationship between the rise of skeptical philosophy and empirical science, and the efficacy of the senses in the construction of belief. Further, the authors elucidate the differing representational strategies employed by artists to depict touch, and the ways in which these strategies were shaped by gender, social class, and educational level. Indeed, over time St. Thomas became an increasingly public--and therefore masculine--symbol of devotional verification, juridical inquiry, and empirical investigation, while St. Mary Magdalene provided a more private model for pious women, celebrating, mostly behind closed doors, the privileged and active participation of women in the faith. The authors rely on primary source material--paintings, sculptures, religious tracts, hagiography, popular sermons, and new documentary evidence. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief. Further, they add greater nuance to our understanding of the relationship between popular piety and the visual culture of the period.
Author: Geraldine A Johnson
Publisher: Oxford University Press
ISBN: 9780192803542
Category : Art
Languages : en
Pages : 177
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Book Description
A concise and readable introduction to Renaissance art.-publisher description.
