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Author: John Mraz
Publisher: University of Texas Press
ISBN: 0292742835
Category : Photography
Languages : en
Pages : 328
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Book Description
The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images. In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).
Author: John Mraz
Publisher: University of Texas Press
ISBN: 0292742835
Category : Photography
Languages : en
Pages : 328
Get Book
Book Description
The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images. In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).
Author: John Mraz
Publisher: University of Texas Press
ISBN: 0292735804
Category : Photography
Languages : en
Pages : 328
Get Book
Book Description
The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images. In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).
Author: Marco A. Portales
Publisher:
ISBN: 9781465219725
Category : Cristero Rebellion, 1926-1929
Languages : en
Pages : 0
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Book Description
Author: Adolfo Gilly
Publisher:
ISBN: 9781595581235
Category : Mexico
Languages : en
Pages : 0
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Book Description
The classic account of the mexican revolution from the acclaimed author. First published in Spanish in 1971, "The Mexican Revolution" has been praised by Mexico's Nobel Prize-winning author Octavio Paz as a notable contribution to history and is widely recognized as a seminal account of the Mexican Revolution. Written during the author's time as a political prisoner in the famous penitentiary of Lecumberri in Mexico, it sold thousands of copies in its first edition, becoming widely accepted as the official textbook by history faculties in Mexico despite Gilly's continued incarceration. It has gone through more than thirty editions in Mexico and been translated into French and Greek. This is a comprehensively revised and updated edition of the original text with a foreword by Latin American history scholar Friedrich Katz and a new preface to the English edition by the author. A true "people's history," "The Mexican Revolution" is a stirring, bottom-up account of an event whose reverberations are still felt throughout Latin America and the rest of the world. What you didn't know about the Mexican Revolution: - In December 1914 the peasant armies of Pancho Villa and Emiliano Zapata conquered Mexico City and established a peasant government there. - Mexico's 1917 constitution granted the right of peasants and peasant communities to own the land they tilled. - Mexico's 1917 constitution established an eight-hour workday, a minimum wage, the rights to establish unions and to collectively bargain, and a right to strike--rights not seen in the United States until the 1930s and later.
Author: Ronald H. Chilcote
Publisher:
ISBN: 9780972854481
Category : Photography
Languages : en
Pages : 119
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Book Description
The 427 glass-plate and film negatives of the Osuna Collection, photographs from the Mexican Revolution, are now preserved in the Special Collections & Archives Department of the Tomâas Rivera Library at the University of California, Riverside. This volume reproduces the whole collection, highlights a number of the most striking images and provides essays that illuminate and place the photos in context.
Author: Museum of Modern Art (Oxford, England)
Publisher: Conran Octopus
ISBN:
Category : History
Languages : en
Pages : 112
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Book Description
"This exhibition of one hundred and fifty prints has been selected from the many thousands of negatives which form the Casasola Archive. Its title, 'Tierra y Libertad', takes up the rallying call for 'Land and Liberty' which expressed the aspirations of the Mexican Revolution--excerpt from the foreword
Author: Agustín Víctor Casasola
Publisher:
ISBN:
Category : Documentary photography
Languages : en
Pages : 230
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Book Description
Agustín Victor Casasola photographed everyone of consequence in Mexico at the time of the revolution, from Francisco (Pancho) Villa, Emiliano Zapata and the exiled Russian leader Leon Trotsky to artists Diego Rivera and Frida Kahlo. For this splendid collection of Casasola's work, the noted American author Pete Hamill has written a rich essay on the photographer and the Mexico he pictured so well.
Author: Robert L. Scheina
Publisher: Potomac Books, Inc.
ISBN: 1612340733
Category : Biography & Autobiography
Languages : en
Pages : 168
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Book Description
Analyzes the raucous career of one of the Mexican Revolution's central figures.
Author: Zuzana M. Pick
Publisher: University of Texas Press
ISBN: 0292721080
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico's twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution's timeline (1910-1917) corresponds with the emergence of media culture and modernity. Drawing on twelve foundational films from Que Viva Mexico! (1931-1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.
Author: Mary Davis MacNaughton
Publisher: Getty Publications
ISBN: 1606065459
Category : Photography
Languages : en
Pages : 178
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Book Description
Published by the Ruth Chandler Williamson Gallery, Scripps College in association with Getty Publications This richly illustrated exhibition catalogue features photographs by three Mexican women, each representing a different generation, who have explored and stretched notions of Mexican identity in works that range from the documentary to the poetic. Revolution and Ritual looks first at the images of Sara Castrejón (1888–1962), the woman photographer who most thoroughly captured the Mexican Revolution. The work of photographic luminary Graciela Iturbide (born 1942) sheds light on Mexico’s indigenous cultures. Finally, the self-portraits of Tatiana Parcero (born 1967) splice images of her body with cosmological maps and Aztec codices, echoing Mexico’s layered and contested history. By bringing their work into conversation, Revolution and Ritual invites readers to consider how Mexican photography has been transformed over the past century.
